The Nigeria Women's Bobsled Team Has Qualified for the Winter Olympics

These women will represent Nigeria for the first time at the Winter Olympics at the 2018 Games in PyeongChang.

Nigeria (and Africa!) will compete at the Winter Olympics, thanks to the Nigeria Women's Bobsled team, ESPN reports.


Driver Seun Adigun and brakewomen Ngozi Onwumere and Akuoma Omeoga completed the fifth of their required five qualifying races Wednesday—becoming the first African team, men or women, to qualify in the Bobsled category.

The team completed races in Utah, Whistler and their final two races in Calgary on Tuesday and Wednesday.

"This is a huge milestone for sports in Nigeria," Adigun tells KweséESPN. "Nothing makes me prouder than to know that I can play a small role in creating opportunities for winter sports to take place in Nigeria.

"Our objective now is to be the best representation of Africa that the Winter Olympics have ever witnessed."

Solomon Ogba, president of the Bobsled and Skeleton Federation of Nigeria, commends the personal dedication and commitment of the women.

"Their hard work was inspiring and I hope Nigerians can appreciate what it took for them to achieve this - the work, the discipline, and the personal sacrifices. They were amazing throughout this journey," he says in a statement. "I have watched them train and work hard to represent Nigeria at the Winter Olympics in a very technical and high risk sport and they have achieved that. They should be very proud, and I am very proud of them."

The federation may also qualify for the Skeleton competition at the Winter Games in PyeongChang, with driver Simidele Adeagbo just two races away from qualifying.

Congrats, ladies!

To learn more about what motivated Adigun and her crew to to take on this challenge, read the conversation we had with the team last year here.

Photo courtesy of 1-54/SUTTON.

1-54 Contemporary African Art Fair Landing in Marrakech is 2018's Most Anticipated Art Event

The leading art fair dedicated to contemporary African art makes its mark on the continent for the first time this weekend.

This weekend, 1-54 Contemporary African Art Fair, the leading art fair devoted to contemporary African art, will debut in Marrakech, Morocco. The announcement of the Fair's expansion to the continent last year has left aficionados of contemporary African art in eager anticipation of this "homecoming"—this author included.

1-54 debuted in London in 2013. Although an expansion to New York followed, a presence on the continent was always part of the long-term vision of the founder Touria El Glaoui. Finally, the time has now arrived.

Here are five reasons why we're looking forward to 1-54 Contemporary African Art Fair Marrakech.

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This Olympic Figure Skater Blew Us Away Again By Pulling Off a Costume Change Mid-Routine

First Maé-Bérénice Méité performed to Beyoncé, now she's effortlessly slaying outfit changes mid-routine. What can't she do?

French-Congolese and Ivorian figure skater, Maé-Bérénice Méité, has pretty much been the life of the Winter Olympic figure skating competition.

Earlier this month, the athlete had the internet shook when she performed her opening routine to two Beyoncé songs. Now she's back with even more black girl magic.

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Video still via YouTube.

10 Stand Out Moments From Janelle Monáe's Powerful Music Videos

Janelle Monae came back making a statement—and we're just as obsessed as you are.

We've got to talk about Janelle Monáe.

Over the past half decade, she's embarked on a profound journey that's solidified her as an artist, creator and activist who isn't afraid to shoot down the stars—or shoot with them.

After having roles in Hidden Figures and Moonlight—two Oscar nominated movies where one won an Oscar, a stellar speech at the Grammy's and a stunning presence at the Black Panther red carpet, she's ready to grace us with "Dirty Computer," the latest musical venture in her Afrofuturistic saga.

To whet our appetites before the album, which is set to release on April 27, Janelle dropped not one but two music videos yesterday. Both are distinctly entertaining: one is a black, intersectional feminist anthem and the other a psychedelic soundtrack of sexual fluidity.

Watch both, then read some of the highlights we gathered from the hypnotizing visuals and powerful wordplay.

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