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Professor Proves Jesus Is a Great Kwaito Composer In His Latest Album

Professor's tales of partying and relationships were Composed by Jesus.

South African kwaito star Professor, recently released his third album Composed By Jesus. Don't be misled by the title, though, Composed By Jesus is no gospel album.


Save for "Sthunywa," which touches a bit on religion, Professor is still as we've grown to know him throughout the album. He tells tales of partying, debauchery and relationships over typical Durban kwaito production featuring lean bass lines, skittering drums and an assortment of synths. And there are those chants from female voices who are usually not credited.

Right after declaring his affinity to Jesus Christ on the intro, Professor jumps straight into a song about partying without losing morals. "Morals," which features Speedy and Emza, sets the tone for a great kwaito album that has enough bangers to keep you on the dance floor for the rest of the year.

Read: The 10 Best Kwaito Producers

Most of Composed By Jesus is monolithic. But the song "States" has a nostalgic old school kwaito feel by way of a heavy bassline. It's definitely one of the best songs on the album—and this is an impressive album full of good tracks.

Professor is known for unorthodox features that one wouldn't expect on a kwaito album. In his last two records, The Orientation (2012) and University of Kalawa Since 1994 (2014), he has worked with the likes of Ray Phiri, Avante and Freddie Gwala among others.

On Composed By Jesus, look out for appearances from OGs such as Dan Tshanda, Thebe and Joe Nina and OSKIDO alongside current stars–the likes of K.O., Cassper Nyovest, Mpumi, Uhuru, AB Crazy, Character, and more.

The album's themes revolve around merrymaking ("Morals," "Professor," "Birthday") and relationships ("Troubled Man," "Brand New," "Banamanga," "Can't Get Away"). Professor makes sure every guest featured assists in completing each song, either thematically or by lending dynamic vocal skills.

This will definitely be another big year for the Durban-born Kalawa Jazzmee signee.

Photo courtesy of 1-54/SUTTON.

1-54 Contemporary African Art Fair Landing in Marrakech is 2018's Most Anticipated Art Event

The leading art fair dedicated to contemporary African art makes its mark on the continent for the first time this weekend.

This weekend, 1-54 Contemporary African Art Fair, the leading art fair devoted to contemporary African art, will debut in Marrakech, Morocco. The announcement of the Fair's expansion to the continent last year has left aficionados of contemporary African art in eager anticipation of this "homecoming"—this author included.

1-54 debuted in London in 2013. Although an expansion to New York followed, a presence on the continent was always part of the long-term vision of the founder Touria El Glaoui. Finally, the time has now arrived.

Here are five reasons why we're looking forward to 1-54 Contemporary African Art Fair Marrakech.

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This Olympic Figure Skater Blew Us Away Again By Pulling Off a Costume Change Mid-Routine

First Maé-Bérénice Méité performed to Beyoncé, now she's effortlessly slaying outfit changes mid-routine. What can't she do?

French-Congolese and Ivorian figure skater, Maé-Bérénice Méité, has pretty much been the life of the Winter Olympic figure skating competition.

Earlier this month, the athlete had the internet shook when she performed her opening routine to two Beyoncé songs. Now she's back with even more black girl magic.

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Video still via YouTube.

10 Stand Out Moments From Janelle Monáe's Powerful Music Videos

Janelle Monae came back making a statement—and we're just as obsessed as you are.

We've got to talk about Janelle Monáe.

Over the past half decade, she's embarked on a profound journey that's solidified her as an artist, creator and activist who isn't afraid to shoot down the stars—or shoot with them.

After having roles in Hidden Figures and Moonlight—two Oscar nominated movies where one won an Oscar, a stellar speech at the Grammy's and a stunning presence at the Black Panther red carpet, she's ready to grace us with "Dirty Computer," the latest musical venture in her Afrofuturistic saga.

To whet our appetites before the album, which is set to release on April 27, Janelle dropped not one but two music videos yesterday. Both are distinctly entertaining: one is a black, intersectional feminist anthem and the other a psychedelic soundtrack of sexual fluidity.

Watch both, then read some of the highlights we gathered from the hypnotizing visuals and powerful wordplay.

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