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Daniel Obasi's Afrofuturistic Fashion Film Shows How Wax Print Can Still Be Edgy

"An Alien In Town" follows two humans who stumble upon an alien and show it the Lagos way of living.

Last year, OkayAfrica highlighted Daniel Obasi, Nigerian stylist and art director, as one to watch in the "NextGen" series—which featured an array of young Africans putting into practice what Afrofuturism truly stands for through their work.

His latest project, in collaboration with Vlisco and A White Space Creative Agency, is a strong start of a year of exciting work we're looking forward to see from him.


An Alien In Town is a short fashion film that "follows two stylishly clad humans who take on the responsibility of teaching a new found alien how to fit within the Lagos metropolis."

Featuring designs from Tokyo James and Abiola Olusola using Vlisco's special collection, the 5-minute film is a simple, yet beautiful execution of a futuristic vision of Lagos paired with vintage elements and cinematography. For Obasi to partner with Vlisco for this project, a brand that is nostalgic for many West Africans who grew up customizing clothes with their wax prints, shows the overarching juxtaposition of the old meets the new.

The designs featured in An Alien In Town show how wax prints can still be edgy, youthful and cool. Though challenging to pull off, Obasi does that vision justice in this film.

Watch An Alien In Town below. For more on what inspired the film, watch Obasi's interview with Vlisco here.

Image via TONL.

Uganda Has Lost Millions of Internet Users as a Result of Its Controversial Social Media Tax

The infamous tax is effectually driving Ugandans off the internet.

The number of internet users in Uganda has declined significantly since the implementation of the highly-criticized tax on social media, which went into effect in July of last year.

While the government claimed that the tax would assist in raising government revenue and help "maintain the security of the country and extend electricity so that you people can enjoy more of social media, more often, more frequently," said Uganda's Finance Minister Matia Kasaija at the time. President Museveni also suggested that the tax would help "curb gossip" online.

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Cover art for Riky Rick's "You and I"

The 14 Songs You Need to Hear This Week

Featuring Riky Rick, Mr Eazi, Moonchild Sanelly, Burna Boy, Blinky Bill, Niniola and more.

Every week, we highlight the cream of the crop in music through our Best Music of the Week column.

Here's our round up of the best tracks and music videos that came across our desks, which you can also check out in our Songs You Need to Hear This Week playlists on Spotify and Apple Music.

Follow OkayAfrica on Spotify and Apple Music to get immediate updates every week and read about some of our selections ahead.

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Image courtesy of Doubleday.

Oyinkan Braithwaite's 'My Sister the Serial Killer' Is the Lagos-Set Novel Rocking the Crime Thriller Genre

We speak with the Nigerian author about the success of her debut novel, and breaking the boundaries of "African Lit."

"I have always been drawn to dark topics," says Oyinkan Braithwaite, the 30-year-old Nigerian author behind the critical darling of a novel My Sister, the Serial Killer.

Her declaration helps explain the subject and title of her debut novel, which tells the story of Ayoola, a young woman who has developed a not-so-healthy habit of murdering her boyfriends, leaving her older sister, the book's protagonist, Korede to clean up her mess. You may have noticed it's ubiquitous cover—which features a young black woman wearing a headwrap, casually looking on as a knife-wielding hands is reflected in her sunglasses—on your timeline or at your local store. The internationally-released, Nigerian-made novel sits confidently on retail shelves previously reserved for mass-market thrillers.

The dark and humorous, Lagos-set novel is extreme—but not just because of all the murdering that happens. It also examines the extreme nature of the many things that can push people to the edge. For the sisters, it's: intergenerational trauma, abuse, the prevalence of a culture that rewards beauty above all else, as well as having to battle with their own personal shortcomings—just to name a few.

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