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Chimamanda Ngozi Adichie Discusses Blackness and How The American Left "Is Creating Its Own Decline"

The acclaimed writer shared her thoughts on the American left during a panel discussion with The New Yorker.

Chimamanda Ngozi Adichie sat down for a conversation with The New Yorker last Friday, where she discussed the writing process of her seminal book, Americanah, fighting racism in the United States in the age of Trump, the concept of "blackness," and most notably her thoughts on the state of the "American Left."


Speaking with The New Yorker editor David Remnick, Adichie shared her thoughts on, what she referred to as, "the left that is heard." She critiqued those who identify as part of this group for failing to unify and work together, contrasting that with what she believes is the right's ability to move in solidarity.

"I almost feel as though the left is creating its own decline. I think the left doesn't know how to be a tribe, in the way the right does," she said. "The left is very cannibalistic. It eats its own."

She went on to clarify, that it's not leftist ideals that she disagrees with, but rather, what she considers, the impractical rules by which the stance operates.

"There's something to be said, of course, for ideals, and I believe very much in that," Adichie said. "There can be an extremist idea of purity. It's so easy to fall afoul of the ridiculously high standard set there."

She was then asked about her personal experience, dealing with criticism from the left. She discussed an incident that occurred earlier this year when she came under fire for controversial statements she made about trans women. "In the quest for inclusiveness, the left is willing to discard a certain kind of complex truth. I think there's a quickness to assign ill intent," she said in response to the backlash she received at the time.

"The response is not to debate, the response is to silence."

Adichie went on to discuss how she came to terms with the idea of "blackness"—a concept, she says, was unfamiliar to her growing up in Nigeria. "It took reading and learning, and kind of concisely taking on that identity, which I think in many ways is also a political identity."

Watch the full conversation below.

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Photo by Sabelo Mkhabela.

B3nchMarQ and the Art of Making Something From Nothing

B3nchMarQ's EP consists of great songs that don't require much from the listener—but it bangs.

There's nothing groundbreaking about South African rap duo B3nchMarQ's debut release ASPEN EP. But one indisputable fact is that it bangs.

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Photo by Sabelo Mkhabela.

Nasty C and French Montana Hit the Club In the Video for ‘Allow’

Watch the video to Nasty C and French Montana's new collaboration.

South African rapper Nasty C just released the visuals to "Allow," his collaboration with French Montana. The song is featured on Bad Hair Extensions, the re-release of Bad Hair, the Durban-born rapper's debut album.

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Courtesy of Jojo Abot.

Let Jojo Abot's New Afrofuturistic Video Hypnotize You

The Ghanaian artist releases the new video for "Nye VeVe SeSe," an entirely iPhone-recorded track.

Jojo Abot is rounding out a strong year which has seen her tour South Africa, release the NGIWUNKULUNKULU EP and work with institutions like the New Museum, Red Bull Sound Select and MoMA on her art and performances.

Jojo is now sharing her latest music video for "Nye VeVe SeSe," a song featured on her iPhone-only production project, Diary Of A Traveler.

"Nye Veve Sese is an invitation to let go of the burden of pain and suffering that keeps us from becoming our best and greatest selves," a statement from Jojo's team reads. "Asking the question of why pain is pleasurable to both the one in pain and the source of the pain. Often time the two being one and the same."

Watch her new "meditative piece," which was shot in Bedstuy, Brooklyn, below.

Jojo Abot will be playing her final US show of the year in New York City alongside Oshun on October 26 at Nublu 151. Grab your tickets here.

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