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The Best African Art In 2014

Okayafrica looks back at the best African art in 2014, featuring work by Wangechi Mutu, Emeka Ogboh, Omar Victor Diop and more.


2014 had no shortage of exceptional images and stories from the African art world. Longtime favorites of ours like Wangechi Mutu, Hassan Hajjaj, and Chris Saunders continued to perfect their trade with exhibition openings across the globe. Morocco opened its first contemporary art museum. Street art took over Accra's streets for the fourth year running. The Brooklyn Museum made a commitment to African art with an ambitious new long-term installation. 1:54 in London, Europe’s leading contemporary African art fair, drew in work by over 100 of the Continent's top artists. LagosPhoto returned for an outstanding fifth year of photographed bliss in Nigeria. First Thursdays became "a thing" in Cape Town. Everday Africa brought their instagrammed images across the Continent all the way to the Brooklyn Bridge. London paid its respects to Nigeria's late provocative photographer Rotimi Fani-Kayode. Mother Of George filmmaker Andrew Dosunmu made his solo photo exhibition debut in NYC. We even got to know a new face in textile, Kenyan-American illustrator/designer Jamilla Okubo, and Adire icon Chief Nike Davies-Okundaye. With a new year just upon us, we looked back at some of the best African visual art 2015 had to offer.

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Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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