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KAMPALA, UGANDA - JANUARY 15: Bobi Wine addresses the media as security forces surround his home on January 15, 2021 in Kampala, Uganda. Wine alleged that the forces beat a member of his staff shortly before the media arrived. A uniformed solider also pointed a cocked rifle at members of the media. Pop singer turned politician Bobi Wine is challenging sitting President Yoweri Museveni who is seeking his sixth term in office after 35 years in power.

Bobi Wine Set to Legally Contest Uganda's 2021 Election Results

Opposition party leader, Bobi Wine, has announced that he will legally contest Uganda's 2021 election results after Yoweri Museveni won his sixth consecutive presidential term.

National Unity Platform (NUP) leader,Bobi Wine, has reportedly stated that he will contest Uganda's recent election results. Bobi Wine made the announcement this past Sunday after the national election results declared incumbent Yoweri Museveni Uganda's next president. Museveni reportedly won the elections with 58.64 percent while Bobi Wine received 34.83 percent according to Uganda's electoral commission. The voter results were announced on Saturday after national elections were held last week on Thursday, thus extending Museveni's rule with a sixth consecutive presidential term. Bobi Wine has reportedly alleged voter fraud by Museveni following the effect of Uganda's social media shut down a day before the elections.


READ: Uganda Enforces Social Media Shutdown as Presidential Elections Draw Closer

According to Al Jazeera, BobiWine urged his supporters to refrain from taking any violent action following the disheartening election results:

"I take this painful but nonetheless inevitable leadership decision of urging you to desist from any form of violence as we prepare to challenge the election outcome and its glaring imperfections through the courts of law for the sake of our long-term victory and for Uganda."

The opposition leader could not be reached for official media correspondence. International pro-democracy monitoring organisation, Vanguard Africa, had reportedly been in talks with Bobi Wine before elections but could no longer reach him due to Museveni's sudden social media shutdown.

AfricaNews reports that the African Union (AU) and East African Community (EAC) were the only international monitoring bodies that were active during Uganda's January 14th elections. Head of the EAC monitoring mission, Domitien Ndayizeye, stated that monitoring of the elections was made difficult by the internet and social media shutdown. "The mission was not able to observe transmission of results from the polling," Ndayizeye stated. The EAC reportedly went on to deny that Bobi Wine had raised concerns of voter election fraud.

The residence of the young opposition leader was more recently reportedly surrounded by military personnel yet again. Bobi Wine's official Instagram account also shared that he and his wife had run out of food supplies and were not permitted to pick food from their own garden.

News Brief
Photo Credit: Getty

South African Protests Breakout Over Uganda’s Anti-LGBTQ+ Law

South Africans swarmed the streets of Pretoria and Cape Town to protest Uganda’s recent LGBTQ ban.

A crowd of South Africans swarmed the streets of Pretoria and Cape Town to protest Uganda’s new controversial law concerning the LGBTQ+ community on Friday (March 31). During their protest on Friday, South African allies called on Uganda’s president Yoweri Museveni, not to sign off on the law.

According to Reuters, there were about 100 at the demonstration at Pretoria, which took place outside the United Nations Information Centre. Papa De DeLovie Kwagala, one of the protesters on the scene, and Ugandan LGBTQ rights activist said:

"World leaders should put pressure on Museveni to not sign the bill because it's not only a Ugandan issue, it is an African continent issue."

South Africans protest Uganda's anti-LGBTQ lawwww.youtube.com

Earlier in March, Uganda lawmakers passed a law that would make it illegal for people to openly claim to be affiliated with the LGBTQ+ community. Although Uganda is one of the numerous African countries that have declared same-sex relationships illicit, it would be the first country to legally ban identifying as LGBTQ+.

If it is set in motion, Uganda’s new law will subject members of the LGBTQ+ to closer scrutiny, and life imprisonment. The East African country’s legislature will also target people who aid and abet homosexuality.

South Africa has had a long history of LGBTQ+ activism. In 1994, it became the first country in Africa—and the fifth in the world—to legalize same-sex marriage. In spite of its allyship, South African LGBTQ+ members also face discrimination and violence.

In recent years, there has been an increase in the number of protests by the LGBTQ+ community in South Africa. In 2021, members of the community spoke out about the increasing homophobic attacks that they were receiving.

Music
Credit: Joshua Baraka.

Joshua Baraka Is Ugandan Music’s Next Big Thing

With the hit song "Nana," Joshua Baraka has solidified his position as a rising star in the East African music scene.

The infectious rhythms and empowering lyrics of Joshua Baraka’s “Nana” have captured the hearts of music fans in Uganda and beyond, earning the artist the number one spot on the nation’s music charts.

Baraka shared his thoughts on his success, early influences, and his plans for the future in a recent short conversation with OkayAfrica.

"It's crazy. It's my first time, and I feel humbled," Baraka mentions when asked how it felt to have the number one song in Uganda. His gratitude for the success is evident, and it's clear that he’s excited to continue making music and growing as an artist.

Musical Journey and Future Plans

Baraka's musical journey started in church with his mother, he was influenced early on by gospel music and Ugandan artists like Radio & Weasel, among many other “random songs” that inspired him along the way.

Ugandan artist Joshua Baraka poses with one hand behind his head.Credit: Joshua Baraka.

Looking towards the future, Baraka is intentional about collaborations and plans to diversify his music by getting into more spaces. "Definitely [need to do] more international collaborations with artists whose music I like,” he shares. His long list of artists and producers he would like to work with include Tems, Koffee, Dave, Samthing Soweto, and Sauti Sol.

Baraka's success has earned him both local and international attention, with fans eagerly anticipating new music. "I'm working on my album which God willing will come out in July," he reveals. "I'm also working on more collaborations… it's going to be a very lovely year for the people who like my music."

The “Nana” Effect

Joshua Baraka's passion and dedication to his craft is evident in his music. With "Nana," Baraka has solidified his position as a rising star in the East African music scene. The modern dancehall track seamlessly fuses Afrobeats, dancehall, and reggae elements to create a sound that is both infectious and empowering.

With its uplifting lyrics and memorable chorus, Baraka's smooth vocals and dynamic delivery make "Nana" an undeniable hit. The song has earned him the cover of the Made in Uganda playlist on Spotify, cementing his buzz.

"Nana" has captured the hearts of music fans across the continent and secured its place as the number one song on both the Apple Music Top 100 Uganda chart and Audiomack Uganda chart, as well as being the most Shazamed track in Uganda. It has even made its way onto the Kenyan charts, steadily climbing higher and gaining momentum.

As we move further into 2023, Joshua Baraka's "Nana" is just the beginning for this budding Ugandan artist.

Music Brief
Image courtesy of We Talk Sound

Davido's 'Timeless' is Getting Rave Reviews on Social Media

The Nigerian singer's first full project in three years has reminded fans why he's one of the best in the game.

Nigerian Afrobeats champion Davidoreleased his highly anticipated fourth studio album Timeless on Friday, and the world is already eating it up. The singer-songwriter's project has set numerous records in the less than 24 hours since its release, namely being the first African album to hit No. 2 on Apple Music's Top Albums chart, as well as hitting over seven million streams in the 20 hours since it was released on African-focused Boomplay.

The 17-track album boasts a variety of features and sounds that highlight the journey the singer has taken over his 11-year career and has pleased fans across the spectrum and the world. Davido called on Beninese legend Angelique Kidjo, Nigerians Asake, The Cavemen, as well as new Davido Music Worldwide signees Morravey and Logos Olori to bring life to the well-received album. Musical comrades Lojay, Ckay, Mayorkun, and more have all taken to their socials to share their support for the singer and his delectable release.

When the album dropped, the singer reached out to his fans via Instagram writing: "At long last – WE are back. The journey from my last album to this album has been a whirlwind, to say the least. I recall sitting and staring over the ocean not too long ago, wondering if I could get here again, after all I’ve been through… but with your love and support, we made it. I’m not sure what comes after this but I wanted to give you my heart, soul, and energy. Today I present you “TIMELESS". ⏳"

The singer's release set the internet ablaze as fans shared their reactions with each other online

Art
Image courtesy of Oyinkansola Dada/Okra Agency

Oyinkansola Dada Is Mastering The Art of Discussing Art

OkayAfrica sat down with the Nigerian lawyer and gallerist to discuss the blossoming African art scene and the ingenuity it offers the world at large.

At just 26 years old, Oyinkansola Dada is creating the art world of her dreams.

Named one of Forbes’s 30 under 30 in its 2023 Arts & Culture category, the young Nigerian gallerist is stoking the flames of the international art world as she spotlights African artists, and marches the continent’s blossoming creative scene to center stage. Dada is a full-time solicitor, and part-time gallerist living in London after having moved there from Lagos, Nigeria to pursue a law degree at King’s College London. While waiting to convert to training as a Solicitor, Dada moved back to Nigeria to surrender to the energy of homecoming and explore Nigeria’s emerging art scene.

Now, the emerging art mover and shaker is connecting continents, both in person and through her online art publication, DADA Magazine, an art collector’s dream dedicated to highlighting the unfathomable talent found in the motherland.

A woman holds a copy of DADA Magazine and stands in front of a painting in a gallery. Image courtesy of Oyinkansola Dada/Okra Agency

POLARTICS and a London law degree

Dada began her ascent into the art world in 2015, when she started her online art blog POLARTICS, while in her second year of law school. “It became a very fundamental part of how things grew into what they’ve become,” she told OkayAfrica. “I wrote about art, politics, and the literature that I was reading and just sort of shared my thoughts on the things that I liked. And then I’d post it." The exposure saw Dada seek out more opportunities to engage with the art world by attending exhibitions, shows, and museums to get a keener understanding of the people behind the creations. Perhaps one of the most underrated gifts that exploring art can give is the tendency to trigger a rediscovering of self — something that Dada can speak to. “It was also a very important time in my life because I started to understand Blackness and my identity,” she said. “Moving to London after living in Nigeria, and what that felt like, and really understanding my place in the world. That was the beginning of everything.”

This introduction was enough to inspire Dada to use her experience to carve out physical space for all of the Black and African creators she connects with along the way. Presently, DADA Museum’s first manifestation sits in London on a temporary basis. “We don’t have to hold the space all year long. So, it’s not quite permanent, but it’s still a physical space,” the gallerist said. Next on the agenda is carving out a permanent gallery in Lagos to fully embrace and house Nigeria’s buzzing art scene. The benefits of an online gallery are great, but, as Dada puts it, “With art, a lot is lost by looking at images”. The young solicitor’s recipe for prioritizing community engagement and support seems to be one made for success. Dada’s bi-continental experiences have given her a certain advantage— assimilating to the needs of two markets and cultures that undeniably bleed into one another.

Spending time between the two bustling cities guided and championed Dada’s decision to create a physical space in Lagos, hopefully opening up later this year. The city is home to a community of artists that has galvanized Dada’s desire to emerge fully into developing and nurturing the talent that is so often overlooked. “It just feels like home to me,” she says, “It’s more personal.” And the importance of community sits at the heart of Dada’s “why”, as the gallery owner explains, “Apart from selling art or finding collectors, physical spaces and exhibitions are sites of engagement and for building community. I think for an artist to grow, both in their practice and in their career, it's very important for them to engage with people in person and let them see the work with their own eyes. London presents chances for expansion because there’s a lot happening in terms of market activity. Although there are amazing artists in Lagos, we also need international exposure.”

DADA Magazine

Staying close to her roots ingrained in the internet, the curator launched DADA Magazine in December 2022, highlighting the maturation and artistic exposure that Dada has experienced since her first online-based project POLARTICS. “I thought there was a gap, in terms of art magazines and representation of Black artists, and I wanted to fill it.” Dada favored extending the conversations beyond seasonal exhibitions, creating a community of engaged audiences who could interact with one another all year round. “It’s something that anybody can buy, at any point,” Dada said. “I also wanted some sort of knowledge bank and archive for younger collectors and art enthusiasts that are trying to figure out and demystify the art scene. It’s not a magazine that’s hard to understand or too critical.”

The relationship between African artists and the internet has been shown to be mutually beneficial. Having an online presence offers interconnectedness and the ability to be discovered outside of an artist’s own space, something Dada has witnessed firsthand. The discovery of new cultures and artistic approaches isn’t just set for international audiences, either. Africa is home to a myriad of styles, ideologies, and crafts, and Dada continues to learn and grow alongside her company in understanding the range and reach. “It has been eye-opening to experience things that are just so different from where I’m from and to be able to travel. It’s been good to come out of the bubble of what I understand. I think a lot of times people think that their reality is the only one that exists.”

A DADA Magazine cover. Image courtesy of Oyinkansola Dada/Okra Agency

Dada bases a lot of her work and outreach and an inherent desire to build community

Her wildest dream for the continent and industry lies in something that comes naturally to Africans — community. To center ourselves and rid Africans of the historically compromising act of participation. A world where artists on and from the continent can be self-sufficient, with the support of institutions that affirm creators, collectors, and galleries in their pursuit of personal and professional success. Too often, African stories of triumph become stronger the further away you get from home. Although Dada is still a full-time lawyer, the decision to pivot toward the art world did not initially sit well with her family. “In the beginning, there wasn’t any support, so I had to do a lot of it on my own, with the assistance of any other artists who were willing to take a chance. I would have liked to get an art degree, but it just wasn’t a possibility.” And then, the Universe stepped in: “I got funding from the firm that I was working with while at law school. I was able to save money and plant the first seeds of the business. That’s how I was able to get started otherwise it wouldn’t have been possible.”

Arguably, rejecting creative education or careers is a common theme within generations of Africans. And it makes sense. Many are forced to make those choices based on survival, not passion. However, as institutions grow – in both funding and their ability to offer serviceable degrees and experiences – so will the tolerance for those who are artistically inclined. “It needs to be seen as something that’s valubale,”, Dada says. “An actual career path. Then, I think people would be more incentivized to let their children do it.” As we continue to see ourselves in positions of power and leadership, the reality of what is achievable widens for those who look like us.

Issue #1 of Dada Magazine is available for £29.95.

A DADA Magazine cover showing a man painted gold.

Image courtesy of Oyinkansola Dada/Okra Agency

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