Video: Flavour N’Abania

Naija OH! Nigerian artist Flavour N’abania is a talent that is keeping highlife spicy. His musical journey began at age 13, when Chinedu Okoli (birth name) started playing the drums for his church in Enugu, Nigeria. His potential, noticed by locals, was encouraged and led to his joining of SoundCity Communications and later the University of Nigeria, Nsukka to study music. Honing his craft, and keeping the tradition of highlife alive, Flavour now has 2 successful albums —N’abania & Uplifted — under his belt and has an undoubtedly bright future of success ahead of him. Check out some of his music videos for “Adamma” and “Oyi (Remix)” above and below!

Interview: eLDee the Don

Okayafrica met up with eLDee the Don — Nigerian hitmaker, former Trybesmen and founder of Trybe Recordsat a recording studio in New York’s East Village where he was mixing and mastering his upcoming record. We talked to the Naija powerhouse about what might be his last studio album, working with the likes of WizKid, Banky W and Nneka, and his move towards heading an entertainment empire.

Tell us about the new record.
The album is titled Undeniable. I named it that because I’ve been doing this since ’99, this is my fifth album — in between I’ve put out so many different artists, I also own a record label —I’ve done so much stuff and we’ve made so many hit songs that at this point I feel like my sound is undeniable. And then also, just for the fact that recently press in Nigeria and Africa realized, “How come eLDee is still here? eLDee was here at the beginning, how come he’s still here? How is he A-list in 2012?” So, that’s kind of how we came up with the title.

What do the new tracks sound like?
The past couple of years African music started to gain more of an audience outside of the continent — which is a good thing but what can happen is the Western sound comes in and takes away from the African-ness of the music. I was really trying hard not to do [that] on this record. [I tried] to make sure that we keep everything African. I mean we use sounds, instruments, and melodies that people can relate with outside of the continent, because we also need to bridge the gap, however the essence and style of the music has to stay completely African.

For example, [on the album] I’d play afrobeat but, instead of using trumpets and saxophones, I’d use synths. The synth sound is big in Europe, it’s big even in America right now, because it’s in a lot of the pop music. So I feel like, in a sense, we’re able to make that connection. That’s pretty much what we’re trying to do.

Nneka was recently with you in the studio.
Yeah, I did work with Nneka. I worked with her yesterday, we were actually just in the studio. I’ve wanted to work with her for a while, but she travels a lot and I travel a lot. But we finally made our schedules work out. We just listened to [Undeniable], she liked [album cut "Zombie"] so she recorded on it. She was in and out in 5 minutes. It wasn’t planned, initially, until she came in and we were just talking about it. I was like, “Hey, I’m mixing the album, I’m trying to finish up the track,” and she was like, “Oh yeah sure, let’s do it.” That’s the “Zombie” track she’ll be on. I’m also trying to do a couple international features as well. Maybe get one or two people.

Who else is on the record?
Banky W is on there. WizKid is on there. K9, Sojay are on there — these are my artists. This is the first time I’m doing a record that has that few people on it. I usually have a bunch of people around and everyone’s on a song. I think I indulged myself in this one. I was really interested in the music of it so, I just got carried away and recorded 3 verses every time. [laughs]

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eLDee feat. K9 and Sojay “Higher”

Where did you record?
In Lagos, actually. What I would do, because it got really busy… I mean I run a label, Trybe Records, and we also have a distribution company, a publishing company and an events company. And I’m at the head of all of that. I’m doing all of that and at the same time I’m trying to record an album. So I literally had to just take some time out, lock myself up in a hotel somewhere in Lagos, turn my phone off and stay there for a week. That’s how I got everything together. I just sat in there for a whole week, and just went at it song after song.

Did you produce most of the stuff?
I have a producer, in-house, who’s also signed to the label. His name is Sarz, he’s the one who did like 80% of the stuff, but with direction. I’d be like “This is where we’re trying to go, this is what we need to do, this is how you need to do this and that.” We wanted a sound that was different, and that would stand out and would feel African, but yet Non-Africans can dig it.

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eLDee “Wash-Wash”

Do you have a set release date?
March 31st is the date right now. And that’s why we’re killing [engineer/mixer] Fab so he can get the mixes done. [laughs]. We’re gonna tour in Nigeria, and we’re also touring East Africa. July through August we’re going to be in Uganda, Zimbabwe, Zambia, South Africa, couple other countries. In April, we’re touring Nigeria in a whole bunch of cities, I think 26. So we’re in a different city everyday.

What’s your take on the Azonto craze?
It’s traditional Ghanaian dance, which is very similar to some Nigerian dances. It’s a West African thing. I like it because it’s easy. I don’t have to use my mind to do it. I personally like the dance and enjoy it. I was in Ghana a couple of weeks ago and some girls taught me how to do it. We were just having fun. And it fits! It’s sort of like some Nigerian dances. I figured, let’s promote some Ghanaian music and Ghanaian dance.

What’s in store from your label?
Iman Entertainment — the company  I head that owns the record label, the publishing company, the distribution company, the events company — is gearing up to be, in about 5 years, a major in Africa. What we’re trying to do is set something up that is African for Africa. We’re in the building process right now, and this may be my last studio album because of that. It may be, because I’m really going to be moving from the creative side of things to the management side of things. And that’s already starting to happen now, I’m really in a transition stage.

-killakam


Download Squeeze’s Nigerian Dancehall Mixtape

Late last year we gave you two palm tree bangers from Naija dancehall artist Squeeze (which might’ve soundtracked an embarrassingly large part of our holidays). Now, Squeeze and DJ Humility drop the 12-track High Voltage mixtape, chock full of those contagious Lagos meets Kingston synths and melodies that grabbed us back in 2k11. DOWNLOAD High Voltage for free (trust, it’s well worth it) and stream a few cuts below!

(via TIA)

Okayafrica TV: Nneka Speaks Out About #OccupyNigeria

We met with Nigerian songstress Nneka on a sunny rooftop in midtown Manhattan yesterday where she joined other Naija superstars in speaking out about #OccupyNigeria. The recent removal of fuel subsidies by Goodluck Jonathan‘s government sent gas prices through the roof at the start of this year. Nigerians immediately took to the streets to protest the government’s actions. Under pressure from the people, Jonathan has since lowered prices but the issue speaks to a broader discontent with a corrupt government. Nneka tells us that this is an awakening of the people she “feels positive” about. Nneka’s Soul Is Heavy LP is out Feb 28 in the U.S. via Decon Records.

Video shot by Myo Campbell.

Audio: Olugbenga ‘New Year’s Day (I Can Be Whatever You’re After)’

Olugbenga is a Lagos-raised musician working out of London. He plays bass in electro-pop outfit Metronomy and crafts his own, more experimental, concoctions on his off-time. Hear and download his newest “New Year’s Day (I Can Be Whatever You’re After,” a haunted synth jam for 2k12 (the year of our demise) and stream an older remix of Three Tapped Tigers. Head to Olugbenga’s The G Is Silent blog for more.

New Year’s Day [I Can Be Whatever You're After] by OLUGBENGA

Three Trapped Tigers – Reset [OLUGBENGA EDIT] by OLUGBENGA

Audio: Estelle Jumps On D’Banj’s ‘Oliver Twist’

Estelle hops on Naija superstar, and GOOD Music signee, D’banj‘s 2k11 summer hit “Oliver Twist.” She shouts out her British bloke Tinie Tempah, and American boys Kanye West and Usher, but nothing can compare to the best ’round here… my African boys no matter where dey from. Stream and grab it below!

Estelle ft. D’Banj “Oliver Twist (Remix)” by okayafrica

WizKid, 2face & P-Square Sign To Akon’s Konvict Muzik Records

Nigerian pop acts WizKid, 2face Idibia and twins P-Square have signed to Akon‘s Konvict Muzik. The Senegalese singer announced the new signings at Jay-Jay Okocha‘s Lagos club over the weekend. If you recall, Akon jumped on WizKid’s “Don’t Dull” not too long ago (listen below). Is this gonna be Konvict Muzik vs. Kanye and D’Banj ‘s G.O.O.D. Music for Naija pop takeover? We’ll have to see. Listen to “Don’t Dull (Remix),” plus see Akon’s tweet below.


Stream: WizKid and Akon “Don’t Dull (Remix)”

Audio: Squeeze ‘Dutty Love’ + ‘Yanga For Me’

Here we have two palm tree bangers from Lagos dancehall artist Squeeze. “Dutty Love” and “Yanga For Me” will be featured in his upcoming Hi Voltage mixtape hosted by DJ Humility. In our book, they’re all you’ll need to navigate this holiday party season. Stream and grab ‘em below. (via TIA)

Squeeze “Dutty Love” by okayafrica

Squeeze “Yanga For Me” by okayafrica

Audio: Zakee Presents ‘Dreams of Igboland’

Dope girl snatcher Zakee curated and produced this batch of traditional and religious Heebo Country tunes from Chief Kalu. Dreams of Igboland is the first of several gritty, analog recordings Zakee chased down in West Africa. Hear the reggae-tinged “Mighty GOD” below and download the whole album for FREE.

Chief Kalu “Mighty GOD” [from Zakee Presents: Dreams of Igboland] by okayafrica

>>>Download: Dreams of Igboland

Audio: Lijadu Sisters ‘Bayi L’ense’

Yoruba priestesses, identical twins and Fela Kuti cousins Lijadu Sisters are prepping the re-issue of 1977 Nigerian Afrodesia gem LP Mother Africa. “Bayi L’ense,” the first single off the album, couples Yoruba singing and percussion with 70s fuzz guitar — possibly the influence of Ginger Baker (Cream/Blind Faith) who sister Taiwo dated. Stream below and look out for Mother Africa due Feb 28 via Knitting Factory.