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RIO DE JANEIRO, BRAZIL - AUGUST 20: Caster Semenya of South Africa leads the field during the Women's 800 meter Final on Day 15 of the Rio 2016 Olympic Games at the Olympic Stadium on August 20, 2016 in Rio de Janeiro, Brazil.

Caster Semenya Appeals to European Court of Human Rights Ahead of 2021 Olympics

Caster Semenya has made an appeal to the European Court of Human Rights following the World Athletics' controversial 'testosterone' ban.

Two-time gold Olympic athlete, Caster Semenya, is taking the World Athletics to the European Court of Human Rights. According to News24, Semenya's lawyer, Gregory Nott, confirmed that Semenya will be appealing to the European Court of Human Rights. This follows the World Athletics' "testosterone ban" which prevents Semenya, who has naturally high testosterone levels, from running the 400m and 800m track distances. The Olympian is appealing in order to defend her 2016 Rio Olympics 800m gold title in the upcoming 2021 Tokyo Olympics.


According to the BBC, Nott confirmed the appeal on Tuesday, 17 November 2020. South Africans have notably stood behind Semenya since the World Athletics' 2018 decision which rocked Semenya's career wins. The lawyer implored supporters to rally behind Semenya once again and join her in the fight in putting pressure on respective international sports bodies.

"As such, we encourage everyone to help create a more equal world by showing their support on social media and by putting pressure on their sporting bodies to embrace and apply internationally accepted human rights values in their activities and rules."

The World Athletics effected the "different sexual development" (DSD) rule in 2019 which affected female athletes with naturally high testosterone levels. The arbitrary rules called for Semenya to either take testosterone-suppressing drugs or undergo surgery. Semenya has continually refused to take either alternative and maintains that her natural abilities should not be affected particularly at the detriment of her own health.

According to TimesLIVE, the South African Human Rights Commission and South African Commission for Gender Equality have reportedly supported the sprinter's decision to appeal. Additionally, corporate investments from big companies like Discovery and Bridgestone have been pouring in despite international controversy.

Public debate around the DSD rule emphasises that Olympians are in some way naturally privileged and that testosterone is not the only factor influencing high performance. For example, American swimmer Michael Phelps has unusually long and wide feet but has never been contested for his "competitive edge". The DSD rule has been questioned on the basis that it was effected as increasingly more Black female athletes broke previous track records won by white athletes.

Semenya has lost two previous appeals to the Court of Arbitration for Sport (CAS) and Switzerland's Federal Supreme Court. Additionally, News24 reports that Semenya has been, over the past several months, training for the 200m sprint which falls outside of the DSD compliance rules.

South Africans on Twitter have expressed unending support for Semenya's appeal.






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Photo by Oupa Bopape/Gallo Images via Getty Images

South Africa Shocked After DJ Sumbody's Fatal Shooting

The popular Amapiano pioneer, DJ Sumbody, was tragically killed in Johannesburg.


News recently broke that the well known South African Amapiano music producer Oupa John Sefoka, popularly known as DJ Sumbody passed awaythis past Sunday, November 20th.

The family reported that specific details of DJ Sumbody's passing could not be released because the issue was a part of a larger, ongoing investigation.

"Artist and musician DJ Sumbody has died. Details of his untimely death cannot be released but the artist allegedly ran into an unfortunate incident that led to his passing in the early hours of Sunday morning, November 20 2022," the family released in a statement, according to News24.

According to several unconfirmed reports, the renowned South African DJ was traveling on Woodmead road in Johannesburg when gunmen attacked his vehicle with a hail of bullets, which instantly killed him and one of his bodyguards.

He was en route to perform at an event in Woodmead for the All White Veuve Clicquot Picnic on Sunday. Apart from being an Amapiano pioneer, DJ Sumbody was a creative force in the South African entertainment industry. In the early hours of Sunday, Sumsounds Music, his management team, confirmed the news.

DJ Sumbody was a pioneer of the well-known viral Amapiano sound, a word that translates to "the pianos" in Zulu and is an eclectic genre that started in South Africa in 2012 and fuses house, jazz and lounge music for a unique sonic experience.

During the pandermic, OkayAfrica featured him in the pieceDJ Sumbody Is Ensuring Amapiano Stays Alive During Times of Coronavirus and Social Distancing.

Social media users went online to share their shock about the unfortunate event.

Music

Listen to Sho Madjozi's New Single 'Toro' Featuring DDG

The talented South African rapper Sho Madjozi comes through with a confident new track.

South African rap star Sho Madjozi just shared her latest single, "Toro," featuring DDG via Epic Records.

The critically acclaimed artist first burst into the music scene in 2017 and became an act to watch because of her unique flow, and her keen eye for vibrant fashion styles that fused traditional African attires with modern spins.

"Toro" is the rapper's first English release since "John Cena," a record that quickly became a viral sensation after its release. Over the years, the rapper has continued to push the envelope and sonically break barriers by experimenting with her flow, cadence, and structure. On this record, fellow Epic Records signee DDGalso makes an appearance, and the two ride the wave of the beat in a memorable way.

The song has a noticeable Amapiano beat, a genre increasingly gaining traction on the modern African music scene. While talking about the song, Sho Madjozi shared that it speaks to the complexity of human relationships and how the bad endings of relationships, both platonic and romantic, can be an eye-opening experience.

" 'Toro' is short for 'Mtoroki,' meaning an 'escaper.' I've escaped bad managers, bad lovers and still come out as me," Sho Madjozi mentions. "I even defy convention because I say and do what I like. However, this music video is part 1 of this story. The thing around my neck stands for my gift—the thing that has given me my success. The video makes a statement about how isolating fame can be: how friends, managers, etc., have backstabbed me. By the end of this video, I'm disillusioned with fame and wishing I didn't have this gift at all because it's made me lose touch with closest to me and probably even myself."

So far, Sho Madjozi has received a lot of critical acclaim, awards, and recognition, including "Favorite African Star" at the Nickelodeon Kids Choice Awards, "Best New International Artist" at the BET Awards, "Entertainer of the Year" from Forbes, and more.

The music video for "Toro," also released earlier today, chronicles a dance party that initially starts with people having a good time until chaos breaks out. Watch the clip below.

Sports
(Photo by via Getty Images)

The Other African Footballers in the World Cup

There are five African teams in the World Cup, but there are at least 54 players on other teams who were either born in Africa, or have African ancestry.

Cameroon, Ghana, Morocco, Senegal and Tunisia are the five African teams in the World Cup in Qatar, but there are at least 54 players on other teams who were born in Africa or have African ancestry.

This is, of course, the result of the African diaspora, the movement of people from the continent towards the rest of the world. But the stories of how African players or their families got to the other side of the world are not always so stereotypical as one might imagine. The world cup, besides a month of football, is also a way to find out about how humans move through the world. Here are a few:

One of the most talked about stories in this tournament is that of Breel Embolo, who was born in Yaoundé, Cameroon, but represents the Swiss national team and refused to celebrate after scoring against his country of birth last week. Embolo scored the only goal in the 1-0 Switzerland victory. It was the first goal he ever scored in a world cup, and the video of it went viral. But it wasn’t because of his technique, it was because he refused to celebrate.

Embolo moved to France when he was six years old because his mom, who had separated from his dad, went to study there. She met a Swiss man and married him, and the family eventually moved to Switzerland when the now Monaco forward was still a kid. So when he scored for his adopted country against Cameroon, he decided to stop and hold his arms up while his teammates celebrated around him.

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Arts + Culture
Photo: Courtesy Wangechi Mutu and Vielmetter Los Angeles, taken by Robert Edemeyer

A Massive Exhibition of Wangechi Mutu's Work Is Heading to the New Museum

A specially-commissioned art piece from the Kenyan-born, Brooklyn-based artist will be part of the major overview of her work.

In what is set to be one of the largest showings of the artist's work, the New Museum in New York will present “Wangechi Mutu: Intertwined,” from March 2 – June 4, 2023. The art works will cover the entire museum, occupying the three main floors, including the lobby, and the building’s glass façade, where a new piece that's been commissioned will be displayed.

Earlier this year, eight of Mutu’s sculptures were installed at the Storm King Art Center in upstate New York, showcasing her current practice in earth and bronze material.

Mutu’s upcoming New Museum exhibition is curated by Vivian Crockett, Margot Norton, Allen and Lola Goldring and Ian Wallace. According to the curators, “Intertwined” will chronicle Mutu’s recent sculptural development, and connect it to her long standing expression and exploration of the legacies of colonialism, globalization, in African and diasporic cultural traditions.

The upcoming exhibition will highlight some of Mutu’s earlier art, as well as her most recent artistic outputs, which are primarily made from Nairobi-sourced wood, soil and bronze.

“Intertwined” will give art lovers the opportunity to see and appreciate the thematic progression of Mutu’s work, and get a sense of how New York-based art institutions have influenced the scope of her artistry over time.

Different floors at the museum will carry various parts of Mutu’s multi-dimensional work. The second floor, for example, will draw connections between the artist’s collage-based practice and her work in sculpture, including 'Yo Mama' (2003), originally commissioned by the New Museum in 2003 for the exhibition “Black President: The Art and Legacy of Fela Anikulapo-Kuti.”

This exhibition on the second floor will also underscore some of her more recent work, which experiments with collages in corporeal, mechanical, and botanical forms. The third floor will continue to explore the fluidity of Mutu’s work and how her pieces have evolved over time.

The fourth floor will tie a collection of Mutu’s collages from the 'Subterranea' series (2021–22) with her most recent large scale bronze art.

In a statement, Crockett said Mutu’s work has wrestled with themes and complex artistic principles that make it even more important for the future of art as a whole. “Mutu’s work has long been characterized by a sense of permeable boundaries and hybridity, invested in the complex encounters of bodies, sites, and structures. Her work grapples with contemporary realities and proffers new models for a radically changed future informed by feminism, Afrofuturism, and interspecies symbiosis,” said Crockett.

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