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Kelela: "White People Don't Understand. Black People Don’t Have The Space To Suck"

Kelela gets real in a cover story for The FADER ahead of the release of her debut album "Take Me Apart."

Kelela laid down the truth with some choice words about her journey to releasing her upcoming debut album, Take Me Apart, in a recent cover story for The FADER.

After years of feeling as if it was "too late" to start her career, Kelela, a second-generation Ethiopian American, finally built the courage to write her first song when she was 25 years old.


The courage that she gained helped her to overcome self doubt and to persevere over misogynoir (the intersection of racism and sexism directed at black women).

The album title, Take Me Apart, demonstrates the importance she places on honest self-expression, and her belief that everyone should take risks.

Kelela knows that it's not easy and that it takes courage.

She told The FADER's Lakin Starling, “When you demand somebody take you apart, then you're the boss. It's so strong. You must have a lot of confidence to say that comfortably. It feels risky, I feel my heart pound a little bit harder, but that's who I am."

She's particularly attuned to how this struggle falls upon black women in the music industry, for whom the stakes are particularly high. It's not necessarily that black people are more "artistically inclined," she said. "It's because we don't have the space to suck."

The album, which was produced by Jam City, is true to Kelela's affinity for electronic music, but is also "fully grounded in R&B's brave emotional honesty," according to The FADER.

At a time when dishonesty goes unchecked more often than ever, this type of straight talk is unfortunately rare. We're glad to have Kelela and Take Me Apart is right on time.
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Stella Mwangi. Image courtesy of the artist.

Stella Mwangi: Hip-Hop Saved My Life as an African Growing Up in Norway

The Kenyan-Norwegian rapper speaks about the Hollywood hustle, the potential of East African music and what she's dropping next.

If it seems like Stella Mwangi is everywhere these days, that's understandable. It's nearly impossible to see all the rings she's throwing her hat into: her songs are getting featured in Hollywood and across commercials, films and movie trailers.

There's a reason why it's possible to stay on such a grind, to make it work after more than a decade in the rap game, and that's an underlying theme with much of what the Kenyan-Norwegian artist, who also goes by STL, does. She's charged with an incomprehensible current that would have burned out other artists. Even as I caught up with her, she was hours away from taking a flight to the filming of a reality cooking competitions in Norway.

So what is on deck for Stella Mwangi? As it turns out, seemingly everything.

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This South African DJ Is Creating a List of Toxic Men in the Industry She Won't Work With

DJ ANG is taking a stand against sexual harassment in the music industry by calling out toxic artists.

August is Women's Month in South Africa, and women around the country are using the opportunity to stand up against femicide, gender violence and sexual harassment on a national level.

There are many ways to protest, and South African DJ and head of SheSaidSo South Africa, Angela Weickl, also known as ANG is carrying out her own demonstration against sexual harassment in the music industry by calling toxic artists out by name and refusing to work alongside them.

"I will be including a list in every booking agreement from now onwards," the artist wrote on Facebook. "This list will be of artists who I refuse to be on a line up with due to their toxic and harmful behaviour. I will not share the spaces where we work to promote diversity, inclusion and safety, with people who harm and disrespect us. If a venue or promoter cannot understand my choice, then I choose not to associate with them."

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Watch the Trailer for 'La Negrada'—Mexico's First Feature Film with an All-Black Cast

The beautifully-shot film snagged the cinematography award at the 2018 Guadalajara International Film Festival.

This August, OkayAfrica shines a light on the connections between Africa and the Latin-American world. Whether it's the music, politics or intellectual traditions, Africans have long been at the forefront of Latino culture, but they haven't always gotten the recognition. We explore the history of Afro-Latino identity and its connection to the motherland.

This new film that recently premiered in Mexico City has made history in the Latin American film world.

La Negrada, directed by Jorge Pérez Solano, is Mexico's first fiction film portraying the Afro-Mexican population, REMEZCLA reports.

Contributing to the slow, but long overdue recognition of Afro-Latino communities on the big screen, La Negrada tells the story of two women, Juana and Magdalena, who are both romantically involved with the same man, Neri. The film was shot throughout Costa Chica—a region that spans along the coast of Guerrero and Oaxaca that's home to the highest concentration of Afro-descendants in Mexico—as Solano enlisted locals and non-professional actors to star in the film.

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