It’s safe to say, we’re all glad to see the back of 2016, a year that saw us lose game-changing artists like Prince and Sharon Jones amongst a slew of other tragedies, including the election of a racist, misogynist and unqualified US President. Nonetheless, in such a testing climate music has the ability to question, re-focus and bring up for debate issues affecting us all.
The 10 artists in this list are all innovators in their own rights, whether carrying the baton for UK grime, rallying for change, forging their own scenes or paying homage to their African ancestry and the greats that inspired them, we’re sure these acts will be making waves into 2017 and beyond. So get to know them.
22-year-old South Londoner Ray BLK embodies an expression of female black Britishness we have been waiting for. In the video for “50/50,” a track calling out time-wasting lovers, she pays homage to the hair shops of South London. Always rooted in her own experience, BLK delivers tales of London life through sultry vocals and finger snapping beats. Her songs are relatable and memorable—the hook for “50/50” stayed well and truly lodged in my brain for days.
This year has already provided the singer with an impressive list of accomplishments to put under her belt, she’s collaborated with Stormzy (on track “My Hood”) and supported Kelela at her London show earlier this year. Nonetheless, with her new EP Durt freshly released and a headline show in February, 2017 is set to be a good year.
Singing of heartbreak, the trials and tribulations of life in 2016 and odes to the complexity of her hood, Ray BLK offers anthems to the black British experience, which look set to stand the test of time, make sure you lend her your ears if you haven’t already.
Gaika has been on our radar ever since his chilling track “Blasphemer.” His special brand of dark dancehall and bashment-infused soundscapes have seen him carve out a space entirely his own. A youtube commenter, described him as “Jamaican Death Grips” and the subtle menace that bubbles beneath his tracks certainly earns him that title.
Following a debut EP in 2015, Machine, and an early feature on avant-garde de-colonial label NON Worldwide’s Compilation, the artist recently dropped his latest EP Spaghetto on Warp Records, and headlined London’s XOYO earlier this month. He’s collaborated with Mykki Blanco and is on the experimental edge of sound art, shaping dystopian soundscapes which rub up against what the world expects of a black male artist. Even if you can’t put a name on it, watch out for more sonic innovation from Gaika in 2017.
They’ve been backed by tastemaker Gilles Peterson, and sold out their self-titled debut EP launch show at this year’s London EFG Jazz Festival. Nérija take their name from the Hebrew word meaning “lamp of god,” and the all-female jazz band are certainly lighting the way.
Their seven band members include Shirley Tetteh on guitar, Sheila Maurice Grey on Trumpet and Nubiya Garcia on tenor sax, amongst others who are tearing up the jazz scene on their own terms. They’ve played jazz festivals up and down the UK and are proof that independent artists can make ripples; using crowdfunding to record and release their first EP.
Their hard work paid off, earning them a nomination for Breakthrough Act at the Jazz FM Awards, (no small feat with Kamasi Washington and Christian Scott also up for awards). With influences of township music and hip-hop seeping through their compositions, we hope Nérija will be a part of the fabric of the UK’s Jazz scene for a long time yet.
Obongjayar’s gravelly voice paints melancholy in a new light. You’ll be hard pressed not to stop in your tracks after hearing his debut single “Creeping,” which booms the solitude and struggle of London life through any speakers. This soul-stirring artist, originally from Nigeria, arrived in London aged 17 and has been perfecting his craft, causing ripples in London and Norwich scenes ever since.
Spewing confessionals over sparse beats and glitchy soundscapes, Obongjayar’s aesthetic is definitely rooted in the sound of 2016. Yet packed with poetic imagery, visceral delivery and vulnerability, his work is a breath of fresh air. It’ll leave you feeling hopeful about the potential for nuanced representations of masculinity in the music we hear.
His debut EP Home has dropped recently, you download it here for a taste of melancholy and grit. Check out the arresting video for “Creeping,” directed by none-other-than Frank Lebon (the equally-talented brother of the man behind Frank Ocean’s stunning “Nikes” visuals). You can expect to see Obongjayar gracing stages around the capital before long, not one to be slept on—for real.
Winner of this year’s MOBO Award for Best Music Video, Nadia Rose is 22-year-old rapper from Croydon, South London unafraid to grab opportunity by the scruff of the neck. Relatively new to the scene, Rose quit her job two years ago to try rapping full time and hasn’t looked back since.
From headlining London’s Born and Bred Festival this summer (a weekend long celebration of grime, hip-hop, garage and more) to opening for legends like Busta Rhymes, Rose is taking new found success in her stride. Spitting over club bangers like “Tight Up” with playful lyricism and cockiness she’s a contender for a seat at the table with top UK rappers like Lady Leshur and her cousin Stormzy.
Freely rapping about female sexuality, success and nights out, Nadia’s tunes are the perfect soundtrack for getting ready before hitting the club. With her EP Highly Flammable set to drop on January 13, we can expect plenty more tracks to set the club on fire. In the meantime, peep her “Skwod” video.
To be honest, Kojey Radical should have been on our list of ones to watch in 2016. The 23-year-old poet and rapper (a Londoner hailing from Ghana) has had a stellar year, supporting the likes of Ghostface Killah and Saul Williams, selling out headline shows at London’s Jazz Cafe and Cafe OTO, and a nomination for MOBO’s Best Newcomer Award, all whilst being unsigned. And the young artist shows no signs of letting up, posting “I’m trying to live and die one the greatest performers who ever lived.”
Whilst mainstream media might be slow to wake up to this wordsmith’s talents, the energy and love at his shows suggests he’ll be fine without their recognition. His hard-hitting lyrics and gripping visuals speak specifically to a young diaspora, thirsty for authentic tales of our lives in Britain and our complex heritages.
His EP 23 Winters, with the tagline “We’ve come a long way from being scared to say our African names when asked,” was conceptualised around conversations with his father about Ghana, adulthood and responsibility. Spitting political fire over neck breaking trap beats on tracks like “Gallons,” Kojey fearlessly dissolves the rift between poetry and rap, bridging the gap with weighty lyrics speaking to the difficulties of black life in Britain. Even if “they don’t wanna see me righteous running riots with my people,” we certainly do. There’s no telling what he’ll drop in 2017, but it will—no doubt—be fire.
Youth Man are not for the faint hearted. A punk band based in Birmingham, their high octane songs earned them a slot at this year’s first UK Afropunk Festival. Guitarist and lead singer Kalia soars from dulcet, vulnerable tones into heavy roars colliding with bass lines moving faster than the speed of light.
The independent band have been tearing roofs off gigs around the UK and are have just announced that they’ll be supporting Sacremento’s hardcore punk band Trash Talk on their UK/EU Tour in 2017. If you can’t catch them causing musical riots across the EU, listen to their EP WAX that dropped earlier this year.
Brother Portrait dropped “Seeview/Rearview” last month and had us speechless. His lyrical and visual homage to the dual nature of being a black British immigrant speaks volumes and we can’t wait to see what he drops in 2017. One third of alternative hip-hop group Black Other, Hadiru Mahdi (aka Brother Portrait) cut his teeth in London’s spoken word scene and is now ready to drop his EP, navigate in:limbo.
If the poignant honesty of his offerings up till now are anything to go by, we’re in for a treat. His voice is one in a growing chorus of black Brits opening up about their experiences, bringing seismic shifts in Britain’s music scene. Give thanks and nod your head to the beat.
Young MC Flohio had the chance to represent her ends SE16, Bermondsey when supporting acclaimed producer Clams Casino at his XOYO gig last month. A member of TruLuvCru, a group of creative friends looking to make their mark on Britain’s art and music scene, Flohio understands the power of collaboration.
In the summer, she featured on “SE16,” a stunning collaboration with production duo God Colony, that pairs distorted off kilter beats with industrial-come-tropical instrumentals that will reconfigure how you view the term ‘grime.’ The video, directed by none-other-than Gaika, takes us on a lo-fi tour of South London. Flohio topped off a killer year with a set at Boiler Room’s November party, sharing the bill with 19-year-old prodigy Sam Gellaitry and Areaboyz. Forgive us for saying we told you so when Flohio gets the attention she deserves and fully blows up in 2017. Wrap your ears around her debut EP Nowhere Near asap!
“I’m an ugly man making sexy money” sings J Hus in the viral video for his 2016 hit “Friendly”—we hope the self deprecation is just for show. His tongue-in-cheek lyrics (that never shy away from objectifying the female form) ride over afrobeats infused rhythms—there’s no denying he delivers bangers.
Though he lost out to Abra Cadabra on his MOBO nomination for Best Song, and has kept a lower profile this year than in 2015 (when he dropped his debut EP The 15th Chapter and supported the ever problematic Young Thug), J Hus’ growing popularity is undeniable. Even if awards aren’t ready for him yet, the club dance floors certainly are. “Dem Boy Paigon” and “Lean and Bop” are just a few of his 2015 hits, and with hints of a new album to come in 2017, the 21-year-old Newham rapper of Gambian heritage shows no signs of slowing up.