The Afrofuturist Books That Should Become Movies—and the Actors Who Should Star in Them

We decided to give the industry a head start on which Afrofuturist film adaptations should go into production and who to hire. You're welcome.

African and diaspora writers have been producing excellent fantasy and sci-fi for a long while now. Great authors like Octavia Butler and Nnedi Okorafor have been churning out good reads for years, and it is mind boggling how many novels written by such talent are yet to be adapted into films, like many of the works of their white counterparts.

Riveting titles like An Unkindness of Ghosts by Rivers Solomon, and The Galaxy Game by Karen Lord, have made their mark in the genres of fantasy and sci-fi even beyond the genre of Afrofuturism. Black Panther is hopefully just the beginning of futuristic stories that center Africans. Its success is a huge indication that people are ready for more—and have been ready for a long time.

Our list of Afrofuturist books that should be made into films and the talents we think should star in them is not only an exercise of using our imaginations, but also a subtle nudge to the artists we know can handle the projects.

View the full list below.

1. Kindred by Octavia E. Butler

For years, this classic has been read by the masses, its influential pages have been brought into school districts across the states, and copied by other storytellers throughout film and TV. Kindred tells the story of African American writer Dana, who is sucked back in time to a Maryland plantation before the Civil War. As Dana travels back and forth, readers are able to get an in depth exploration through slavery and its effects, while also becoming addicted to finding how Dana navigates her colliding worlds while also trying to ensure her existence in the future.

With that said, who better to play Dana than actress Condola Rashad?

Rashad is known for her amazing performances on broadway. She is the youngest actress to have received four Tony awards. She takes after her Queen mother, Phylicia Rashad so honestly, there's no surprise. If you catch her in the Showtime series, Billions, you will see she plays a character very similar to Dana. Although her character in Billions is more mischievous than Dana, Rashad carries a softness to her and a personality to fall in love with.

2. Brown Girl In the Ring by Nalo Hopkins

Although Caribbean-Canadian filmmaker Sharon Lewis created the prequel to this title with her directorial debut, Brown Girl Begins, she set the stage for the next film which would be Brown Girl In The Ring. Hopkins created a fantastical dystopian world where we meet the unfortunate impoverished residents of Toronto who are ruled by a drug lord. Ti-Jeanne and her grandmother rise as leaders of their people with the help of spiritual magic to save their people from complete moral destruction.

We've already seen Black-Canadian actress, Mouna Traoré perfectly embody Ti-Jeanne, Measha Brueggergosman as Mama Ache, and Emmanuel Kabongo as Tony, so we'll just leave the OGs alone. However, we can fantasize about Nigerian-British Actor Hakeem Kae-Kazim as drug-dealer Rudy Sheldon. Best known for his roles in Black Sails, Hotel Rwanda, and Pirates of the Caribbean, Kazim can be cunning, intimidating, and strangely difficult to hate even when playing a villain.

3. Lagoon by Nnedi Okorafor

This African folklore fantasy novel tells the intertwining stories of an alien ambassador, Ayodele, and three human protagonists. The protagonists, Adaora, a marine biologist, Nigerian soldier Agu, and Ghanaian hip-hop artist Anthony, each have different encounters with Ayodele as events unfold in the novel's riveting three-act structure. When Earth comes in contact with an alien fleet, violence ensues before the establishment of a post-capitalist Nigeria governed by aliens and their human subjects. Yet in all of the chaos, we discover each of the protagonists have supernatural abilities. If made into a film, this production would likely fall under big-budget blockbuster, and we've got just the right people in mind to do it the right way.

Zoe Kravitz is definitely an ideal Adaora.

Zoe can play a sweet, independent, and perceptive genius–traits of Adaora. Besides, she already has experience in the dystopian/sci-fi genre from starring in the adapted Divergent series. After the upcoming realistic sci-fi action film, Kin, she'll be especially down for this role.

Dayo Okeniyi would make the perfect, Agu.

Nigerian actor, Okeniyi has been incognito for way too long. He is most known for playing the fierce yet compassionate warrior-survivalist, Thresh, in The Hunger Games. He is definitely equipped to play the superhuman Nigerian soldier.

4. The Hundred Thousand Kingdoms by N. K. Jemisin

Think Game of Thrones but with the diversity everyone wishes existed a bit more. The Hundred Thousand Kingdoms is a fantastical story about heiress, Yeine Darr, whose seat on the throne is compromised by her two cousins. Darr must face her opposition and the powerful enslaved gods they wield, all while solving her mother's abrupt murder. Luckily, this novel is the first installment of The Inheritance Trilogy, so the journey is not cramped into just one book. With that said, we wouldn't be upset if the series expanded into three films either.

After following Darr's story, it is hard to imagine anyone else but British-Guyanese actress, Letitia Wright, to star as Darr. We think its time to see her actively siege a throne.

For kicks, we highly suggest Ghanaian-British director, Amma Asante to direct this film, and master of drama, Shonda Rhimes to join the project. Asante is known for period pieces that tell the stories of black women who have been outcast by their families and communities, and Rhimes, who also has experience with period pieces. They're a perfect match.

5. My Soul To Keep by Tananarive Due

My Soul To Keep is a beautiful, scary, thrilling, supernatural love story– a must read. This first installment from Due's African Immortals trilogy tells the story of Jessica, a mother, and unbeknown to her, wife of an immortal being named David. When people closest to her become victims of murder, the veil over her normal world is torn down when she finds her very soul is at stake.

We think How to Get Away With Murder, and The Birth of A Nation's, Aja Naomi King would make a great Jessica. She would effectively play a strong-willed, compassionate woman, and it would be nice to see her star as a lead in an action, horror film.

6. After The Flare by Deji Bryce Olukotun

After the Flare is the second installment to Olukotun's series. After you read the first title, Nigerians in Space, and move on to this second novel, you'll see why we highlighted this book as something that needs to get the green-light. This juicy, political thriller, is set in a dystopian future where an enormous solar flare crashes on Earth and disseminates most of the world's access to technology. The Nigerian Space Program's mission to getting a stranded astronaut back home seems impossible when its bickering, ambitious crew members discover an ancient artifact on site, which then summons supernatural forces. In the midst of the chaos, the terrorist extremist group, Boko Haram are on the move to obtaining the station's inventory. After the Flare explores space exploration, religion, and identity, and gives an interesting perspective on the fall of our current government.

We shook up our 8-ball and concluded that protagonist, Kwesi Bracket absolutely has to be played by Tobagonian actor, Winston Duke. I think we can all agree that after Black Panther, he needs his own film, and seeing him in a three film installment as a hero would be quite satisfying.

Zubaydah Bashir is a filmmaker and writer from South Orange, NJ. Follow her on Instagram @zu_thecute and visit her website to indulge in her blog and find out about her latest film and tv projects.

Photo still courtesy of YouNeek Studios.

The Official Trailer for 'Malika: Warrior Queen' Is Here

Malika surely means business in the clip that sets the scene for YouNeek Studios' newest animated pilot.

After much anticipation, the new trailer for Malika: Warrior Queen, starring Nollywood's own Adesua Etomi, is finally here.

In the trailer, we already see the Warrior Queen fearlessly stand up to defend her people against enemies who have set their sights on seizing her expanding empire of Azzaz. Facing threats of invasion by foreign cultures, Malika now has to decide how to fight a war both inside her kingdom and outside of it.

"War is coming," she declares.

Malika: Warrior Queen was executive produced by Niyi Akinmolayan of Anthill Studios. The series has been three years in the making, with a two-part comic series already available for reading; and even more so in line with YouNeek Studios' mission to create stories inspired by African history, culture and mythology.

Joining Etomi in the cast are Femi Branch, voicing Chief Dogbari, Deyemi Okanlowon, voicing the WindMaker and King Bass, Blossom Chukwujekwu as Abdul and Sambassa Nzeribe, voicing General Ras.

Check it out below.

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All photos courtesy of Remi Dada

Afropreneurs: Meet the Designer Reinventing Nigerian Workspaces

Remi Dada's Spacefinish is shaking up design to create futuristic work environments for African companies

In the digital age when a fancy rectangle in our pockets can find us whatever we want, customize it and deliver it to our door, it's odd that the same thought process isn't also applied to physical space. Why does every parking lot feel exactly the same? Can waiting rooms be designed to make time pass more quickly? How can we bring these new standards of personalization into the areas where we live our lives?

Nigerian designer, Remi Dada, is doing just that. With both architecture and business degrees, Dada started his career in tech working in user experience and product marketing–eventually ending up at Google Nigeria. Once he started working in the office however, Dada didn't find it to be an environment that sparked inspiration or productivity. It felt more like rooms with tables and chairs rather than a place that nurtured new, progressive ideas. Luckily, the perfect project presented itself: redesign the office. Dada jumped at the opportunity to meld his practical knowledge in user experience with his love of design and architecture–and the result turned some heads.

Thus Spacefinish was born, a pioneering design company based in Nigeria that works with companies to transform ordinary office space into beautiful and functional environments that increase productivity and employee satisfaction. I spoke with Dada about the purpose of Spacefinish, the importance of design in the workspace and the unique properties of designing in Nigeria for Nigerians. Read on for insights from the design entrepreneur on the impact of spaces and what the future holds for the company.

This interview has been edited and condensed for clarity.

Nereya Otieno for OkayAfrica: In your experience, how important is workspace environment in Lagos? How is it viewed?

It hasn't been prioritized. A lot of employers do not invest heavily in their employees and you can see that in work spaces all over the world. Now, people are also beginning to understand that high-performing employees–especially millennials–want to work in a space that inspires them and with people who inspire them. Right now in Nigeria it is still very new.

We've been able to measure how companies have been performing prior to us renovating their space and afterwards. What we've seen consistently is that our spaces help with employee retention, they help with collaboration and they help with inspiration. One important thing that we always measure and that we try and add to our design is what we call 'PIC.' PIC is the measure of productivity, innovation and collaboration–now we can track that within a workspace. These three key things are the pillars of how we create better work spaces.

A sketch showing plans for a space in the PwC Experience Centre, Lagos.

With that data, it's probably pretty simple to pitch Spacefinish to a company. But what was it like in the beginning to try and sell the first Spacefinish idea outside of Google? You're essentially coming into a stranger's space and saying 'you're doing this wrong.'

True. We were very lucky in that the first space we did was a Google office. It's Google. Everyone aspires to have a workplace like Google and people visiting the office were curious about how a space like that could exist in Nigeria. So there was a lot of interest but no commitments. Our first real commitment came from a company called Andela, a tech startup aspiring to be like the spaces you see in Silicon Valley. But they were looking to create a space just to meet their capacity and meet their head count, that was all. They thought they wouldn't be able to afford what we'd done for Google.

I went and pitched for them to do something different instead of creating the standard, generic workspace that we've all seen. Then I took our approach: connect the expense and cost of that project to the potential output of the team working there and how that could affect the company's bottom line. When we do that, it becomes an easier conversation to have. Once we are able to connect with the key decision makers and give them metrics they actually care about—like it's not about having a pretty space but about having a space that will allow people to achieve their short and long-term goals—they tend to be more receptive.

A meeting room at the Google offices in Lagos.

Do you feel like a bit of a disruptor or trouble maker?

I would say when we started we didn't feel like a disruptor. For me, it felt very natural because it was in line with what I was hired for and the world I was coming from. When you work at Google, you tend to live in an innovation bubble. So we didn't feel like disruptors while it was happening, but when we got people's reactions—the industry's reaction—then we realized that what we were doing was actually groundbreaking and very new to that part of the world.

Okay. And then what do you do after that? You just keep poking at that nerve?

Yeah. [Laughs] So what happens after that is the floodgates open up and we start to see a lot more demand than we can handle as a company. That gave me the confidence to quit my job at Google and do this full time. We are now starting to figure out how to do it to the best of our capacity at the same level, and sometimes surpassing, what our peers are doing across the world.

What do you find is the most important element within the workspace? How does Spacefinish highlight that?

People are the most important element in the workspace. One CEO said that his team was very unruly—weren't well composed. There is a mentality that we all subscribe to, especially coming from Nigeria where you see people at the local airports not obeying the rules. But those same people, as soon as they land in Heathrow, they're suddenly very compliant. They're the same people. The only thing that changed is their environment. New spaces can cause people to change their behavior—they morph into the space. For that client, the leadership was very happy that their team members began acting in the way they wanted them to act when we changed the space. The psychology of the whole thing is very interesting. That's why we take a human-centered approach to design, with a lot of qualitative and quantitative research before we begin.

View of the Vibranium Valley warehouse workspace in Lagos.

I'm originally from California and I grew up in Silicon Valley–it's a very peculiar place simply because of the concentration of resources. There are surely different challenges for a developer in Nigeria versus one in Silicon Valley. What is the most unique thing for you, after all your travels and experience, that makes designing for Nigeria special?

That's a really good question. You rarely find imagery of inland Africa that is progressive and modern. The first time in recent times was the Black Panther movie and that's why it was so huge. Kids could see a different version of what Africa could be in their collective imagination. I'm making this correlation because that is what I think is different for us, from a design standpoint. For example, the Google office in Nigeria looks very Nigerian. It has a lot of cultural nuances and it is locally relevant to the region, however it is a very sophisticated and modern space with all the right technology. There's videoconferencing, micro-efficiency, access control and security but with the backdrop of an African space. When people see that, it feels very fresh and new and there is so much content that we can use to inspire–from artwork to traditions–and we infuse all those things in to the spaces we're creating.

Do you have a favorite space you've done?

All the spaces we've done have been fantastic. But I think my favorite to date is the PwC office, it is an innovation hub and a huge cultural departure for PwC. They are more or less known as a rigid, stoic brand and they wanted a space that defied all of those things. So we created an innovation hub that was super, super, super futuristic and the first of its kind in West Africa. Anyone who knows interior fitouts understands that lines are straightforward but curves are complicated. This space has a lot of curves. That's difficult to do anywhere in the world but 10 times more complicated in Nigeria because we just don't have access to the right tools and technology that you will find elsewhere. But it came out very well and that has been my most exciting space so far.

A look at the PwC Experience Centre, Lagos

Was it also the most challenging?

It was, yes, because of the design ideas we wanted to achieve. We have things like revolving doors that were inspired by the hobbits' shire in Lord of the Rings and a single workstation that extends across the entire space. There are a lot of lights, floating elements and Nsibidi—an ancient African writing system that we used to create a new language. The artwork is very deep and gives a timeline of different instances in Africa where technology has inspired innovation. It was a very involved and challenging project. But we do the challenging things because we feel it allows us to move forward and push boundaries.

Sure. It's exciting for you and everyone you work with but also, I'd say, for the local contractors and artists doing the artwork.

You know, that is something that we do differently. Most architecture firms just design but we design and build. We do that because, when we started, no one in the market really understood what we were doing. We were asking for materials that didn't exist so we had to create our own. Also, everything we do is local, we don't import anything–which can be an even bigger challenge. But we want to know that we are helping to build industries here in Nigeria, we want to help fix the lack of resources in this part of the world. We could import but it doesn't help the community and economic infrastructure in the long run.

A meeting room in Vibranium Valley

I think the first time our impact hit me was when we were building a place called Vibranium Valley. That's been our biggest project so far: a 2,000 square meter office that was built in a massive warehouse. I went there on a Wednesday one day and we had over 200 people working in the space. And for the first time I was like, "Wow, we really have the ability to create jobs as well." It put things in context for me.

Are there any plans to venture outside of offices and corporate workspaces with your human-centered approach? Classrooms, waiting rooms, etc.?

We are actually about to embark on our first non-office project. We are designing and building the interior of two international airports in Nigeria: Lagos and Port Harcourt. Two very massive projects that we couldn't say no to one says no to international airports [Laughs]. So it's a good way to toss us into things outside of the workspace. So everyone should come fly to Nigeria and check it out when we're finished.

Catch Nereya on her Instagram here.

Still from 'Harriet' trailer.

Watch Cynthia Erivo as Harriet Tubman In the Moving New Trailer for 'Harriet'

The highly-anticipated biopic about the life of the iconic freedom fighter is due out on November 1.

Back in 2017, it was announced that Tony-winning actor and singer Cynthia Erivo would be taking on the role of the iconic freedom fighter Harriet Tubman in the upcoming biopic Harriet. We've been anticipating its release ever since, and today, the trailer for the buzzed about film has finally arrived.

The moving and climactic trailer sees Erivo delivering a convincing performance as Tubman. The film follows the hero's journey from escaping slavery to becoming a legendary abolitionist and freedom fighter. Here's the official description of the film via Shadow & Act:

Based on the thrilling and inspirational life of an iconic American freedom fighter, Harriet tells the extraordinary tale of Harriet Tubman's escape from slavery and transformation into one of America's greatest heroes. Her courage, ingenuity, and tenacity freed hundreds of slaves and changed the course of history.
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