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AKA. Photo by Sabelo Mkhabela.

AKA Is Getting Sued For The Song He Sampled On ‘One Time’

Sample clearance is always messy.

South African rapper and pop star AKA sampled the song "Party Weekend" by 80s group Future for his 2016 single "One Time." He is now in legal trouble as Enos Thembinkosi Lubisi, one of the two surviving members of Future is suing Universal Music South Africa, the label AKA released the song under, The Sowetan reports.

Lubisi also alleges that Sony Music South Africa claims the artist signed all the rights to the song to the label. The artist filed court papers at the South Gauteng Court on Wednesday stating that he wants to be declared the sole holder of the rights of both "Party Weekend" and "One Time."

Lubisi first heard the song in 2016, and said all he wanted was to be credited for his work. He was quoted by Daily Sun in November of 2016 as saying, "I was upset because someone was using the song I composed without my permission."

AKA was quoted by the same paper as saying: "It is not that I didn't want to credit the band. I just couldn't get in contact with them. I have repeatedly said I'm willing to apologize and give credit where it's due."

Read: How AKA's Sampling Is Preserving South African Classics

Ryan Hill of Universal Music said the label was under the impression Lubisi agreed to give the artist 60% of the composer rights to the track.

The court papers, according to Universal Music, have been signed by Universal and AKA and sent to Sony Music. Sony's legal team, however, said they didn't receive any court papers.

While it's really great for AKA and other young South African musicians to sample and honor South African legends, it's really important that the samples are cleared so the legends can also benefit.

Lubisi told Daily Sun that he loved what AKA did on "One Time."

"I like the way he sings," he said. "His song reminds me of the music made in the '80s. I am pretty impressed with him. But next time he must give credit where it is due."

We couldn't agree more.

Read: 'Touch My Blood' Is AKA's Most Layered Album

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(From left to right) Stéphane Bak and Marc Zinga in 'The Mercy of the Jungle.' Photo courtesy of TIFF.

Congolese Actor Stéphane Bak on His Intense Experience Shooting 'The Mercy of the Jungle' In Uganda

We catch up with the actor after the film made its North American premiere at TIFF.

When actor Stéphane Bak first got the script for The Mercy of the Jungle (La Miséricorde de la Jungle), he knew there was one person he had to consult: his father. "My dad did school me about this," he says. While Bak was born and raised in France, his parents had emigrated from what was then Zaire in the 1980s—before the events of the movie, and not exactly in the same area, but close enough to be able to pass on firsthand knowledge of the simmering ethnic tensions that underpin the action.

The story takes place in 1998, just after the outbreak of the Second Congo War—which came hot on the heels of the First Congo War. Two Rwandan soldiers find themselves separated from their company and have to make a harrowing trek through the jungle to link back up with their regiment. Bak plays Private Faustin, the young recruit hunting Hutu rebels to avenge his murdered family, a foil to Marc Zinga's seasoned Sergeant Xavier. As a Congolese militia swarms the area, and it becomes increasingly difficult to tell enemies from friends, the two are forced off the road and into the thick vegetation.

Their journey is physically difficult, but the jungle also nurtures them, providing food, water, and shelter. "The title is very explicit in a way," says Bak. It is the human beings they encounter, from rival soldiers and militiamen to the hostile security forces guarding illegal gold mining operations, who bring sudden danger and violence. The challenges are conveyed as much through the actors' physicality as through the minimal dialogue. As for the strain on his face, Bak says it was all real. "To be honest, it was very difficult," he says of the shoot, which took him 25 days. "I had to learn my accent in two weeks." Prior to commencing, there was training with the Ugandan army for realism. Due to the ongoing conflicts in the DRC, the movie itself was shot in Uganda.

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Brazil Has Made Yoruba an Official Language

The language will also be incorporated into primary and secondary school curriculum in the country, says the Minister of Culture.

Yoruba history and culture has an undeniably strong presence in Brazilian society, due of course, to the Transatlantic slave trade which brought millions of enslaved West Africans to the Americas. Despite the inhumanity they faced, many managed to keep their ancestral culture and traditions alive.

Centuries have passed, and Yoruba influences still continue to thrive in various regions of the country, as many Brazilians maintain a strong relationship with the language and religion. Its influence can be seen through the music, food and spiritual practices of various communities. Last month the Ooni of Ife—the spiritual leader of the Yoruba people—visited the country, where he was met by crowds of Black Brazilians who turned up to pay their respects.

This connection will likely remain strong for future generations, as the language has now become an official foreign language in the country.

WATCH: How Ilê Aiyê Brought Blackness Back to Carnival

Brazil's Minister of Culture, Dr. Sérgio Sá Leitão, has said that the language will now be incorporated into primary and secondary school curriculum, reports the Nigerian Voice.

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This EP Blends the Afro-Brazilian Rhythms of Bahia With Bass Music

Get into Telefunksoul and Felipe Pomar's Ré_Con Ba$$ EP.

Brazilian producers Felipe Pomar (of TrapFunk & Alivio) and Telefunksoul come through with a dizzyingly energetic EP in the form of Ré_Con Ba$$.

Telefunksoul, who happens to be one of the main promoters of Bahia Bass music, came up with the concept of exploring the rhythms coming out of Recôncavo of Bahia and showing how they can fit into bass music.

Through the 7-track Ré_Con Ba$$ EP, him and Pomar mold and transform the diverse music of Bahia, fusing its rhythms with afrobeat, future house, deep house and much more.

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