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Headdresses 2 (Collaged) by Helina Metaferia, 2019. Image courtesy of the artist and PRIZM Art Fair.

Here's What to Expect at This Year's PRIZM Art Fair In Miami

The yearly art fair, now showing at Miami Art Week/Art Basel Miami Beach tackles 'Love In the Time of Hysteria,' with works by artists from across the diaspora.

PRIZM Art Fair is back again for its seventh edition, once again highlighting some of the brightest artists from Africa and the diaspora during Miami Art Week/Art Basel Miami Beach.

This year's exhibit, entitled Love in the Time of Hysteria, features several works curated by William Cordova, Ryan Dennis, Naiomy Guerrero, Oshun Layne as well as PRIZM Art Fair's founder and director Mikhaile Solomon. It includes pieces from 42 international artists, hailing from over 13 different countries, including Barbados, Bahamas, Grenada, Guadeloupe, Guyana, Martinique, Morocco, Nigeria, Egypt, Norway, South Africa, Ghana and the United States.

"Love in the Time of Hysteria illustrates how love, compassion and respect endure in a social milieu riddled with divisive political rhetoric, unprovoked attacks on members of marginalized communities and broad societal malaise as a result of economic inequity," said PRIZM in a press release.

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Op-Ed
Image via TONL

On Behalf of My Unborn Son: Thank You African Male Artists

African men's openness towards exploring different kinds of masculinity gives me hope for the future.

First things first: I'm not pregnant. But, like many people, I contemplate the world I'll be bringing my children into whenever they so choose to arrive. I don't know who or what their father will be. Ghanaian-Swedish? Haitian-Italian? American – who knows? What I do know for certain is that any son I have will be, at least, half black.

I've long struggled with the seeming paradox of the black imagination. One the one hand, our creative conscious imagines entire lifestyles into existence. We create global trends in fashion, music, dance, language, poetry and literature. Our minds are ground zero for creating entire cultures. But when it comes to ourselves, we seem to be unable to imagine being seen as whole human beings. I feel like even in our imaginations we don't dare to imagine ourselves truly respected and truly free because that freedom might threaten others. It's a problem I have in myself, it's a problem I'm not proud of.

So when I imagine the world my son will enter, I'm hesitant about bringing a son into a world that won't make room for the multitudes he will contain—that all of us contain. I worry that he won't know that he can be all the things he needs to be and be black.

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