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Video still via YouTube.

10 Stand Out Moments From Janelle Monáe's Powerful Music Videos

Janelle Monae came back making a statement—and we're just as obsessed as you are.

We've got to talk about Janelle Monáe.

Over the past half decade, she's embarked on a profound journey that's solidified her as an artist, creator and activist who isn't afraid to shoot down the stars—or shoot with them.

After having roles in Hidden Figures and Moonlight—two Oscar nominated movies where one won an Oscar, a stellar speech at the Grammy's and a stunning presence at the Black Panther red carpet, she's ready to grace us with "Dirty Computer," the latest musical venture in her Afrofuturistic saga.

To whet our appetites before the album, which is set to release on April 27, Janelle dropped not one but two music videos yesterday. Both are distinctly entertaining: one is a black, intersectional feminist anthem and the other a psychedelic soundtrack of sexual fluidity.

Watch both, then read some of the highlights we gathered from the hypnotizing visuals and powerful wordplay.


"Django Jane"

A bossy, sharp-edged track that proves Janelle is here to stay, and slay.

Janelle serves "Rhythm Nation" vibes with African Accents

Janelle sits atop a throne reminiscent of West African royalty, surrounded by black women in studded leather jackets and shades. Atop her and her crew's heads are kufi caps—similar to the one she wore with her asymmetrical blue gown at the Black Panther premiere. She and her crew share drinks at a Moroccan-inspired dinner table. It's a marriage of African and African American—shared blackness interpreted in a rap song.

We gon' start a motherfuckin' pussy riot/Or we gon' have to put 'em on a pussy diet

Janelle shouts out Pussy Riot, the Russian punk rock group who were incarcerated for protesting and fighting for their rights. This line also references comments she made in Marie Claire last year suggesting that we should go on a sex strike until men take women's rights seriously, which caused a stir with many, but she's since addressed. By revisiting this, Monáe either wanted to show off her lyrical skills or implant the idea in our minds again.

Video still via YouTube.

We ain't hidden no more, Moonlit nigga, lit nigga

Preceding this line, Janelle shouts out her Mom who cleaned hotels and her father who drove for a living. She's acknowledging that humble, working class backgrounds is something to be proud of. By adding Hidden Figures and Moonlight to this line, she says that their hard work and love is acknowledged, and that she made it.

They been trying hard just to make us all vanish/I suggest they put a flag on a whole nother planet

White male supremacy tries hard to oppress and suppress anyone "other:" Black people, people of color, women, LGBTQ and more. They might as well find a new planet to roam on—'cause there's too much of us to ever successfully obliterate.

Jane Bond, never Jane Doe/And I Django, never Sambo

Self explanatory lyrics, but still fire. Jane (short for Janelle) identifies with James Bond—not Jane Doe, the default name given to unidentified women. Basically, she's not basic. She also aligns herself with Django, Quentin Tarantino's black hero who escaped slavery, and not Sambo, the racial term used to degrade black people.

Nigga move back, take a seat, you were not involved/And hit the mute button/Let the vagina have a monologue

It's time for women to hold the mic, to share our opinions and experiences and to take the lead on social change. Men need to make room for us.

"Make Me Feel"

The ecstatic, vibrant video shows Janelle in a funkadelic, multi-gendered playground of love and sensuality.

Prince

The bouncy beat is a sample of Prince's "Kiss." Janelle and Prince have made music together—their duet "Givin 'Em What They Love" is a gem—so her reinterpretation of "Kiss" feels natural. Also—purple reigns fiercely throughout the whole video.

Black Mirror's "San Junipero"

This may be just 80s culture in general, but the club scenes—equipped with an arcade and flashing neon colors—Janelle and Tessa Thompson's fantastic outfits, and them as leading ladies of the video, reminded me a lot of the widely adored Black Mirror episode,"San Junipero."

Video still via YouTube.

Yeah, baby, don't make me spell it out for you/You keep on asking me the same questions (why?)/And second guessing all my intentions

Janelle may be alluding to the media continually questioning her sexuality. Due to her androgynous style and ambiguous lyrics, many have wondered if she likes men or women—which really is none of our business, but society likes knowing everything about celebrities.

Janelle's always dodged the question whenever an interviewer asks it, but this video shows her engaging with both women and men—expressing that maybe she's bisexual, queer, sexually fluid, or just wants to play with us.

"It's like I'm powerful with a little bit of tender/An emotional, sexual bender"

An awesome hook that exudes unapologetic sexual fluidity.

Bobi Wine Set to Return Home to Uganda

Uganda authorities have already warned against welcoming rallies for the musician.

Bobi Wine is making his way home to Uganda after spending just over two weeks in the United States seeking medical treatment for injuries he sustained after being tortured while in military custody, he says.

The opposition lawmaker, who is currently out on bail following an alleged attack on President Yoweri Museveni's motorcade, shared the news on Twitter with a photo of himself at the airport this morning. "Headed Home," he wrote as a caption.

READ: "I'm Proud to Be Persecuted For the Truth:" Bobi Wine on the Fight for Freedom in Uganda

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News Brief

The Trailer for Faraday Okoro's Tribeca Film 'Nigerian Prince' Is Here

The film is due to hit U.S. theaters October 19.

The trailer for Nigerian filmmaker Faraday Okoro's debut feature Nigerian Prince is here, Shadow and Act reports.

We're a month away from the film landing in U.S. theaters and On-Demand since the film got acquired by Vertical Entertainment.

Revisit the synopsis below.

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(From left to right) Stéphane Bak and Marc Zinga in 'The Mercy of the Jungle.' Photo courtesy of TIFF.

Congolese Actor Stéphane Bak on His Intense Experience Shooting 'The Mercy of the Jungle' In Uganda

We catch up with the actor after the film made its North American premiere at TIFF.

When actor Stéphane Bak first got the script for The Mercy of the Jungle (La Miséricorde de la Jungle), he knew there was one person he had to consult: his father. "My dad did school me about this," he says. While Bak was born and raised in France, his parents had emigrated from what was then Zaire in the 1980s—before the events of the movie, and not exactly in the same area, but close enough to be able to pass on firsthand knowledge of the simmering ethnic tensions that underpin the action.

The story takes place in 1998, just after the outbreak of the Second Congo War—which came hot on the heels of the First Congo War. Two Rwandan soldiers find themselves separated from their company and have to make a harrowing trek through the jungle to link back up with their regiment. Bak plays Private Faustin, the young recruit hunting Hutu rebels to avenge his murdered family, a foil to Marc Zinga's seasoned Sergeant Xavier. As a Congolese militia swarms the area, and it becomes increasingly difficult to tell enemies from friends, the two are forced off the road and into the thick vegetation.

Their journey is physically difficult, but the jungle also nurtures them, providing food, water, and shelter. "The title is very explicit in a way," says Bak. It is the human beings they encounter, from rival soldiers and militiamen to the hostile security forces guarding illegal gold mining operations, who bring sudden danger and violence. The challenges are conveyed as much through the actors' physicality as through the minimal dialogue. As for the strain on his face, Bak says it was all real. "To be honest, it was very difficult," he says of the shoot, which took him 25 days. "I had to learn my accent in two weeks." Prior to commencing, there was training with the Ugandan army for realism. Due to the ongoing conflicts in the DRC, the movie itself was shot in Uganda.

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