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Okayafrica's Top 10 Music Videos of 2013

See our choices for the most inventive, creative, and boundary-pushing African music videos released in 2013.


The past year saw a flood of eye-grabbing and noteworthy visuals that soundtracked both established and undergrounds acts across our channel. With such abundant choices, we opted to focus our 10 Top African Music Videos of 2013 list on the most inventive, original and boundary-pushing clips and directors from the past 12 months. Click through our ten choices below, listed in no particular order, featuring music videos from Alec Lomami, Burna Boy, Temi Dollface, Stromae, Just A Band and more.

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Alec Lomami "CLV ft. Sammus & Badi Banx." Directed by Thlonepo “Toni” Tlobajane.

Kinshasa-born Alec Lomami’s fantastic clip for "CLV" is crafted around references to video game and arcade culture, with direct nods to Space Invaders, Mortal Kombat, and Snake. Overall, though, it lives as a nostalgic nod to youth and a carefree c'est la vie outlook. Director Thlonepo “Toni” Tlobajane told us the idea behind the video was to "create a futuristic, afrocentric video game world that could be set anywhere — be it Kinshasa, Cape Town or New York." Read our interview with Alec Lomami and director Thlopeni for more on "CLV."

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Interview
Photo courtesy of the director.

Interview: How Félicity Ben Rejeb Price Is Reinventing the Afro-French Music Video

Félicity is the Tunisian music video director birthing a new aesthetic for urban French culture.

Félicity Ben Rejeb Price represents a new generation of imagery in Afro-French hip-hop culture, with clients including top French acts like Dadju, Aya Nakamura, Gims, Niska, SCH and Soolking. She also has a growing catalogue of editorial campaigns for the likes of Adidas, Uber and Converse.

Her current role is a combination of everything she's done so far. A jack of many trades, she's played her hand as an interior decorator, publicist, set designer, stylist, casting director, photographer, and ultimately, artistic director. The detail-oriented Félicity relishes at being able to select the location, models, styling, and the method of filming for her projects.

Félicity dominates a masculine industry with illustrations that go beyond the typical rap video starter pack—comprised of cars, scantily-clad women, alcohol, and money. Her formula is: film music videos that are mini-films where women such as herself are treated as equals rather than objectified, while also sprinkling in a number of lights and colors.

It's Saturday afternoon in Arizona, where Félicity is shooting a new music video. She pauses to speak with us on the phone about the trajectory of her career.

The article below has been edited and condensed for clarity.

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Video
Photo courtesy of Mike Song / Beating Heart.

Watch Tanzanian Up-and-Comer Mike Song's New Video For 'Temptation'

Video Premiere: "This song is my real story, this is me. I am the kid hustling on the streets, life is hard fighting all day, every day just to get by," says the rising artist Mike Song.

Mike Song's story is a compelling one.

At 17, he was living homeless in Dar Es Salaam, when he saw an ad for a music production workshop in Zanzibar. Mike managed to borrow enough money to make his way over and it was at that workshop that he met Beating Heart Project production team Saronde.

"Temptation" was born during those days at the workshop, as "Mike stepped up to the mic and proceeded to enchant the room with the sweetness and sincerity of his voice," Beating Heart mentions. "When he was asked what the song was about, Mike spoke about how his father had died when he was young, he was looking after his mother and younger sister and was tempted to give up pursuing his dreams of music to get a normal job."

"This song is my real story, this is me. I am the kid hustling on the streets, life is hard fighting all day, every day just to get by," Mike Song tells OkayAfrica. "My creative struggle is real; my friends support me but I often feel the temptation to quit—I also hear the voice of my father telling me not to give up. My passion is singing and know deep down that life is going to be OK because I have my friends and family, but for now I have to focus on my dreams of being a successful performer."

Watch out music video premiere for "Temptation" below, the song is out today on Beating Heart.

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News Brief
Photo by Gallo Images/Brenton Geach.

South Africans Condemn Police Brutality During National Lockdown

A number of videos have emerged on social media allegedly showing the intimidation and assault of several Black South Africans by law enforcement.

South Africa recently began a nationwide lockdown in an effort to contain the coronavirus outbreak.

The South African National Defence Force (SANDF) has been deployed across the nation to aid the police in ensuring that the rules of the lockdown are upheld. However, disturbing footage has emerged on social media allegedly depicting law enforcement agents assaulting Black South Africans.

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popular
Image by Sabelo Mkhabela.

This Is What It Takes for South African Musicians to Succeed Abroad

Jeremy Loops, Shimza, Moonchild Sanelly and GoodLuck discuss what it took to build their names overseas.

Disclaimer: The conversation which this piece makes reference to took place before the COVID-19 pandemic hit South Africa.

"I said it for 10 years that I'm going to work with Beyoncé, and everybody laughed for those 10 years. And I said it with conviction. Today, I'm on a Grammy-nominated album [on a song] with Beyoncé right now," says Moonchild Sanelly referring to the song "MY POWER" in which she's featured in alongside Busiswa, Nija, Yemi Alade, Tierra Whack and of course Queen B herself. The track is a fan-favorite from the Lion King: The Gift soundtrack album curated by Beyoncé. Moonchild is pulling out these receipts to elaborate a point she just made about self-belief which helped her build a career that's recognized globally, a feat very few South African artists have achieved.

A few of those artists— Jeremy Loops, Shimza and Juliet Harding (a member of the versatile electronic band GoodLuck)—are on the podium alongside Moonchild during the Midem Africa Conference in Langa, Cape Town towards the end of February. The four musicians are in conversation with Trenton Birch, musician and founder of Bridges for Music Academy, sharing their secrets to breaking into the highly competitive and advanced music markets of mainly Europe and the US.

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