Music
Janelle Monae's "Dirty Computer" album cover

Janelle Monáe’s 'Dirty Computer' Is a Battle Cry For Those of Us Who Refuse to Surrender

Janelle Monáe's latest offering sends an unfiltered message of love, inclusivity and resistance.

A computer is an electrical system that processes and encompases information, then somehow translates it into a medium that we can understand and utilize. It holds our files, our histories, our secrets, our goals. It remembers.

A computer is also a person who calculates. An intelligent being that records, internalizes and projects information and ideas. But unlike the first computer I described (the inanimate one) human computers have the gift of free will. To think, love, feel and be themselves. They never forget what authenticity is. What it is to instruct themselves, and not be manipulated by an outside force.

The metaphor of computer as human is instrumental in Janelle Monae's musical storytelling. Janelle is no stranger to teetering between the fine lines of reality and "digitalism:" for the culmination of her career, she's narrated through a mechanical protagonist—Cindi Mayweather, a cyborg who loves a human—but we had yet to truly learn who Janelle is, in our dimension.

Dirty Computer, Janelle's most personal and outspoken masterpiece to date, explores what being an unconventional, queer and authentic "computer" (a person that processes and transforms concepts, or just a creative, expressive being) means in a society that is inhumane in it's laws, standards and prejudices.

In Janelle's emotion picture and album, this translates to being a "dirty computer": when society claims that the most humanistic and natural parts of your expression, existence or love-making are an abomination. With technology rapidly advancing and social media harvesting our data and personalities, it seems inevitable that we'll become one with the digital landscape we've curated and constructed so meticulously.


People on the margins of society—people of color, queer communities, women, trans and gender nonconforming identities—are often treated like something other than human, as if not fitting the social standards created by whiteness and men automatically means we are the problem, we are the machines that need rewiring.

If cleanliness is assimilation, and dirt is pure individuality and sexual and gender truth, then preserving your data becomes a political statement, an act against heteronormative, racist, cis and male-dominated programing. "I am not America's nightmare, I am the American dream," she proclaims in "Crazy Classic Life," a party anthem that introduces the apocalyptic nature of the album and declares herself as a force in intersectional feminism.

For Janelle, we are living the apocalypse now: enduring a blubbering orange tyrant, xenophobia, police brutality against black people, trans people being murdered, persistent inequality against women. She elaborates on this idea in "Screwed," a duet with Zoe Kravitz. The duo describe all the ways they want to be screwed: in a matinee, at a festival, like an animal, but the metaphor exceeds sexual expectations. We are all screwed, because existing in America's current timeline feels like a nightmare, featuring abuse of power and force. As Janelle exits the song, she recites a poem about sex and power—both operate in regards to the other, and while sex can be empowering, especially for women owning our bodies and people with many sexualities, sex and power are often used by men to manipulate, intimidate or control.

Thus, "Pynk," the ecstatic soundtrack to pussies, tongues, lips, femininity and all the gushy stuff sloshing around inside of us, is especially significant. I've always believed in the power of images as markers of new movements, and Janelle in flamboyant fuchsia labia pants is an unforgettable moment. Although the idea of women embracing their bodies has often been articulated through a cisgender lens, Janelle made it a point to announce that "Pynk" includes all womxn, and transcends the cis idea of gender and body as a definitive thing.

Dirty Computer bounces between consecutive uplifting and thoughtful tracks, merging dance, funkadelic, rock n roll and pop: an interesting juxtaposition of celebration amidst social and cultural chaos. "Take a Byte" is a blatant ode to the computer idea, both sexually and digitally—is it a romantic invitation? A mockery of those in power who want to break apart queer identity? Or permission to bite off of her individuality?—while "I Got That Juice" plays with the notions of electrical juice that keeps computers alive and the nectar that flows between women's thighs.

Yet, these jovial explorations come to rest at "Don't Judge Me," a ballad that sounds like a letter to her fans. We've all loved her throughout her Cindi days, where her lyrics and performances, although moving, were nestled safely in a fantasy world. Janelle asks if we will continue to love and stand by her, after presenting such a vulnerable yet empowering album that lays her sexual and social beliefs out on our screens for us to swipe past or scroll further into.

I am here.

I am here for this music, for the unfiltered messages of love, inclusivity and resistance. I am here for Janelle. A computer, whether literal or mechanical, shuts down when the user wants it to, or when the juice has run out. My wires are just starting to spark. And so are Janelle's.

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Stop What You're Doing Right Now and Watch Falz's New Video 'This Is Nigeria'

The Nigerian rapper tackles his country's social ills in his very own answer to Childish Gambino's "This Is America."

Nigerian rapper, Falz has been known to use his sharp brand of humor to address social ills in his country. Today he's taken it a step further with the release of a new song and video entitled "This is Nigeria" and the outcome is an audacious, decidedly necessary critique of Nigerian society inspired by Childish Gambino's viral video "This is America."

Falz opens the song with a voice over of his father the lawyer and human rights activist, Femi Falana, discussing the consequences of rampant corruption and exploitation, before adding his own cutting criticism: "This is Nigeria, look how I'm living now, look how I'm living now. Everybody be criminal," he rhymes as chaos ensues all around him.

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Photo courtesy of Nike

The Secret Behind Nike's New Naija Football Kits are Nigerians Themselves

The story behind the bold new uniforms the Super Eagles will be wearing at this year's World Cup.

Partner content from Nike

The new Nigeria football kits are not even out yet, but they're already causing pandemonium with Nigerian press reporting that there have been already 3 million worldwide orders. And it's easy to see why—the designs are daring with a bold nod to Nigerian culture that is very in vogue right now. In addition, UK Grime MCs with Nigerian roots, Skepta and Tinie Tempah have already been photographed in the new jerseys causing a surge of social media chatter about the new look.

But while rock star endorsements and an edgy new design will certainly bring attention, there's no doubt that the real bulk of the demand is due to what is ramping up to be a significant moment in the history of Nigerian football—the 2018 World Cup.



If you don't already know, Nigeria is entering this year's World Cup in Russia with some of the most exciting young players we've seen in years. With youthful talent like Wilfred Ndidi, Alex Iwobi and Kelechi Iheanacho—all 21—and veteran Olympic captain Jon Obi Mikel ready to take the field in Moscow all eyes are on Nigeria to advance out of Group D and challenge the world for a chance at the cup.

The plan here is to outdo the teams previous international achievement, the 1996 Olympic Gold Medal in men's football which is commemorated on the home kit with a badge recolored in the colors of the '96 gold medal-winning "Dream Team."

The home kit also pays subtle homage to Nigeria's '94 shirt— the first Nigerian team to qualify for the tournament—with its eagle wing-inspired black-and-white sleeve and green torso. But if the allusion to the pasty is subtle, the new supercharged patterns are anything but.

The look of the kit feels particularly in touch with what's going on in youth fashion both in Nigeria and the world and that's no accident. Much of the collection comes in bold print, both floral and Ankara-inspired chevrons, ideas that we've seen entering street wear collections and on the runway in recent years. That's because African and Nigerian style has become a big deal internationally of late. And not just in style, the country's huge cultural industries from Nollywood to Afrobeats have announced themselves on the world stage. This cultural ascendance is reflected in the design.


Courtesy of Nike

"With Nigeria, we wanted to tap into the attitude of the nation," notes Dan Farron, Nike Football Design Director. "We built this kit and collection based on the players' full identities." Along with other members of the Nike Football design group, Farron dug into learning more about Nigeria's players, "We started to see trends in attitude and energy connecting the athletes to music, fashion and more. They are part of a resoundingly cool culture."

In fact OkayAfrica has covered the team's love for music before—even dedicating an edition of the African in Your Earbuds mixtape to John Obi Mikel, Alex Iwobi & Kelechi Iheanacho's favorite songs to get hyped up before a game. When we asked the charismatic trio, they gave us list that included many of the huge Nigerian artists that we love, like Tekno, Wizkid, Yemi Alade and Nigerian-American rapper Wale and also, perhaps surprisingly, perhaps not, Celine Dion.

Nigerian culture has gone global partly through its infectious energy but also because of its vibrant diaspora populations that bring it with them wherever they land. Lagos-born Alex Iwobi whose goal in the 73rd minute to qualified Nigeria for this summer's tournament spent most of his life in London but still reps Naija to the fullest.

"I grew up in England, but Nigeria is my homeland," he says. "When I scored that goal, the players were dancing, the fans were playing trumpets and bringing drums…there was just so much passion and energy. It is always an honor to wear the white and green. To compete this summer is not just our dream, it is also the dream of our fans. Together, we all represent Naija."

This similar energy can be felt in Nigerian communities from Brooklyn to Peckham and even in China. Naija culture is truly global and no doubt the fans will embody the Naija spirit wherever they will be watching the games this summer.

If you're wondering, Nike isn't simply hopping on the Nigeria bandwagon. The apparel company has been sponsoring the Nigerian football since 2015, supplying kits to all nine of the Nigeria Football Federation teams at every level, including the men's and women's senior teams, men's and women's under-20 teams, men's and women's under-17 teams, men's and women's Olympic teams, and the men's beach football team.

So while the kit is available for purchase worldwide June 1, just know that you'll be competing with millions to get your own official shirts for the World Cup. If you are in New York, find the kit for sale exclusively at Nike's 21 Mercer store.

And please join OkayAfrica and Nike on June 2nd for Naija Worldwide as we celebrate Team Nigeria's journey to Russia in style.

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Listen to Adekunle Gold's New Album 'About 30'

Adekunle Gold's highly-anticipated sophomore album is here.

Adekunle Gold's much-anticipated sophomore album, About 30, has arrived.

The 14-track album boasts features from Seun Kuti, Flavor and British-Nigerian soul singer Jacob Banks, who appears on a remix to the popular lead single "Ire." The album sees the artist flexing immense versatility and range as he delivers emotional ballads, folk-Inspired cuts sung in Yoruba, and a few highlife-tinged summer jams.

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