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Burna Boy's Album Debut 'L.I.F.E'

Debut album from Nigerian rapper Burna Boy L.I.F.E (Leaving an Impact For Eternity).


They call him Burna Boy and he's back again. This time not with a throwaway single, but his full length debut L.I.F.E (Leaving an Impact For Eternity). We've taken note of Burna's rise, which has been a few years in the making. He's gained a nationwide following in Nigeria whilst simultaneously shunning trends and establishing a unique voice. It seems he fits in by being pointedly different, thereby creating a mainstream niche for himself. With the quality of his prior Burn Identity mixtape and subsequent singles, it would be an understatement to say his debut LP was highly anticipated.

L.I.F.E is led by singles "Run my Race," "Tonight" and "Like to Party," whose lyrics, tempo and delivery reveal everything you need to know about Burna's message. He's a young man having the time of his life, but after all, he's earned the right through struggle and sacrifice.

The partnership between Burna and producer LeriQ is something quite special and unusual in this day and age. When a producer guides an entire album, as LeriQ does on L.I.F.E, he transforms from a mere beatmaker to a thematic and musical co-director. We've seen such partnership prosper in the past in multiple instances — Michael Jackson/Quincy JonesTimbaland/Jay Z and so many more.

Burna navigates through multiple musical styles with his combination of Jamaican toasting and Nigerian sharp delivery and flow. The intrinsically Fuji feel on "Ma Loda Ma Motto" transforms into a radio friendly track with Burna's touch. The EDM tempo and rhythm of "Always Love You" almost tricks listeners into believing it's a Guetta construct, but alas it's Burna again with his easily recognisable voice over the track.

The Fela-esque chant ("I Never Tell You Finish") at the start of "Boom Boom Boom" is Burna's attempt to channel the late great through social commentary. Album peak, "My Cry," features Chocolate City royalty M.I Abaga on Burna's sobering account of the state of Nigerian affairs. For a gratifying moment, party rhetoric tones down and in its place arises a discussion of social issues — a specially crucial element of music in a country with issues as deep-rooted as they are in Nigeria. If just for one track, Burna lives up to the responsibility of using his stature and relevance as an artist to speak out on injustice.

Burna Boy's L.I.F.E - Leaving an Impact for Eternity is out now via Aristokrat Records.

Style
Photos by David Pattinson.

First Look: This New Collection from Art Comes First Is Peak Black Yeehaw Aesthetic

The design and brand consultant duo previews the SS20 collection displayed during their residency at The Mandrake Hotel in Paris.

Following their wavy Surf Afrika collection, Art Comes First (ACF) shares with us a preview of their SS20 collection that is all things Black Yeehaw Aesthetic.

Dubbed El Charro Negro, the collection features neutral colors and an array of textures—from leather, embroidery, fringed denim and ponchos, to vests, suede jackets and straight flyness.

Sam Lambert and Shaka Maidoh of ACF are known as the "Travelling Tailors" where their ventures around the world influence their designs. This time the nomads, who hail from the West Indies, Ghana and Angola respectively, have landed in Paris.

Earlier this month, ACF curated a week-long event-filled residency at The Mandrake Hotel in Paris that encapsulates their ethos of taking cultural influence from around the world and only staying still long enough to create. There, Lambert and Maidoh presented an installation, live musical performances and DJ sets, a film screening and a pop-up shop leading up to Fashion Week. The residency also showcased the duo's latest collaboration with London mainstay Fred Perry.

El Charro Negro will still be showcased in Paris at another location from June 18 to 23. Keep up with ACF on Instagram to stay tuned for details.

Check out our favorite images from the collection below.

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Nonso Amadi & Kwesi Arthur's 'Comfortable' Will Get You In Weekend Mode

Watch the trippy new music video for this link-up from the buzzing Nigerian and Ghanaian artists.

Nonso Amadi is one of the standout acts from a young wave of Nigerian musicians blending afro-fusion with RnB and much more. He's now dropping the brand new single "Comfortable," an addictive self-produced track that sees him linking up with bubbling Ghanaian act Kwesi Arthur, which we're premiering below today.

"Comfortable" is built on woozy synth keys and sparse beat work, all spearheaded by Nonso Amadi's vocals about wanting freedom in a relationship.

"The song is inspired by experiences with having a girl over and not wanting them to get too comfortable by staying too long with you," says Nonso Amadi. "I thought it'll be interesting to create a song around this 'cos it's not a perspective were used to hearing from guys very often."

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Screenshot via YouTube.

Maleek Berry Makes a Statement with His First Track of the Year, 'Flashy'

And the music video follows suit.

After months of anticipation, Maleek Berry finally dropped his first track of the year, "Flashy."

The Nigerian crooner-producer surely makes a statement on the track while flexing his rapping skills, as he chronicles how he leveled up to be flashy—and it's well-deserved. The video shows us a scene of a fly photo shoot that's underway, where Maleek is dripping in gold and fancy cars surrounded by stunning black women and his homies—Eugy, Tinie Tempah, Juls and more.

Watch the video, directed by Capone and Guise of Vissionaire Pictures, below.

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