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Seun Kuti.

Seun Kuti's 'Black Times' Is About "Knowing Who You Are As A Motherland Person In This World Today"

We interview Fela's youngest son about his highly-political new album and collaborating with Carlos Santana & Yasiin Bey.

Seun Kuti is back.

Fela's youngest son has just released his new album, Black Times, a potent afrobeat excursion alongside Egypt 80, his father's former band, which Seun's been leading since he was only 14. The now 35-year-old vocalist and saxophone player's latest record features 8 finely-crafted afrobeat songs alongside contributions from the likes of Carlos Santana and Robert Glasper.

"Black Times is a true reflection of my political and social beliefs," Seun mentioned with the release of the album's title track. "It is an album for anybody who believes in change and understands the duty we have to rise up and come together. The elites always try to divide the working class and the poor people of the world. The same oppression felt by workers in Flint, Michigan is felt by workers in Lagos and Johannesburg."


"We are all capable of change, us iron people, us workers. Black Times is the sound of the people, and a weapon of the future. The big picture needs more colour," says Seun.

Read ahead for our talk with Seun about the new album, the current political situation in Nigeria and the world, and his possible collaboration with Yasiin Bey.

Let's start with the title. Why did you call the new album Black Times?

Well, the song "Black Times," was inspired by a moment of clarity for me. So, Black Times is like an emotional state of mind. Something like a happy time, or a sad time, but that moment when you understand your history from our own perspective, knowing who you are as a Motherland person in this world today.

"'Black Times' is like an emotional state of mind... [it's] that moment when you understand your history from our own perspective, knowing who you are as a Motherland person in this world today."

You've said that Black Times is also a true reflection of you political and social beliefs. How have current political situations across the world influenced it?

For me, the current political situations in the world are manifestations of past policies on actions. Everything has a source, you know. The problem we have in the world is that nobody takes anything serious until they are personally affected. We no longer see our connection as humanity—we just see us and them. That's how the world is run today. Historical understanding has given me this complete view that I"m willing to express musically, also culturally and politically as well.

How do you see the current political situation in Nigeria? What are the main challenges for the country today?

Like many Motherland nations all over the world our problem is neocolonialism and imperialism still. I think that's the majority of the things that are holding us back. In my country, for example, we're ruled by people who are enemies of our country, if I can put it that way. You have the understand that the Nigerian army used to be the West African Frontier Force (WAFF), who were the protectors of the colonialists. Their job from day one has been to murder, maim, enslave, capture, oppress Motherland people. This WAFF were the same people that turned into the Nigerian army and many of the military in this region—all over Africa its the same.

These military people usurped power from the real nationalists. After a few years of Nkrumah ruling Ghana, or we having our independence in Nigeria, most African countries were heavily criticized by the West as having wrong economic policies. This empowered and strengthened members of the former WAFF and created coups all over Africa. These people who have been trained to ruin and destroy Africa and its people are the ones ruling Africa today. And that's still the same mentality they perpetuate and promote today with the media, their music, movies, and religion. Its that same imperialist agenda that's being enforced in Africa, but only now being it's being enforced by people who look like us.

"These people who have been trained to ruin and destroy Africa and its people are the ones ruling Africa today."

I think that's the main challenge that we have, politically, is that the people need to wake up. I think if we can have good leadership that loves and respects Motherland people and reveres the Motherland, I think only then can we begin to make the progress that is necessary. Because the decisions and policies that rule Africa do not come from a place of love and respect, they're coming from a place of economic advantage or disadvantage or profit margins. There's no way we can get the development we need that way.

Back to the album. The first single featured a collaboration with Carlos Santana, how did that come about?

Carlos is someone that I respect a lot. He mentioned me in his book and that's how I found out that I was on his radar. I'm really glad we were able to build that bridge. It's not just a musical bridge, it's also cultural and spiritual. I'm happy that Carlos also engaged from a place of deep love and respect, and I thank him and honor him for that.

I read Yasiin Bey and Nai Palm will also be featured in some new work?

We're planning to have a remix album and they're going to be on that. We have not started, we have not done it yet. It's maybe 80% sure.

You also worked with Robert Glasper again as in your previous album - A Long Way to the Beginning - how was that collaboration been forging

The partnership between Robert and I has always been growing. We've always been two people who are curious about each other's styles and look for ways to bring the best of both worlds when we work together. And it was the same with this project. I'm always very happy and honored when he's on board and we're able to do some good stuff.

Black Times is available now from Strut Records.


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(From left to right) Stéphane Bak and Marc Zinga in 'The Mercy of the Jungle.' Photo courtesy of TIFF.

Congolese Actor Stéphane Bak on His Intense Experience Shooting 'The Mercy of the Jungle' In Uganda

We catch up with the actor after the film made its North American premiere at TIFF.

When actor Stéphane Bak first got the script for The Mercy of the Jungle (La Miséricorde de la Jungle), he knew there was one person he had to consult: his father. "My dad did school me about this," he says. While Bak was born and raised in France, his parents had emigrated from what was then Zaire in the 1980s—before the events of the movie, and not exactly in the same area, but close enough to be able to pass on firsthand knowledge of the simmering ethnic tensions that underpin the action.

The story takes place in 1998, just after the outbreak of the Second Congo War—which came hot on the heels of the First Congo War. Two Rwandan soldiers find themselves separated from their company and have to make a harrowing trek through the jungle to link back up with their regiment. Bak plays Private Faustin, the young recruit hunting Hutu rebels to avenge his murdered family, a foil to Marc Zinga's seasoned Sergeant Xavier. As a Congolese militia swarms the area, and it becomes increasingly difficult to tell enemies from friends, the two are forced off the road and into the thick vegetation.

Their journey is physically difficult, but the jungle also nurtures them, providing food, water, and shelter. "The title is very explicit in a way," says Bak. It is the human beings they encounter, from rival soldiers and militiamen to the hostile security forces guarding illegal gold mining operations, who bring sudden danger and violence. The challenges are conveyed as much through the actors' physicality as through the minimal dialogue. As for the strain on his face, Bak says it was all real. "To be honest, it was very difficult," he says of the shoot, which took him 25 days. "I had to learn my accent in two weeks." Prior to commencing, there was training with the Ugandan army for realism. Due to the ongoing conflicts in the DRC, the movie itself was shot in Uganda.

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Brazil Has Made Yoruba an Official Language

The language will also be incorporated into primary and secondary school curriculum in the country, says the Minister of Culture.

Yoruba history and culture has an undeniably strong presence in Brazilian society, due of course, to the Transatlantic slave trade which brought millions of enslaved West Africans to the Americas. Despite the inhumanity they faced, many managed to keep their ancestral culture and traditions alive.

Centuries have passed, and Yoruba influences still continue to thrive in various regions of the country, as many Brazilians maintain a strong relationship with the language and religion. Its influence can be seen through the music, food and spiritual practices of various communities. Last month the Ooni of Ife—the spiritual leader of the Yoruba people—visited the country, where he was met by crowds of Black Brazilians who turned up to pay their respects.

This connection will likely remain strong for future generations, as the language has now become an official foreign language in the country.

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Brazil's Minister of Culture, Dr. Sérgio Sá Leitão, has said that the language will now be incorporated into primary and secondary school curriculum, reports the Nigerian Voice.

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Get into Telefunksoul and Felipe Pomar's Ré_Con Ba$$ EP.

Brazilian producers Felipe Pomar (of TrapFunk & Alivio) and Telefunksoul come through with a dizzyingly energetic EP in the form of Ré_Con Ba$$.

Telefunksoul, who happens to be one of the main promoters of Bahia Bass music, came up with the concept of exploring the rhythms coming out of Recôncavo of Bahia and showing how they can fit into bass music.

Through the 7-track Ré_Con Ba$$ EP, him and Pomar mold and transform the diverse music of Bahia, fusing its rhythms with afrobeat, future house, deep house and much more.

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