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Installation view of Sahel: Art and Empires on the Shores of the Sahara © The Metropolitan Museum of Art 2020, photography by Anna-Marie Kellen.

The Met's New Exhibition Celebrates the Rich Artistic History of the Sahel Region

'Sahel: Art and Empires on the Shores of the Sahara' is an enxtensive look into the artistic past of the West African region.

West Africa's Sahel region has a long and rich history of artistic expression. In fact, pieces from the area, which spans present-day Senegal, Mali, Mauritania, and Niger, date all the way back to the first millennium. Sahel: Art and Empires on the Shores of the Sahara, a new exhibition showing at The Metropolitan Museum of Art in New York City, dives into this history to share an expansive introduction to those who might be unfamiliar with the Sahel's artistic traditions.

"The Western Sahel has always been a part of the history of African art that has been especially rich, and one of the things that I wanted to do with this exhibition, that hasn't done before, is show one of the works of visual art...and present them within the framework of the great states that historians have written about that developed in this region," curator Alisa LaGamma tells Okayafrica. She worked with an extensive team of researchers and curators from across the globe, including Yaëlle Biro, to bring the collection of over 200 pieces to one of New York City's most prestigious art institutions.


"The exhibition will bring into focus such transformative moments as the development of urbanism, the rise and fall of political dynasties, and the arrival of Islam," reads a press release from The Met. It features wall to wall artifacts ranging from ancient terracotta figures to ceremonial "boubous" and handwritten manuscripts, which contain ancient knowledge.

As the institution notes, several of these items traveled on loan to the United States for the first time, from the national collections of each respective country. Some highlights include an "ancient terracotta equestrian figure (3rd through 11th century) excavated at the site of Bura in 1985, from the Institut the Institut de Recherches en Sciences Humaines, Université Abdou Moumouni de Niamey, Niger," as well as "a rare 12th-century gold pectoral from Rao that is a Senegalese national treasure from the collection of the Institut Fondamental d'Afrique Noire Cheikh Anta Diop, Dakar, and the Timbuktu manuscripts from the Mamma Haidara Memorial Library in Mali."

Sahel: Art and Empires on the Shores of the Sahara will be showing at The Met until May 10. A number of programs including the upcoming panel discussion Storytelling and West African Cinema, curator tours, performances and more will take place throughout the spring. Learn more about the show and programs here, and preview the exhibition below.

Equestrian Bura-Asinda-Sikka Site, Niger 3rd–10th century Terracotta Institut de Recherches en Sciences Humaines, Université Abdou Moumouni de Niamey, Niger (BRK 85 AC 5e5)

Photo credit: © Photo Maurice Ascani. www.photographe-niger.com

Installation view of Sahel: Art and Empires on the Shores of the Sahara © The Metropolitan Museum of Art 2020, photography by Anna-Marie Kellen.

Curing Diseases and Effects both Apparent and Hidden Timbuktu, Mali 1733 Manuscript on paper Mamma Haidara Memorial Library, Timbuktu, Mali (116)

Photo credit: Mamma Haidara Memorial Library

Reclining Figure Middle Niger civilization, Jenne-jeno, Mali 12th–14th century Terracotta Musée National du Mali, Bamako (R 88-19-275)

Photo: Musée National du Mali

Rao/Nguiguela, Senegal 12th–13th century Gold Institut Fondamental d'Afrique Noire Cheikh Anta Diop, Dakar, Senegal (41 32)

Photo credit: Photo by Antoine Tempé

Kneeling Female Figure with Crossed Arms Middle Niger civilization, Mali 12th–14th century Terracotta The Menil Collection, Houston (1982-20 DJ)

Photo: Courtesy Menil Collection

Bala Mandinka peoples, Guinea or Mali 19th century Wood, gourd, hide, and membrane The Metropolitan Museum of Art, New York. The Crosby Brown Collection of Musical Instruments, 1889 (89.4.492)

Photo :© The Metropolitan Museum of Art, photo by Paul Lachenauer

Tunic West Africa Before 1659 Cotton and indigo Weickmann Collection, Museum Ulm, Germany (D.41) Photo credit: © Museum Ulm— Weickmann

Collection, photo by Oleg Kuchar, Ulm

Female Figure Ghana empire, Kumbi Saleh, Mauritania 7th–11th century Terracotta Office National des Musées de Mauritanie, Nouakchott, Mauritania (KS72 KI 94)

Photo credit: Photo by Antoine Tempé

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Image courtesy of the artist.

In 'Aba Women Riot' Nigerian Artist, Fred Martins, Reinterprets a Groundbreaking Moment In African History

In a new series of prints, the artist celebrates 'the women who lend their voices and stood strong against the oppression of Africans.'

March marks Women's History Month, and for African women, one event that epitomizes the will and tenacity within our community is the Aba Women's Riot, also known as The Women's War of 1929, in which thousands of predominantly Igbo women in eastern Nigeria mobilized to challenge British colonial rule and the barriers placed on women's civic life.

This paradigm-shifting moment in history is the center of the latest series from Nigerian visual artist Fred Martins, who began conceptualizing "Aba Women Riot" in 2019, while reflecting on the invaluable contributions women have made throughout history. "I reflected on the power of femininity and how it has affected history on every stage and era of human civilization," said the artist in a statement.

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"Zion 9, 2018" (inkjet on Hahnemuhle photo rag)" by Mohau Modisakeng. Photo courtesy of Jenkins Johnson Gallery.

South African Artist Mohau Modisakeng Makes Solo NYC Debut With 'A Promised Land'

The artist will present the video installation 'ZION' and other works centering on the "global history of displacement of Black communities" at the Jenkins Johnson Gallery in Brooklyn.

Renowned South African visual artist Mohau Modisakeng presents A Promised Land, his latest solo exhibition, opening at Brooklyn's Jenkins Johnson Gallery this month. This marks the New York debut of Modisakeng's ZION video installation, based on the artists's 2017 performance art series by the same name. It originally debuted at the Performa Biennial.

"In ZION the artist deals with the relationship between body, place and the global history of displacement of Black communities," reads a press release. "There is an idea that all people are meant to belong somewhere, yet in reality there are millions of people who are unsettled, in search of refuge, migrating across borders and landscapes for various reasons."

In addition to the video, the show also features seven large-scale photographs that communicate themes of Black displacement. From 19th century Black settlements in New York City, which as the press release notes, were eradicated to clear space for the development of Central Park, to the scores of Africans who have faced conflict that has led them to life as refugees in foreign lands.

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The 12 Best Ghanaian Songs of the Month

Featuring Stonebwoy, Kuami Eugene, Shatta Wale, Samini, Sarkodie and more.

March has been quite an eventful month around the world. While almost everything has come to a standstill due to the pandemic, the creative world hasn't stopped. In an attempt to keep the content coming during this time of social distancing and self isolation, both the top shots and emerging acts have been showing out. As March comes to a close we give you a list of some of the best songs to come out of Ghana this month. Check them out below.

Follow our GHANA WAVE playlist on Spotify here and Apple Music here.

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The 6 Best East African Songs of the Month

Featuring Harmonize, Rayvanny, Mbosso, Vinka and more.

East African artists have been keeping our spirits up with upbeat and catchy releases this month. Here are our picks for the best East African songs of the month.

Follow our East African Grooves playlist on Spotify and Apple Music.

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