Music
Photo by Sabelo MKhabela

You Are Going to Love Riky Rick’s ‘Stay Shining’ EP

Riky Rick bares his soul while making you dance on his latest EP, 'Stay Shining.'

South African rapper Riky Rick loves you, and he wants you to be your best. But he's also not shy to remind you that he dresses better than you.


On his latest EP, Stay ShiningStay Shining, King Kotini opens up about seriously personal issues, like missing his private life which celebrity has stripped him of. He raps on "Joy," the opening song after the ominous "Jordans Intro":

"I had a dream about last night/ I'm really missing my past life/ Ain't got no love for the fast life/ I remember walking in the mall without people begging for pictures/ Baby mama mad 'cause I'm travelling over Christmas/ the other day, my son called me by my stage name/ I thought it was funny, it took a moment for me to think about it and understand what it means."

"Joy" is an oxymoron because the instrumental, which has kwaito and bubblegum influences tells you to hit the dancefloor, yet Riky pours is heart out, it's so hard to dance.

The song is microcosm of most of the project, as Riky tells his story, holding very little back, over music that induces happiness with catchy rhythms and hard-hitting 808s.

To prove that Stay Shining isn't just a collection of random songs, Riky's guests drop fitting verses. A-Reece on "Pick You Up," gives us a glimpse into a tumultuous time from his recent past, recording his debut album Paradise. He raps, "Funny thing about this whole shit, making Paradise was a living hell/ I don't even have a clue how the album did , but I know I'm doing well," over reserved synths and a big bass line.

Nasty C reflects on fake friends, his place in the industry and shares some advice from his father ("I reconciled over my father over some good food/ He told me nothing could travel slower than good news") on the Tshego-assisted "Vapors."

That's before Riky gives us yet another extremely personal account of his glamorous life, regretting missing his mother's birthday and looking richer than he actually is:

"I thought life is easy after you blow up
I guess life is harder when you grow up
I'm stressed out, I'm thinking about what to do
When I started rapping, it wasn't about the moves
It was about copping sneakers and macking honeys
Now it's all about hype and making money
And plus I got the text man tryna take it from me
I'll probably never make a real million in this country
I know a lot of rappers who bubbling in the hood
I'm in a nice house, they struggling in the hood
So when they see me shining, they thinking I'm good"









On Stay Shining, Riky is introspecting when he isn't telling you he dresses better than you—which is highly likely to be true. After gracing the cover of GQ Fashion earlier this year, hanging out with A$AP Rocky and rocking Gucci like it ain't a thing, the rapper is the trendiest among his counterparts. And we are totally here for it.

Songs like "Stay Shining," "Buy It Out," and "Buy It Out Remix," see the man loosen up a bit and celebrate himself. While "Murdah" is a love song that, sonically, fuses afrobeats and dancehall by way of Davido and Gemini Major.

On "Buy It Out Remix," Riky enlists an array of fellow fashion killer rappers: J Molley, Frank Casino, KLY, Stilo Magolide, YoungstaCPT, Frank Casino, and the father of South African new school rap Da L.E.S (Riky introduces him as "the OG of this swag shit," which is an undisputed fact). We are seeing few and fewer posse tracks in South African rap, and Riky just gave us one to debate over who had the best verse.

Stay Shining is a balanced body of work that shows us different sides of Riky Rick, just like his 2015 debut album Family Values did. And he keeps the music interesting and varied without trying too hard.

Listen to Stay Shining below, and buy it on iTunes.

Photo courtesy of 1-54/SUTTON.

1-54 Contemporary African Art Fair Landing in Marrakech is 2018's Most Anticipated Art Event

The leading art fair dedicated to contemporary African art makes its mark on the continent for the first time this weekend.

This weekend, 1-54 Contemporary African Art Fair, the leading art fair devoted to contemporary African art, will debut in Marrakech, Morocco. The announcement of the Fair's expansion to the continent last year has left aficionados of contemporary African art in eager anticipation of this "homecoming"—this author included.

1-54 debuted in London in 2013. Although an expansion to New York followed, a presence on the continent was always part of the long-term vision of the founder Touria El Glaoui. Finally, the time has now arrived.

Here are five reasons why we're looking forward to 1-54 Contemporary African Art Fair Marrakech.

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This Olympic Figure Skater Blew Us Away Again By Pulling Off a Costume Change Mid-Routine

First Maé-Bérénice Méité performed to Beyoncé, now she's effortlessly slaying outfit changes mid-routine. What can't she do?

French-Congolese and Ivorian figure skater, Maé-Bérénice Méité, has pretty much been the life of the Winter Olympic figure skating competition.

Earlier this month, the athlete had the internet shook when she performed her opening routine to two Beyoncé songs. Now she's back with even more black girl magic.

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Video still via YouTube.

10 Stand Out Moments From Janelle Monáe's Powerful Music Videos

Janelle Monae came back making a statement—and we're just as obsessed as you are.

We've got to talk about Janelle Monáe.

Over the past half decade, she's embarked on a profound journey that's solidified her as an artist, creator and activist who isn't afraid to shoot down the stars—or shoot with them.

After having roles in Hidden Figures and Moonlight—two Oscar nominated movies where one won an Oscar, a stellar speech at the Grammy's and a stunning presence at the Black Panther red carpet, she's ready to grace us with "Dirty Computer," the latest musical venture in her Afrofuturistic saga.

To whet our appetites before the album, which is set to release on April 27, Janelle dropped not one but two music videos yesterday. Both are distinctly entertaining: one is a black, intersectional feminist anthem and the other a psychedelic soundtrack of sexual fluidity.

Watch both, then read some of the highlights we gathered from the hypnotizing visuals and powerful wordplay.

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