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A-Reece Shares A New Song ‘MORNING PEACE’ From His Upcoming Mixtape

Listen to A-Reece's new song 'MORNING PEACE' featuring Jay Jody.

A-Reece has let loose yet another song from his upcoming mixtape Today's Tragedy, Tomorrow's Memory. "MORNING PEACE" features Jay Jody (you might know him as PJay), one half of the duo B3nchMarQ and A-Reece's brother.

"MORNING PEACE" is a song in which the two rap about the desire for morning peace in the context of a romantic relationship. "I don't wanna wake up to no drama early morning again/ I'd rather wake up to you naked," raps A-Reece on the song's hook.


"MORNING PEACE" is the third song to be released from A-Reece's upcoming mixtape, which was announced in January. "5 YEAR PLAN" which features Wordz came out on the day of the announcement while "RESIDUAL SELF IMAGE", featuring Ayanda Jiya, was released in 2020.

Today's Tragedy, Tomorrow's Memory is due for release on the 26th of March. Alongside Jay Jody, Wordz and Ayanda Jiya, the project will feature artists such as BELO SALO and Stogie T.

Listen to "MORNING PEACE" on Apple Music and Spotify.



View the tracklist of Today's Tragedy, Tomorrow's Memory here.

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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