Introducing Pretoria’s Ambient And Experimental Electronic Pioneer, Buli

Pretoria-based producer Buli is a frontrunner in South Africa’s race towards a more experimental electronic sound.

Photo by Steve Hogg. Courtesy of Buli.
Towards the end of January on the crowded dance floor of Johannesburg’s second oldest pub-turned-club, Kitcheners, a young producer and DJ by the name of Shibule Ndhambi gets ready to take the decks. The scene is the standard club setup—sweaty bodies clamouring for a spot up front as flashy DJs with Macbooks and polished sets rinse the room out.

Enter Buli, kitted out with nothing but an old Lenovo laptop, a modest windbreaker he later sheds, and a shy, unassuming demeanour he wears throughout. The crowd lulls in and out as he kicks into his first track—a lenient fusion of hard drum arrangements and ambient synthesizers, ethereal and hypnotic enough to sway with, but wild enough on the low end to give your feet something to move to. The bodies don’t really know what they’re listening to, but they move to it nonetheless. By the time he drops “Cloudy,” there’s hardly enough room to bob your head.

The genre is ambient electronica, and at 20-years-old, the Pretoria-based Buli is taking it by storm. Growing up in Polokwane, the self-described “beat making weirdo” had a quiet upbringing.

“I did what a normal kid did,” he says over an e-mail interview. “I’d play games and lose most of the time–which kinda still happens–chill with friends, fought with my brothers, you know, normal stuff.”

In early 2013, the producer packed his bags, left his brothers and moved to the Jacaranda City to study, but now it’s music that occupies most of his time. He’s a prolific producer and his live sets, still in their fledgling stages, speak for themselves.

“With the Kitchener’s gig, I’ve never had that many people vibing to my live set before,” he admits. “Some people actually came to see me play specifically. That was a pretty cool thing for me.”

Since he first started producing under Buli, he’s now brought out two EPs, a wealth of remixes and singles, and an LP set for release around June of this year, all the while remaining unsigned and largely unrepresented.

Having previously toyed with classic hip-hop and trap style beats, it was a fortuitous Instagram video that saw Buli’s ingress to ambient and experimental electronica. “I was in my room, and I saw someone post a video which had a Vox Portent track,” he explains. “I immediately looked for him on Twitter, sent him a message and that’s when it started.”

From there he dedicated his listening to the likes of Christian Tiger School, Micr. Pluto and Watermark High, constantly evolving his sound and pushing for collaborations with other local artists. Features on locally-curated projects such as Subterranean Wavelength and Emerald Feather Archives helped circulate his sound, and towards the end of 2015, Buli secured himself a spot on the stages of CHURN Boutique Electronic Festival. Last year also saw Buli working with Cape Town-based label The Cult of Maybe to release his Delusions EP, a seven-track collection of beautifully dreamy and somewhat melancholic soundscapes featuring collaborations with Vox Portent and Drift Prism.

In an age where an internet connection and a Soundcloud account ensure fans of electronic music are never left wanting, Buli is somewhat of an online ghost. His Soundcloud boasts numerous tracks to a humble 457 followers while his Facebook puts out infrequent gig updates and new releases to a small 184 fans. Certainly, if you had to stumble across his collection of music, you’d find him to be a bit of a reclusive character. Track titles include “Lost in Space”, “How Did I Get Here?”, “Empty Inside” and “Black Hole” to name a few.

“My track names are usually random but a few relate to how I’m feeling at a specific time. I wouldn’t really describe myself as being very emotional, but I’d say I’m aware of my emotions,” says Buli. “At the time I started making the other tracks on Delusions it started sounding like it had that ‘non-existent’ feel to it, meaning that I felt as if I was detached from reality when I was making the tracks. That’s why I called it ‘Delusions,’ it’s all about experiencing something that’s not really there.”

For all of his humility, Buli is a frontrunner in South Africa’s race towards a more experimental electronic sound. His tracks are intimately textured, each one a rich and evocative palette of sparse, alien-like synths that keeps you floating just beyond the spectrum. He’s an artist of few words, but luckily his music speaks for itself.

Dave Mann is a Johannesburg-based arts journalist who writes on local music, theatre and visual art. Follow him on Twitter @david_mann92.

Still from 'Road to Yesterday'

Kayode Kasum’s Quarantine Watchlist

From 'Wives on Strike' to 'Goodwill Hunting' here's what the Nigerian filmmaker is watching while stuck at home in Lagos.

Kayode Kasum, like most filmmakers, has been stagnated by the coronavirus pandemic. The director behind the blockbuster Sugar Rush and the critically acclaimed Oga Bolaji was working on the post-production of his upcoming movies, The Fate of Alakada: Party Planner and Kambili—a collaboration between FilmOne Entertainment and Chinese Huahua Media— when the Nigerian government announced the lockdown order.

While post-production on Alakada has concluded, the stay-at-home orders have delayed work on Kambili. "Since the team cannot meet at a single point, we are moving hard drives left and right," he says to me over the phone from his home in Lagos. "It is a challenge, but the beautiful thing about a challenge is, when you make it work, it is fulfilling."

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Kasum has turned to books and films for an escape from the unpleasant realities of the pandemic. "I have been reading Elnathan's books: Born on a Tuesday and Becoming Nigeria," he tells me. "I have also been reading film directing books, Directing Actors by Judith Weston." However, Kasum longs for the movies. "I miss going to the cinemas; I miss that experience," he says. "There are times during this pandemic that I'm like 'na wa o, I wish I can go to the cinema.'"

Below are five films he recommends you watch during this pandemic.

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