Art
'Tension' by Evans Mbugua

This Kenyan Artist Creates Stirring "Cosmic Pop Art" Inspired By Contemporary Dance

We speak to Evans Mbugua's about the inspiration behind his striking collections "Identities," and 'Dialogue."

For his first solo show in the UK, Evans Mbugua has created what he's described as “the first visual contemporary dance exhibition," as he carefully puts it.

To achieve the high ambition, the Kenyan-born artist closely observed a pair of male and female dancers for 18 months, in different studios and venues around Paris, France, where he's based.


Mbugua, 38, currently has two exhibitions—“Dialogue" at Gallery of African Art in London and “Identities" at Out of Africa Gallery in the Spanish Pyrenees—both of which opened in December 2017.

'Rise' by Evans Mbugua

2018 is proving to be an equally busy year for the graduate of print design, with a show planned for February at Cape Town Art Fair in South Africa and another in April at Art Paris Fair, where he will be represented by ArtCo Gallery from Germany.

The focus of “Identities" is on individuality while “Dialogue" is the singular story of a pair of dancers in commune. Both set of works are rendered in the most striking fashion using print, photo paper and acrylic glass, commonly used as a durable alternative to glass.

Glass does not typically inspire warmth or the fluidity of dance, even the most stodgy type. Did he not worry that the perceived lack would be an obstacle? “I'm painting humanity. I want to show the beautiful side of humanity," he says. “That's what my art is about. At the same time I agree with you to that glass normally should be cold."

He explains further: “I'm coming from the perspective of stained glass. The transparency and light you'll find on old buildings and churches creates a very interesting atmosphere in architecture. So glass for me is not cold, it's actually colour, it's actually atmosphere."

'Legato' by Evans Mbugua

Mbugua has given to glass the big image overhaul that it would need in my case to inspire warmth, but will not share the finer details of how he has achieved this, being trade secrets.

The works in “Dialogue" take up both floors at GAFRA where 12 life size paintings occupy the ground floor. Downstairs, an entire wall is covered with paper print before which visitors were encouraged to take photos while wearing sunglasses specially designed by the artist. On another wall is a screen showing a short video of one of the dancers, Wanjiru Kamuyu, doing elegant hand and feet work, as though warming up at practice but if over interrupted, would seem like poetic inspirations for the works on display.

On the wall opposite this screen are two sets of 10, small size works (15.5 by 15.5cm) which he's titled “Mouthpieces," and are just that—images of the mouth with the lips highlighted—and are made from, or perhaps cut from, other works combining perspex and photo paper, and imbued with new meaning. “In essence, it is a dialogue between my work and between my subjects," he tells me via Whatsapp messages after his return to Paris.

From the 'Dialogue' series by Evans Mbugua.

The most imposing work on the ground floor is a two-suite piece made from a single image of the male dancer, Smaïl Kanouté, in elegant poise. Both halves—“Beat" and “Rhythm"—could be sold separately are meant to be inspired by the fracture nature of his origins and life today because “part of me is still in Kenya, part of me is still in Paris, part of me today is in London, part of me was New York when I was there the other day, and I love Spain. I think it's a metaphor for just how we are. We could be everywhere."

This one is a hard sell considering the multiplicity he has described outnumbers the simple binary of “Beat" and “Rhythm." But this could be excused as it was well into the evening and after being barraged by questions from visitors about himself and his technique.

'Flow' by Evans Mbugua

Visitors perceptions of Mbugua's distinct works in past exhibitions continue to amuse the artist. It has been described as “Cosmic Pop Art," a coinage which pleases the artist while other assume they are the works of an American pop artist which doesn't bother him. But “when they see me they say you're making African prints but I'm not making African prints. In France it's 'you're doing the wax.' I am not doing the wax," he tells me, laughing at the lazy interpretations and perhaps his own frustration with them, before adding, “I'm sorry I'm creating a universal language using pictograms. It's a sign that everyone uses, just look a bit more."

'Chick In Blue' by Evans Mbugua

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Janet Jackson Returns With Afrobeats-Inspired Song & Video 'Made For Now' Featuring Daddy Yankee

The icon's latest is a nod to the sound, fashion and culture of the diaspora.

Ms. Jackson is back.

The iconic artist returns with her first single since the release of her 2015 album Unbreakable, and it's a timely nod to the "made for now" influence of afrobeats fashion, sound and culture.

On "Made For Now," which features Puerto Rican reggaeton titan Daddy Yankee, Janet Jackson does what she's done successfully so many times throughout her decades-long career: provide an infectious, party-worthy tune that's fun and undeniably easy to dance to. "If you're living for the moment, don't stop," Jackson sings atop production which fuses dancehall, reggaeton and afrobeats.

The New York-shot music video is just as lively, filled with eye-catching diasporic influences, from the wax-print ensembles and beads both Janet and her dancers wear to the choreographed afrobeats-tinged dance numbers, even hitting the Shoki at one point in the video. The train of dancers travel throughout the streets of Brooklyn, taking over apartment buildings and rooftops with spirited moves.

It's obvious that Jackson has been studying and drawing inspiration from the culture for some time now. She even hit the Akwaaba dance, popularized by Mr Eazi, during her Icon Award performance at this year's Billboard Music Awards.

The bouncing video, directed by Dave Meyers, features contributions from a number of creatives from Africa and the diaspora who were involved in the creation of the video, including designer Claude Lavie Kameni and choreographer Omari Mizrahi. Ghanaian health guru, Coach Cass pointed out some of the many dancers involved in the production on Instagram, who hail from Ghana, Nigeria, Trinidad, Grenada and the US.

Ahead of the video's release, it garnered attention on social media when Jackson was spotted filming in Williamsburg, Brooklyn, wearing what many thought was a questionable fashion ensemble. The outfit in question only makes a small appearance in the video, and we're glad to see that Janet's other looks appear, at least slightly, more coordinated.

Watch the music video for "Made for Now" below. The singer is set to perform the song with Daddy Yankee live for the first time tonight on The Tonight Show Starring Jimmy Fallon, so be ready!

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You Need to Hear Juls' New Single 'Saa Ara'


New hip-hop and highlife grooves from the celebrated UK-based Ghanaian producer.

By merging the diverse influence of growing up in Accra and East London, Juls has managed to cultivate a hybrid afrobeats style that has set him apart from the rest.

For his latest single, "Saa Ara," he teams up with award-winning rapper Kwesi Arthur and gifted lyricist Akan.

The brilliant fusion of vintage highlife instrumentals and booming hip-hop beats, along with Kwesi Arthur's lively chorus and Akan's fiery delivery gives the song a very spiritual and classical feel.

Soothe your soul this weekend with these tasteful sounds from Juls.

Listen to "Saa Ara" by Juls featuring Kwesi Arthur and Akan below.

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News Brief

FIFA Refuses To Meet with Nigeria's Sports Minister as Ghana Takes Steps to Avoid Ban

This could jeopardize Nigeria's qualifier against Seychelles in September, while the Ghanaian government has pledged not to dissolve its football association.

In lieu of the ultimatums Nigeria and Ghana's football associations faced from FIFA, one country is on its way to dodge the threat of being banned, while the other is not going down without a fight.

FIFA has refused a proposed meeting with Nigeria's sports minister, Solomon Dalung, to discuss problems in the country's football federation, BBC Sport reports. They say their leadership and the FIFA president is unwilling to meet during the proposed time period.

FIFA is giving the NFF until August 20 for Chris Giwa, who was acknowledged by the courts as the president of the federation, to leave the NFF offices.

Giwa's lawyer Ardzard Habilla asserts that FIFA can't ban Nigeria as the federation's issues need to be sorted out internally by the country's judiciary.

Habilla questions, "Do we take it that FIFA laws are superior to the judgment of the highest court in our land—the Supreme Court, and has FIFA elevated itself before the constitution of Nigeria?"

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