Okayafrica TV: Tanzania’s Fid Q In Brooklyn

We met up with Tanzanian hip hop superstar Fid Q at an old-school Brooklyn house party. Like all parties, you never know who you’re gonna run into. We found ourselves in the company of Fid’s stateside pals, most of whom are movers and shakers in the music-as-activism world. Check out our brief backyard interviews with Fid Q, DJ Xpect, Toni Blackman, and Maya Azucena.

Fid tells us about his Fidstyle Friday MC project, Xpect hips us to his youth empowerment projects in the United States and Africa, Toni has been stationed in places all over Africa as the first ever hip-hop artist to work as an American Cultural Specialist for the U.S. Department of State, and Maya has been lending her soulful voice to the drive to reach Millennium Development Goal #5 for maternal and reproductive health. These folks are constantly globe-trotting so we feel special to have caught them in one place at one time – cyphering fireside no less.

Video shot by Myo Campbell.

Tracka De Day: Giving Thanks “Shukuru”

OKA contributor Kate Bomz put us on to this newish video for the song “I Don’t Wanna Be Alone (Shukuru)” by Tanzanian rapper AY and Kenyan afro-pop band Sauti Sol. “Shukuru” means “thank you,” or “gratitude” in Swahili so we thought it a fitting match for this season of thanks in the United States.

Audio: Tanzanian Hip-Hop From Zig Zag Crew

Awesome Tapes From Africa digs up a stellar bongo flava (aka Tanzanian hip-hop) cassette with Bongo Msoto. Zig Zag Crew spit Swahili bars over raw minimalist beats reminiscent of early ’90s East Coast production — think RZA. Pretty sure that’s not the same Tuff Gong label as Marley’s. Stream the title-track below and download the entire tape over at ATFA.

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Stream: Zig Zag Crew “Bongo Msoto”

The Mo Ibrahim Prize: $5 Million and a Pat on the Back for Retiring Presidents

Upon selling his share in Celtel International, the African telecommunications company he founded in the 1990s, Mo Ibrahim set his focus (and money) on more philanthropic efforts on the continent. He established the Mo Ibrahim Foundation that works to harness good governance in Africa through their very comprehensive Ibrahim Index, which assesses government practices, and the Mo Ibrahim Prize for Achievement in African Leadership, which rewards democratically elected African leaders whom have exhibited outstanding service to their countries and have not overstayed their term in office.

The Foundation announced on Monday that former Cape Verde president, Pedro Verona Pires, has been selected as this year’s winner. The Prize consists of $5 million over the course of 10 years, and $200,000 per year thereafter until death. Past recipients include former president of Mozambique, Joaquim Alberto Chissano in 2007 and former president of Botswana, Festus Gontebanye Mogae in 2008. 2009 and 2010 were rough years as no one made the cut. Interesting.

The objective of the Prize is three fold: to reward responsible leaders, inspire up-and-coming good leaders to pursue political office, and encourage former leaders to invest in distinguishable causes on the continent after leaving office. The selection committee (prominent people such as Kofi Annan and the former president of Ireland, Mary Robinson, sit on this committee) will consider granting an additional $200,000 per year, for ten years, “towards public interest activities and good causes espoused by the winner.”

Because it is a substantial amount of cash, the Prize has been discussed with unmasked skepticism. Many question whether a reward of this magnitude (the largest annually awarded prize in the world) is the appropriate approach to “good governance” in Africa. Critics also argue that there is no monetary value that can dissuade greedy crooks from dipping their hands into state coffers (even though Ibrahim has specifically said that he is not in the business of buying off crooks), and that there are too many other causes in Africa that are more readily in need of financial aid to the tune of $5 million.

While these are legitimate concerns, consider this: Ibrahim’s largest asset seems to be his uncanny ability to envision global currents. In 1974, decades before its time, Ibrahim wrote his doctoral thesis on mobile telecommunications (cell phones in ’74?!). When cell phones hit a boom in the 1990s, investors had a hey-day in Western markets, but Ibrahim took his business to Africa in what later became one of the continent’s largest telecommunications network. When he established Celtel International in 1998 to work exclusively in Africa, there were just 2 million cell phones on the continent, when he sold it seven years later there were more than 100 million. Ibrahim’s vision garnered him a spot on Time Magaizine’s “World’s Top 100 Most Influential People” list in 2008. Given his track record for remarkable foresight, this Prize might actually start a trend of responsible leaders who stimulate good governance.

While the Prize’s “reasonability” is vulnerable to debate, ultimately, it is most important that the debate is taking place. The Prize has drawn attention from commentators in Africa and abroad who have subsequently engaged in a dialogue about good governance in Africa. In many ways, the Prize is not about the monetary award as much as it is about the discussion created because of it.
- Allison Swank

 

OkayafricaTV: Backstage at the Arise Magazine Fashion Show

The other week, OkayafricaTV had the opportunity to interview some of the upcoming designers backstage at the Arise Magazine “Made in Africa” fashion show at the coveted Mercedes-Benz New York Fashion Week. Check out our OKATV episode above, shot and directed by Jay Sprogell.

As each of the designer’s Spring 2012 collections took to the runway, it became increasingly obvious that the times are changing, people. Bid adieu (two kisses included) to fixations of the “exotic” in African representation, this was not an exhibition of cowrie shells, beads, or the ubiquitous out-of-Africa safari-inspired fashions. And our sincere apologies to those who came expecting to see an army of African print fabrics.

Instead, we were surprisingly met with Tsemaye Binitie’s visual feast of the chic neutral hued minimalist, jam-packed with sudden and unapologetic bursts of colour. Asibelua produced a fine check finishing, refreshingly complimented with tie-dye. Bunmi Koko had us ready to teleport into her cohesive wonder world with her lure of the Sirens. Pierre-Antoine Vettorello left us with avant-garde nostalgic flashbacks of JAWS (the sweater literally had teeth) – all in navy blue and maroon. Jewel by Lisa did not fall short of her glitzpetoire. She had us romancing the sequins and nodding to the vintage past. Kluk CGDT closed out the show with a stunning Cinderella-esque ivory fairytale, leaving a shoe on stage (in true Cinderella fashion) as we were serenaded by Paul Simon (but Paul Simon? really? Paul Simon? Ok). These designers told us one thing loud and clear: Africa is not monolithic.

We purposefully left out Lanre Da Silva-Ajayi (whose “Labor of Love” collection literally gave us butterflies – so cohesively eclectic and structurally triumphant) from the list above. For those who were at the show, or have caught a glimpse of footage from blog posts or twitter, the nines are in the know that Lanre took a “runway tumble.”  Many have described it as “ruining her big moment.” We beg to differ. Lanre channeled an African resilience reminiscent of Tanzanian  John Stephen Akhwari – who at the iconic 1968 summer Olympics, after falling and severely dislocating his knee, did not see quitting as  an option. He continued running and finished the race. When asked why, he simply replied:  “My country did not send me 5,000 miles to Mexico City to start the race, they sent me 5,000 miles to finish the race.” For her confident, cheeky-smiled post-tumble runway walk, we salute you Lanre!

Now that you’ve seen the runway, view photos of the show’s sharply dressed crowd here. See the African fashions that inspired today’s designers here.

- Kate Bomz

EDUN African Design Inspiration #1

1. Quilted fabrics tell the stories of a tribe as they change over time

 

In this new blog series, the designers over at EDUN open up their collection of inspirational images they use to help shape and design new items and collections. EDUN, started by Ali Hewson and husband Bono, was founded on a commitment to encourage sustainable trade with Africa and promote local economic opportunities. With T-shirts made from cotton in Uganda, and using factories in Kenya, Madagascar and Tanzania, EDUN strives to be a socially responsible fashion brand creating positive change in the world. To learn more about their clothes and work in Africa, check here.

After the jump are more captioned images that give insight into how the designers over at EDUN work. These images are all pulled from photographer Phyllis Galembo‘s stunning work on African masquerade rituals.

Read More »

Bongo Flava: An Amalgamation of Musical Genres, Featuring Lady Jaydee

The Tanzanian music industry has evolved in many ways since the early 1990s. The emergence of private TV and FM Radio stations has lead to the growth of a new generation of musicians. The most popular music genre is known as Bongo Flava, which is a fusion of different melodies and sounds that include Hip Hop, R&B and African rhythms performed mainly in Swahili.

Bongo Flava has its roots in Tanzania’s largest city of Dar es Salaam. The word Bongo, which means “brains” in Swahili, is the nickname for the city of Dar es Salaam, because residents believe in order to survive in this city you have to be sharp and quick on your feet. Since then, the word Bongo has become synonymous to Tanzania, and hence the birth of the Bongo Flava music genre. For more Bongo Flava check out Lady Jaydee after the jump. Read More »