10 Highlights From Back To The City 2016

A complete breakdown of South African hip-hop festival Back To The City.

Photo: Sabelo Mkhabela
On Wednesday, South Africa’s Freedom Day, Mary Fitzgerald Square in Newtown, Johannesburg became a hip-hop haven for the tenth year in a row. The 2016 Back To The City Festival attracted 25,000 strong to witness hip-hop in all of its forms––rap, graffiti, deejaying, dance, skateboarding and everything in between.

Heads from all corners of South Africa piled in to feast on what the festival had to offer. There was something for everyone, which was a blessing and a curse in that it was hard to see everything. My focus was on the main stage. Below are ten of my personal highlights.


Photo: Sabelo Mkhabela
“I was on the Back To The City stage before there was even a stage,” said Reason during his set. The rapper has been on the festival’s lineup every year since its inception ten years ago. To celebrate that, Reason did the unthinkable––he brought about 20 emcees (Boy Wonder, Youngsta, Patty Monroe, Rouge, Kommanda Obbz, Priddy Ugly and more) to each drop an eight-bar verse on his single “Yipi Kayay.” It became a cipher, “ooh!”s coming from every part of the audience with every punchline that was dropped. Reason’s performance was different from what he usually does. He put an effort to his set. He woke up from a mattress on stage, performed “No Sleep” and “2 Cups Shakur,” and after brought a drum for his “Brand New” song, before doing the “Yipi Kayay” live remix.

Emcees line up to drop a verse over “Yipi Kayay.” Photo: Sabelo Mkhabela


Photo: Sabelo Mkhabela
Youngsta’s set was in the afternoon, when the audience was less receptive––pacing by between stalls and buying beers. But the Cape Town rapper’s stage presence demanded attention. His clear enunciation and audible voice projection made sure his Cape Town slang was heard, and had the crowd chanting “Kaapstad Naaier.” He was armed with crowd-pleasers like “Way It Go,“ “Top 10 List,” “Salutas,” and of course the customary freestyle that comes with every Youngsta set. New fans were definitely recruited.

Priddy Ugly

Photo: Sabelo Mkhabela
Priddy Ugly’s set stood out. He’s a great rapper already, but his stage antics, unique flow and vocal projection just put him in a league of his own. He performed songs from his latest EP, You Don’t Know Me Yet, like “OMG” and “Bula Boot,” giving them each a personality different to their MP3 counterparts. He really didn’t need any hype man. His petite self was all over the stage, dabbing to those hard-hitting kicks and basslines courtesy of his producer Whichi 1080.

Gigi LaMayne

Photo: Sabelo Mkhabela
Gigi LaMayne came on stage just after dusk. She brought with her a gang of dancers, to spice up her set. Not that it needed it. LaMayne can hold her own, and with a string of hits including “Ice Cream” and “Moja,” her set was guaranteed to be a crowd-pleaser. LaMayne is a rhyme machine, with the charisma to go with it.

Optical Illusion

Photo: Sabelo Mkhabela
It’s a nostalgia thing. If you were a South African hip-hop fan in the mid-2000s, you’d get it. Optical Illusion tracks like “Capital O” and “Ghetto Beautifulness” took me back to when I was collecting Hype Magazine mixtapes, discovering exciting hip-hop acts from all across South Africa. Seeing all members on stage, and with their close collaborators like Mawe2 and Mothipa, was indeed an experience in time travel. The guys are grown, far from the youthful backpackers they were when they released their classic album The Offering, but they still brought that same energy on stage.


Photo: Sabelo Mkhabela
ProVerb may be doing other things than rapping––radio and TV presenting––but he’s still one of the best around. Even if his music isn’t as exciting as it used to. It was when he performed his earlier material from his first two albums and even bringing Optical Illusion to the stage that many of us caught the Holy Ghost. Once again, it’s a nostalgia thing.

V.I.N.T.A.G.E Cru

Photo: Sabelo Mkhabela
It became surreal. The lights and smoke combined with hip-hop bangers from the mid-2000s to the latest hits gave a perfect backdrop for the enchanting moves of the dancers. Tarryn Alberts stood out, as usual, with acrobatic moves that had the audience gaping in amazement. As if that wasn’t enough, towards the end of the crew’s set, actress and self-crowned Queen of Bling, Kanyi Mbau, and rapper Moozlie showed up to perform a track I’d never heard of before. I still can’t believe I saw Kanyi Mbau rapping.

Tarryn Alberts of V.I.N.T.A.G.E Cru. Photo: Sabelo Mkhabela
Kanyi Mbau joins V.I.N.T.A.G.E Cru on stage. Photo: Sabelo Mkhabela

Hip Hop Pantsula

Photo: Sabelo Mkhabela
“I just got out of rehab,” said Jabba upon entering the stage. He kicked his set off with his earlier hit “Harambe,” a fitting song given it was Freedom Day. It was great to see a man who had, a few weeks ago, just confessed to attempting suicide thrice last year. The rapper’s music is catchy, he had all of us singing along to our favourite Jabba hits, reminding everyone why they fell in love with the motswako rapper. Long live HHP!

Siya Shezi

Photo: Sabelo Mkhabela
Siya Shezi’s set was one of the best. His tongue-in-cheek humor and clever punchlines will always have you wishing you understood Zulu. His performance left everyone in awe. It’s the ease in which the man raps, with a smirk on his face, that can be as vexing as his lines and concepts. It’s the beauty of it at the same time. It’s always great to see an emcee who can move the crowd without any fancy dancers or outlandish gimmicks. Just bars. More from this guy, please.

Nasty C

Photo: Sabelo Mkhabela
Nasty C’s rise to the top has been nothing short of amazing. His performance on the night was proof that the kid is a star. The way everyone lost their minds to “Juice Back” and “Hell Naw” was a great sight to behold. Nasty C is comfortable on stage, and raps with his studio projection, making sure the essence of his songs persevered. I still can’t get used to how gifted of a lyricist he is.

More highlights

Other great performances I witnessed came from Stilo Magolide, Kwesta, DJ Kenzhero, Nadia Nakai, Big Zulu, Elzhi and more.

Elzhi’s Elmatic songs were some of the crowd’s favorites. Photo: Sabelo Mkhabela
Stilo Magolide. Photo: Sabelo Mkhabela
Nadia Nakai. Photo: Sabelo Mkhabela
Skateboarders at Back To The City. Photo: Sabelo Mkhabela
Gogga’s graffiti installation. Photo: Sabelo Mkhabela
Cape Town emcees Zanzolo and Zoey. Photo: Sabelo Mkhabela
Photo: Sabelo Mkhabela
Photo: Sabelo Mkhabela
Photo: Sabelo Mkhabela
Sabelo Mkhabela is a writer from Swaziland currently based in Cape Town.

Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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