Mohamed El Hatmi. Photo by Stn Lens.

The Master Musicians of Joujouka

"In 1970, I found my way up into the Rif Mountains of Morocco where I encountered a tribe of musicians. I was so blown away by what I found there that I tore up my return ticket and stayed for a couple of years."

Music industry executive and longtime Fela Kuti manager, Rikki Stein, recollects his nearly five-decade-old history with the Master Musicians of Joujouka—from his first encounter with them in the 1970s, to them opening Glastonbury Festival in 2011, up until their recent performance at this year's Dior Defilé in Marrakech.

I've been very lucky. Over the past 50 years I've enjoyed the privilege of being around and working with some of the world's most gifted musicians, mostly as friends. I often hear it said that you should never work with friends. Rubbish! I only want to work with friends! Why? Because you can say more or less anything to your friends. It was on that basis that my friendship with Fela developed in the early eighties into a 15 year working relationship.

But much earlier, in 1970, I found my way up into the Rif Mountains of Morocco where I encountered a tribe of musicians. I was so blown away by what I found there that I tore up my return ticket and stayed for a couple of years. I'm talking about the Master Musicians of Joujouka.


Mohamed Mokhchan, Rhiata Master. Photo By Stn Lens.

I left school when I was 15 and consider my time in Joujouka as my 'formal education.' My university. Since the fifties, world travelers, deep thinkers and cultural icons have been finding their way to up to this idyllic mountain village: Brion Gysin, Paul Bowles, William Burroughs, Randy Weston, Brian Jones, followed by the rest of the Rolling Stones, Ornette Coleman and Timothy Leary, who wrote a piece about what he found there, entitled "The Four Thousand Year Rock 'n Roll Band."

The Master Musicians of Joujouka play the rhaita, a strident double-reed instrument, and drums, as well as flutes and a variety of hand drums and other instruments. But the meat and potatoes of Joujouka's music are the rhaita and drums, which create an extraordinary wall of sound, enhanced by their circular breathing and musical mastery. For centuries their music has nourished the population of the surrounding mountains and valleys, receiving a tenth of the crop in return for their musical services.

In 1980, I carried 35 of the Master Musicians around Europe for three months. A decade ago, I met Frank Rynne, a young Irish guy who was doing exactly the same job with the same musicians (or their offspring) that I was doing almost 50 years ago. In 2011 we joined forces and brought them to Glastonbury Festival where they opened the festival on the main stage and subsequently took them to the Villa Medici in Rome, the Centre Pompidou in Paris and, last year, sent them to the Festival de Frue in Japan. Many of them are elderly now but they still blow up a storm!

Drummers Mohamed Majdobi and Abdelslam Bata before the Marrakech show. Photo By Stn Lens.

Two weeks ago, on Monday, April 29, The Master Musicians of Joujouka were invited to animate the Dior Defilé in Marrakech, a lavish affair in the grounds of the ancient El Badi palace where 100 of the world's top models displayed Dior's new collection. The musicians shared this task with The Orb, a renowned electronic music group. Musical Director for the show, Michel Gaubert, conceived and directed this visionary collaboration between these artists for Dior and Bureau Betak, working closely with both groups. Here's the official Dior broadcast of the event.

Browse through photos taken by Stn Lens (my daughter, Chantal) documenting the Master Musicians during their time in Marrakech.

Abdelah Ziyat, Rhiata Player. Photo By Stn Lens

Abdeslam Bata , Ahmed El Attar, Mohamed El Attar and Mohamed Majdobi. Photo By Stn Lens

Abdeslam Bata, Rhiata Player. Photo By Stn Lens

Abdeslam Rtoubi, Lead rhiata player

Ahmed El Attar before the show. Photo By Stn Lens

Alex Paterson founder and leader of The Orb and Mohamed El Hatmi. Photo By Stn Lens

Arriving at El Badi Palace. Shot by Stn Lens

Dior Cruise 2020. Photo By Stn Lens

Drummers Ahmed Talha and El Khalil Radi backstage. Photo By Stn Lens

El Ayachi Guennouni, Drummer. Photo By Stn Lens

El Ayachi Guennouni, Moustapha Selmouni, Ahmed Talha, El Khalil Radi, Mohamed El Hatmi. Photo By Stn Lens

El Khalil Radi, Drummer. Photo By Stn Lens

El Touhami Talha, plays Lead rhiata and Ahmed Talha. Photo by Stn Lens

Model Faretta walking for the Dior Cruise 2020 show. Photo By Stn Lens

Mohamed El Attar and Abellah Ziyat. Photo By Stn Lens

Mohamed El Attar Rhiata player. Photo By Stn Lens

Mohamed El Attar. Photo By Stn LensMohamed El Hatmi (Boujeloud). Photo By Stn Lens

Mohamed El Hatmi (Boujeloud). Photo By Stn Lens

Portrait of Mohamed Mokhchan the 87 year old rhiata Master. Photo By Stn Lens

Shailene Woodley and Lupita Nyongo Dior Cruise 2020. Photo By Stn Lens

Soundcheck, El Badi Palace. Photo By Stn Lens

The Maste Musicians Of Joujouka heading to soundcheck. Photo By Stn Lens

The Master Musicians Of Joujouka collaborating with The Orb for Dior Cruise 2020. Photo By Stn Lens

Dior 2020 Cruise Musical Director, Michel Gaubert, meets Master Musicians Of Joujouka group leader Ahmed El Attar. Photo by Stn Lens

The Master Musicians of Joujouka soundcheck at El Badi palace. Photo by Stn Lens

The Master Musicians of Joujouka soundcheck. Photo by Stn Lens

The Master Musicians Of Joujouka. Photo By Stn Lens

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Moroccan YouTuber, Moul Kaskita, Has Been Arrested for Insulting the King

The popular YouTuber posted a video wherein he criticizes King Mohammed VI—an inviolable law according to the kingdom's constitution.

The Star reports that popular Moroccan YouTuber Moul Kaskita, real name Mohamed Sekkaki, was arrested and appeared in court this past Tuesday after he was charged with "insulting Moroccans and constitutional institutions".

Moul Kaskita posted a video onto YouTube wherein he criticized King Mohammed VI's leadership and his fellow Moroccans' complacency when it comes to their rights.

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Headdresses 2 (Collaged) by Helina Metaferia, 2019. Image courtesy of the artist and PRIZM Art Fair.

Here's What to Expect at This Year's PRIZM Art Fair In Miami

The yearly art fair, now showing at Miami Art Week/Art Basel Miami Beach tackles 'Love In the Time of Hysteria,' with works by artists from across the diaspora.

PRIZM Art Fair is back again for its seventh edition, once again highlighting some of the brightest artists from Africa and the diaspora during Miami Art Week/Art Basel Miami Beach.

This year's exhibit, entitled Love in the Time of Hysteria, features several works curated by William Cordova, Ryan Dennis, Naiomy Guerrero, Oshun Layne as well as PRIZM Art Fair's founder and director Mikhaile Solomon. It includes pieces from 42 international artists, hailing from over 13 different countries, including Barbados, Bahamas, Grenada, Guadeloupe, Guyana, Martinique, Morocco, Nigeria, Egypt, Norway, South Africa, Ghana and the United States.

"Love in the Time of Hysteria illustrates how love, compassion and respect endure in a social milieu riddled with divisive political rhetoric, unprovoked attacks on members of marginalized communities and broad societal malaise as a result of economic inequity," said PRIZM in a press release.

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5 Women Doing Amazing Things Behind the Scenes in South African Hip-Hop

Behind every successful South African rapper of the last decade is a woman helping to get ish done. Helen Herimbi spoke to a few of them.

South African hip-hop had a great run in the last decade. As we start a new era, it's important to highlight the women who have played a pivotal role in the growth of the genre.

​Thuli Keupilwe

Thuli Keupilwe is the founder of LAWK Communications, an artist booking and representation agency that now works closely with the likes of DJ Maphorisa and Kabza de Small.

But she's not all about the yanos. Thuli has worked with urban music brands like Dreamteam SA and Homecoming Events, but in 2016, she cast her booking agent net wider and started LAWK Communications where she worked with DJs Capital and Sliqe.

The following year, Thuli received a phone call that would force her to level up. "Boom," she exclaims. "February 2017. PJay from B3nchMarQ called me. I was the one that pushed A-Reece to get onto his first Maftown Heights around 2014 and we're all from Pretoria so I'd known them since forever."

B3nchMarQ and A-Reece were gearing up to leave Ambitiouz Entertainment and when she agreed to be their booking agent, Thuli hadn't anticipated how much it would stretch her. Partly because the artists weren't initially permitted to perform their own songs—problematic for an agent who is meant to book them for gigs.

"I didn't see that coming at all," she says. "I was going up against the big guys, people I looked up to. I realized I needed to get a lawyer." Eventually, the artists were legally permitted to gig. "I had one of my biggest years with Reece after that. I am still with him till today."

A-Reece had managed to amass an enviable fan base size mostly from his online and streaming presence. Thuli works closely with him and counts using A-Reece's "Rich" song in a sync deal with the gambling website BET.co.za as a milestone in their partnership. "It was a good check," she chuckles. "And he was being himself and that's the most important thing to me."

Kay Faith

Authenticity has been the drive behind Kay Faith's work. The Cape Town-based engineer, producer and budding vocalist began her career behind the boards during sessions for the likes of Yasiin Bey, Nasty C and E-Jay.

She put out her own EP, In Good Faith, in 2017, and in 2018, she became the first female producer in the world to be featured on Apple Music's New Artist Spotlight.

She has also given us hip-hop bangers like "Slam Dunk" by Da L.E.S and YoungstaCPT. The latter is a frequent collaborator of hers. So much so that when his album 3T won the Best Album category at this year's South African Hip Hop Awards, she felt it was a win for her too. Especially since projects she'd worked on had been nominated and lost before.

Read: Meet The Woman Engineering Your Favorite South African Hip-Hop Releases

"When we started [the song] 'YVR,' I had this emotional feeling that it would be something big for Cape Town," Kay excitedly says. "From recording to mixing to mastering and featuring as a vocalist on 'The Cape of Good Hope' and 'KAAPSTAD NAAIER,' I was behind all of 3T. I even co-produced the 'Pavement Special' intro and the 'Outro' with Chvna.

"We spent 11 months crafting and him trying to get it to be perfect so it was a surreal feeling when we won Album of the Year. I even sent out a tweet saying: 'Can we just take a moment to realize that the South African Hip Hop Album of the Year was entirely engineered by a woman?'"

Kay's upcoming album, Antithesis is slated for a 2020 release. "It's going to be the first album of its kind, I believe," she says. "And I'm really trying to play with that idea of being the antithesis of hip-hop. I am a woman, an Afrikaans kid, in hip-hop. When I walk in, people don't expect me to be an engineer or a hip-hop producer and when I roll out my accolades, then they're like, 'damn, Kay's got game.' That reaction is what this album is about."

Phindi Matroshe

For Phindi Matroshe, the outside reaction to her work is not the most important thing. Phindi is a publicist and talent manager who owns At Handle, a PR and social marketing solutions firm. She was there before Nadia Nakai became a Reebok or Courvoisier ambassador and before she had sold-out ranges with Sportscene's Redbat.

She was also there when Nadia bagged a Best Female pyramid at the 2019 South African Hip Hop Awards. And she was right beside her when she scooped awards at AFRIMA 2019 for Best Artist, Duo or Group in African Hip Hop as well as Best Female Artiste: Southern Africa.

"Winning awards was never the mission," Phindi confesses. "Honestly, we have never done things to try and get awards. Nadia truly loves what she does and it feels great when that is acknowledged and someone pats us on the back for work we've done. I really love and respect what I do and don't see it as a job."

Having handled publicity for the likes of JR, Tumi Masemola (of Gang of Instrumentals), Shane Eagle, Major League DJs and more, Phindi pivoted to managing Nadia. She says: "Seeing the things we talk about come to life or when we're in the boardrooms signing those deals, those are personal milestones for me."

​Ninel Musson

Ninel Musson has been brokering some of hip-hop's biggest deals for over a decade. She co-owns Vth Season, a boutique full-service entertainment marketing agency with Raphael Benza.

A former party promoter and publisher of the wonted.co.za website, Ninel helped start a record label wing of Vth Season where AKA was their first signee. Together, they turned AKA into a mainstream success that the artist could bank on when he started the now defunct BEAM Group independent record label with Prince Nyembe in 2016.

Recently, Ninel and Benza, together with the Sony Music team, presented AKA with diamond and platinum plaques for several songs at a surprise dinner. "The music we went on to create became some of the best-selling records of all time in South Africa," Ninel says matter-of-factly. "When we started with him, the major labels said SA hip-hop would never go this far. We said we believed it would and then we did."

​Sibu Mabena

Cassper Nyovest seems to make it a point to work with women. In addition to Cassper's sisters running his Family Tree store, several Fill Up dates have seen PR maven, Sheila Afari at the helm. And while it's clear that the Fill Up series was always the brainchild of Cassper and his longtime friend and business partner, T-Lee Moiloa, bringing it to fruition has also included the skills and power of women behind the scenes. Women like Sibu Mabena, a multi-hyphenate creative entrepreneur who owns the Duma Collective.

"The day I landed back home from the EMAs, I went straight to The Dome," she remembers. "I said: 'yo, T-Lee, give me a job. I want to work on this thing.' He was like: 'bra, there's nothing for you to do.'" Sibu stuck around at the Dome, watching the production come together when a lightbulb went on in her head.

Read: Sibu Mabena Works Behind The Scenes in South African Hip-Hop, And She's Kicking Ass

"I thought: 'Cassper has 11 outfit changes. Who is helping him with those?' So Gareth Hadden from Formative, who was building the stage, said they needed someone to help with those changes. I forced myself into the Dome, and the next year I pitched to T-Lee to run the stage at Orlando Stadium. The following year was Fill Up FNB Stadium and there, I got a bigger job to run the talent operations. That's how we started doing the Fill Up Intern Search."

In the next decade of Mzansi hip hop, Sibu has her heart set on parties with a purpose. "All the things I have learnt along the way have led me to contribute to AKA's Fees For All Mega Concert," she shares. "I'm not coming on as just a creative or event organiser or marketer. It's demanding all of me. We're all tapping into a more philanthropic and less commercial role than we usually have so the pressure is that much greater."

There are plenty more women who've got game. From Lerato Lefafa, who has been a part of the team that brought us the SAHHAs and Back to the City to Bianca Naidoo who is a big part of Riky Rick's triumphant trajectory to women like Spokenpriestess, Caron Williams, Azizzar The Pristine Queen, Loot Love and way more who have, in the last decade, used their media platforms to lift up Mzansi hip-hop. In the next decade, women will still be a huge part of hip hop. It'll be interesting to see where that contribution takes the movement next.

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Photo courtesy of CSA Global.

In Conversation with Congolese NBA Player Emmanuel Mudiay: 'I want more African players in the NBA.'

The Utah Jazz player talks about being African in the NBA, supporting basketball in the DRC and how 'everybody knows about Burna Boy'.

Inspired by his basketball-playing older brothers, by second grade, Emmanuel Mudiay already knew that he wanted to play in the American National Basketball Association. Then in 2001 his family, fleeing the war in Democratic Republic of Congo, sought asylum in the United States.

In America, Mudiay saw basketball as a way for him to improve his situation. After impressive high school and college careers, he moved to China to play pro ball. Picked 7th overall in the 2015 NBA draft, the now 23-year-old guard has made a name for himself this season coming off the bench for the Utah Jazz.

Mudiay attests to the sport having changed not only his life but that of his siblings. Basketball gave them all a chance at a good education and the opportunity to dream without conditions. Now he wants to see other talented African players make it too.

We caught up with him to talk about his experience as an African player in the NBA, his hopes for basketball on the African continent and who he and his teammates jam out to in their locker rooms.

This interview has been edited for length and clarity.

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