As an antidote, we’ve compiled a few of the wittiest (and downright ridiculous) examples of political music. Unlike most of what we’ve seen on this year’s campaign trail, these artists find ways of commenting on their social and political contexts with thought, nuance, and humour.
Tha Suspect, “SUBsidy”
At the height of January’s Occupy Nigeria protests, Nigerian artist Tha Suspect stepped into Fela’s pants to address President Goodluck Jonathan’s withdrawal of the fuel subsidy and to denounce government minister’s huge budget allocations. The song also called out D’Banj‘s unintentionally hilarious song in support of Jonathan’s presidency.
Wanlov the Kubolor, “Green Card Freestyle”
Mitt Romney closed out last month’s foreign policy debate by calling the US the ‘hope of the earth’, drawing from the fount of US exceptionalism that inspired much of what was said that night. Wanlov’s freestyle for BBC 1Xtra insists on telling a much more difficult story of life in America from a migrant’s perspective. If Amiri Baraka (& Gil Scott Heron & Kanye West) asked “who will survive in America?” then Kubolor’s searing verses outline the many ironies and compromises involved in that survival:
To be legal you’ve got to be marry, or you could join the navy,
But you don’t want to kill Iraquis, coz life is worth more than some khakis
So I guess you’ve got limited options coz Uncle Sam don’t do adoption
Unless you a basketball or soccer star, footballer …
The Very Best, “Yoshua Alikuti”
Back in April this video set the blogosphere abuzz because of its playful riff on Lil Wayne’s topless strutting in his “A Milli” video. “Yoshua Alikuti” also riffs on a song by Malawian singer Phungu Joseph Nkasa titled “Mosa wa Lero” which hails former Malawian President Bingu Wa Mutharika as the Moses of his people. Nkasa came to regret the song and publically denounced Mutharika as a despot, but The Very Best added a playful slant to the idea of Bingu-as-Moses. The title of the song in English asks “Where is Joshua?,” recalling that it was Joshua, not Moses, who led his people out of the desert.
Kaleta & Zozo Afrobeat, “Country of Guns”
With its Afrobeat stylings, this track from Kaleta and his New York ensemble rebrands the United States as the “country of guns,” the lyrics highlighting the irony that the nation is home to “250 million people and 250 billion” firearms. The song resonates given this year’s mass shootings at the Aurora movie theatre in Denver and at Wisconsin’s Sikh temple. Instead of mobilizing a concerted political movement for tighter gun controls, much of the discussion that followed examined the gunmen’s mental states and motivations. Kaleta’s track suggests the costs of this peculiarly American understanding of liberty.
Sister Deborah, “Uncle Obama”
This offering from the sister of FOKN Bois‘ Wanlov speaks for itself. But think of all the cash that could have been saved on campaigning if Obama’s people had got wind of this sooner.