Albert Jonas and John Xiniwe, The African Choir. London, 1891. © Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London.

This Photo Exhibit Is Showcasing What Black Excellence Looked Like in the 19th Century

Black Chronicles IV, presented by London's Autograph ABP, lands in Johannesburg today.

The fourth edition of Black Chronicles, a highly acclaimed photograph and multimedia exhibition, lands in Johannesburg today.

Presented by London's Autograph ABP and curated by Reneé Mussai, the agency's senior curator and head of archive and research, Black Chronicles IV will show a vast array of photographic studio portraits, reprinted from original glass plates and archive prints. The images were rediscovered in 2014 after being buried in the Hulton Archive's London Stereoscopic Company collection for over 125 years.

"These exquisitely rendered images are highly relevant to contemporary black representational politics and cultural history, revealing alternative perspectives to the modes of colonial ethnographic display prevalent at the time," the exhibit's press release says. "Offering the Johannesburg public a unique opportunity to encounter a diverse range of black presences through the prism of 19th century studio photography in Europe and America, the exhibition foregrounds the extraordinary stories of both ordinary and prominent black figures—performers, dignitaries, politicians, servicemen and women, missionaries, students, businessmen and international royalty."

Hosted at University of Johannesburg's FADA Galley, this iteration will feature portraits of notable black South Africans, including Charlotte Maxeke, political activist, academic and founder of the Bantu Women's League, her sister Katie Makanya and Paul Xiniwe—who were photographed in London at the turn of the century as part of The African Choir. "As members of the 'African Intelligentsia,' these figures went on to become leading social activists and reformers," the press release adds. "Enabling different ways of 'seeing' individuals often marginalized within Victorian Britain, colonial Southern Africa and the American South, Black Chronicles IV contributes toward an ongoing process of redressing the persistent 'absences' of black narratives within the historical record."

Albert Jonas and John Xiniwe, The African Choir. London, 1891.© Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London.

Mussai notes the aim of the exhibition series is continue to expand critical inquiry into the archive to locate new knowledge and enrich photography's cultural histories. "Not only does the sitters' visual presence in Britain bear direct witness to the complexities of colonial and imperial history," Mussai says, "they also offer a fascinating array of personal narratives that defy pre-conceived notions of cultural diversity in the 19th century."

African Choir 1891 Re-imagined, a highlight of the exhibit, is the sound and image-based installation comprised of 16 portraits of the original members of The African Choir, who toured Britain in 1891. The images are accompanied by an evocative five-channel soundtrack of songs composed and arranged by South African artists Thuthuka Sibisi and Philip Miller as a creative re-imagining of the choir's concert program.

Another notable aspect of the exhibit is the inclusion of over 200 images selected from leading African American scholar and civil rights activist W.E.B. DuBois' landmark collection from The American Negro Exhibit at the 1900 Paris Exposition. This is the first time these images will be exhibited in South Africa, as well as on the African continent. The images ultimately give insight into the self-affirming expressions of black culture in the U.S. at the end of the 19th century and challenge the popular racist caricatures of that era.

"We hope to drive the debate around representation and black subjectivity, and examine the ideological conditions in which such photographs were produced and the purpose they serve as agents of communication, then and now," Mussai says. "At the heart of the exhibition is the desire to resurrect black figures from oblivion and re-introduce them into contemporary consciousness."

Take a look at a selection of images from the exhibition below:

Wellington Majiza, The African Choir. London, 1891. By London Stereoscopic Company.© Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London.

Peter Jackson. London, 1889. By London Stereoscopic Company.© Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London.

Charlotte Maxeke (née Manye), The African Choir. London, 1891. By London Stereoscopic Company.© Hulton Archive/Getty Images. Courtesy of Hulton Archive, and Autograph ABP, London.

Sarah Forbes Bonetta (Sarah Davies), 1862 by Camille Silvy Courtesy. © National Portrait Gallery, London.

Black Chronicles IV runs from April 13 to May 31 at the FADA Gallery, University of Johannesburg. For gallery hours and more information, click here.

Afro B. Image courtesy of the artist.

Afro B's 'Shaku Shaku' Dance Video Will Jump Start Your Week

Exclusive: the new Afrowave banger gets a dance visual.

Afro B, the man behind the massive hit "Drogba (Joanna)," recently dropped his follow-up single "Shaku Shaku," which premiered with us last week.

The new track is yet-another banger from the Ivorian-British artist, one which sees him link up with frequent collaborators Team Salut, the production duo behind some of the biggest Afrowave hits coming out right now.

Afro B is now premiering the new dance video for "Shaku Shaku" exclusively here today with OkayAfrica.

Keep reading... Show less

Wizkid Teams Up With Normani and Calvin Harris on 'Checklist'

The trio link up for a pulsating new track from "Normani x Calvin Harris."

Wizkid joins Normani and Calvin Harris on "Checklist," an upbeat single from the 2-track collaborative project Normani x Calvin Harris which dropped today.

Normani, formerly of the girl group Fifth Harmony, delivers raw energy on the dance-worthy track while Wizkid adds flavor with lively verses and ad-libs. On the production side of things, star EDM artist, Harris adds pulsating synths and subtle hints of afrobeats and dancehall.

Keep reading... Show less

Blinky Bill's New Album Shows That There Are No Limits to His Creativity

The prolific Kenyan beatmaker Bill Sellanga is back with his eagerly-awaited debut solo album, Everyone's Just Winging It & Other Fly Tales.

Blinky Bill is not new to the game. As one of the founding members of Kenya's most famous alternative music collective, Just a Band, he already has an extensive body of work under his belt.

In their heyday, Just a Band revolutionized the Kenyan music scene with their genre-bending style and uniquely-produced visual treatments. Their avant-garde approach to music and art led to global recognition, the production of Kenya's first viral video and a direct influence on the next wave of Nairobi's creative daredevils. Now on hiatus, the band members have set out on their own solo endeavors. For Blinky Bill—DJ, rapper and producer extraordinaire—a solo album has been a long time coming.

On Everyone's Just Winging It & Other Fly Tales, Blinky reinvigorates his passion for experimental beat-making. He weaves African rhythms together with electronic cuts, hip-hop and funk in order to attain a hard-hitting, inventive and sublime body of work.

Keep reading... Show less

get okayafrica in your inbox