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Kelela: "White People Don't Understand. Black People Don’t Have The Space To Suck"

Kelela gets real in a cover story for The FADER ahead of the release of her debut album "Take Me Apart."

Kelela laid down the truth with some choice words about her journey to releasing her upcoming debut album, Take Me Apart, in a recent cover story for The FADER.

After years of feeling as if it was "too late" to start her career, Kelela, a second-generation Ethiopian American, finally built the courage to write her first song when she was 25 years old.


The courage that she gained helped her to overcome self doubt and to persevere over misogynoir (the intersection of racism and sexism directed at black women).

The album title, Take Me Apart, demonstrates the importance she places on honest self-expression, and her belief that everyone should take risks.

Kelela knows that it's not easy and that it takes courage.

She told The FADER's Lakin Starling, “When you demand somebody take you apart, then you're the boss. It's so strong. You must have a lot of confidence to say that comfortably. It feels risky, I feel my heart pound a little bit harder, but that's who I am."

She's particularly attuned to how this struggle falls upon black women in the music industry, for whom the stakes are particularly high. It's not necessarily that black people are more "artistically inclined," she said. "It's because we don't have the space to suck."

The album, which was produced by Jam City, is true to Kelela's affinity for electronic music, but is also "fully grounded in R&B's brave emotional honesty," according to The FADER.

At a time when dishonesty goes unchecked more often than ever, this type of straight talk is unfortunately rare. We're glad to have Kelela and Take Me Apart is right on time.
Photo courtesy of 1-54/SUTTON.

1-54 Contemporary African Art Fair Landing in Marrakech is 2018's Most Anticipated Art Event

The leading art fair dedicated to contemporary African art makes its mark on the continent for the first time this weekend.

This weekend, 1-54 Contemporary African Art Fair, the leading art fair devoted to contemporary African art, will debut in Marrakech, Morocco. The announcement of the Fair's expansion to the continent last year has left aficionados of contemporary African art in eager anticipation of this "homecoming"—this author included.

1-54 debuted in London in 2013. Although an expansion to New York followed, a presence on the continent was always part of the long-term vision of the founder Touria El Glaoui. Finally, the time has now arrived.

Here are five reasons why we're looking forward to 1-54 Contemporary African Art Fair Marrakech.

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This Olympic Figure Skater Blew Us Away Again By Pulling Off a Costume Change Mid-Routine

First Maé-Bérénice Méité performed to Beyoncé, now she's effortlessly slaying outfit changes mid-routine. What can't she do?

French-Congolese and Ivorian figure skater, Maé-Bérénice Méité, has pretty much been the life of the Winter Olympic figure skating competition.

Earlier this month, the athlete had the internet shook when she performed her opening routine to two Beyoncé songs. Now she's back with even more black girl magic.

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Video still via YouTube.

10 Stand Out Moments From Janelle Monáe's Powerful Music Videos

Janelle Monae came back making a statement—and we're just as obsessed as you are.

We've got to talk about Janelle Monáe.

Over the past half decade, she's embarked on a profound journey that's solidified her as an artist, creator and activist who isn't afraid to shoot down the stars—or shoot with them.

After having roles in Hidden Figures and Moonlight—two Oscar nominated movies where one won an Oscar, a stellar speech at the Grammy's and a stunning presence at the Black Panther red carpet, she's ready to grace us with "Dirty Computer," the latest musical venture in her Afrofuturistic saga.

To whet our appetites before the album, which is set to release on April 27, Janelle dropped not one but two music videos yesterday. Both are distinctly entertaining: one is a black, intersectional feminist anthem and the other a psychedelic soundtrack of sexual fluidity.

Watch both, then read some of the highlights we gathered from the hypnotizing visuals and powerful wordplay.

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