Arts + Culture
Eddy Kamuanga Ilunga, Untitled, 2019, Acrylic and oil on canvas, 200 x 200 cm, Courtesy October Gallery.

1-54 Contemporary African Art Fair NY Marks 5 Years Making Manhattan's Industria Its New Home

The leading international art fair dedicated to amplifying contemporary art from diverse African perspectives returns to New York this May—here's what you need to know.

This year's New York edition of 1-54 Contemporary African Art Fair is around the corner as it continues to present contemporary art from diverse African perspectives—this time at a new home.

"Our fifth anniversary in New York comes at a moment of tremendous change and excitement for the fair," says Touria El Glaoui, 1-54's Founding Director, in a statement. "While we've enjoyed four years of incredible support from Pioneer Works in Brooklyn, the fair's move to the West Village responds to the desires of both our galleries and our visitors and will greatly expand the opportunities for audiences to discover the very best contemporary African art in the heart of Manhattan."

Taking place from May 3 to May 5 with a preview day on May 2, 1-54 will mark its fifth edition at Industria in Manhattan's West Village. Twenty-four galleries from Belgium, Côte d'Ivoire, Egypt, Ethiopia, France, Ghana, Kenya, Martinique, Morocco, Nigeria, Portugal, Senegal, South Africa,Turkey, the UK and the US are set to display work from over 65 artists. In keeping with the fair's mission to embrace a diverse and global mix of galleries that are dedicated to supporting and amplifying African artists from around the world, 12 new galleries are joining the fold with five solo exhibitions in tow.

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Arts + Culture
NIC Kay performing PUSHIT! at 1-54 NY 2018. Photo by Brittany Buongiorno, courtesy of SUTTON.

1-54 NY 2018 Was An Exploration of Oppression, Women's Empowerment and Identity

A recap of the fourth edition of 1-54 Contemporary African Art Fair in New York.

1-54 Contemporary African Art Fair entered its fourth year in New York with a lively buzz that brought curious spectators—and rightfully so. Over 21 galleries from all over the continent, including Côte d'Ivoire, Tunisia, Kenya, South Africa, Morocco and Ghana, displayed strong works of art that drew on themes of oppression, women's empowerment and identity.

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Arts + Culture
Touria El Glaoui at the 1-54 2018 preview. Photo by Katrina Sorrentino, courtesy of SUTTON.

In Conversation with 1-54 Founder Touria El Glaoui on the Fair's Constant Transformation

We catch up with director of the 1-54 Contemporary African Art Fair, Touria El Glaoui , whose New York edition launched this week.

Since the first edition of 1-54 Contemporary African Art Fair took place in London in 2013, a lot has happened with the fair. New York followed in 2014 as an additional venue, and Morocco became the first African country where the fair was held this year.

What remains the same is the focus on the 54 countries of the continent, to which the name refers, and the goal of promoting a global dialogue and exchange from an African perspective.

Touria El Glaoui, founder and director, uses the fourth edition of the New York Fair as an opportunity to draw an interim conclusion that sets 1-54 as a model in constant transformation.

Read more in our conversation below.

Ann Mbuti for OkayAfrica: 2018 has been the first year in which 1-54 had an edition in an African country. Why now?

Touria El Glaoui: Our goal from the very start was to have a physical presence on the African continent and create direct channels of exchange between Africa, Europe and North America. Having created a global platform and steadily strengthened our position in London and New York, we wanted to use this momentum to bring the focus back to the continent. Morocco has an extensive art and cultural history, and through its trade has been a link between the African continent and Europe. In some way by having the fair across continents we also serve as a connector. There are many reasons we chose to situate ourselves in Marrakech. One of them being that in the past year there have been more Africa-centered initiatives in Marrakech such as the opening of art institutions (MACAAL), and a significant growth in Morocco's contemporary art scene in general. We wanted to be a part of that development and introduce galleries and collectors to this budding market.

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