Interview
Photo by Roderick Ejuetami

DRB Lasgidi

Interview: DRB’s ‘Pioneers’ Album Is a Party and All The Cool Kids Are In Attendance

'Pioneers' is the genre-bending debut album from the group that helped carve out a space for alté.

The Nigerian alté scene has come a long way since it rose to prominence as a subculture in the late 2010s. It continues to inspire and influence the work of Nigerian creatives across various industries, particularly within the music ecosystem. While origins can be traced to the constantly evolving cultural hub that is Lagos, the alté movement was inspired by and continues to be powered by a mix of experimentalist, and innovative people from across Nigeria.

Think Lady Donli, Tems, Odunsi The Engine, Wavy The Creator, Santi, and many other exciting creatives pushing and infusing into the culture a certain edge that provides the space for the unconventional and advocates for a grounded sense of individuality. DRB Lasgidi played a vital role in establishing the alté movement through the vibrant parties they hosted, the music they have been releasing across the Afrobeats, R&B, Afro-house, Afro-folk and trap genres for over 10 years now, and their self-devised aesthetics, characteristic of many within the alté movement.


Their long-awaited debut album Pioneers, is an ambitious project that captures, not just the multifaceted forms, shapes, sounds, and aesthetics present in the alté culture but also highlights the deep sense of genuine community and cross-collaboration popular within this tribe.

Made up of multi-genre artists Boj, Teezee (who is a co-founder at Native Mag), and Fresh L, who has before now been working actively on their separate careers while remaining active in pioneering some of the most defining moments in Nigeria's youth culture, DRB Lasgidi's Pioneers album is a perfect tribute to the innovative work this group has in one way or another championed or kick-started.

The project is vibrant, refreshing, naturally eclectic, and bursting with an appealing blend of sounds, and it's supported with features from some of the coolest altè kids on the block. The album's tracklist sees DRB Lasgidi in collaboration with emerging and established artists within and outside of the altè scene: Tems, Lady Donli, Maison 2500, WANI, Odunsi The Engine, Prettyboy D-O, and Olamide. Genre-wise, it offers indelible sounds across trap, afropop, rap, and afro-fusion.

OkayAfrica sat with Boj, Teezee and Fresh L to discuss the ambitious aim of the album, the state of the alté community and what it means to host such an exciting party, one that has all the coolest kids in attendance.

Photo by Omofolarin Omolayole

So I know DRB helped lay the foundation for the Nigerian alté scene, was the plan to create a movement that is unique and intentionally lies outside of the mainstream?

DRB Lasgidi: Not really. This wasn't really the plan. We were just doing our thing [making music] you know, it wasn't something we thought about. It wasn't until 2013 that we realized that what we were doing had begun to greatly influence other creatives from different industries. Some of these people were people we worked closely with and others who were on the come up and caught the wave. But it is exciting to see and to be an important part of it.

What fueled the decision to get all these cool artists together on this project?

DRB Lasgidi: So many of the artists on the album, we all came up [the music journey] with. [In one way or the other] we all had a hand in making the alté culture and sound what it is today. So, yes we have all been tight before now, with artists like Santi and many others. We all played our part in making the alté culture as cool and acceptable as it is today.

What were you gunning for while making the album?

DRB Lasgidi: To be honest, the aim is to get the alté sound to the global platform, and of course to create and curate a new platform for the movement. The album is rich with the various sounds and experimental styles the culture is known for and that makes it a pretty great sell.

The structure of the album is pretty interesting. Can you share the thought process?

DRB Lasgidi: The Pioneers album sets out to tell a story in a very chronological form. If you pay attention, you will notice how the moods on the songs complement each other and take you on a musical experience. Highlighting the people in our lives, our preoccupations, and all the things we actually care about.

Photo by Omofolarin Omolayole

I believe this explains the honesty prevalent in the album, the way some of the songs are present in the places you've been and the experiences you've had.

DRB Lasgidi: Yeah, we make music from our experiences, the things we have gone through. Why would we want to sing or rap about things we don't care about or haven't been through? We're not just doing this for fun, so honesty is important to us.

Besides, the real ones last. The truth will stand the test of time, you just aim to be yourself. We just try to be ourselves too.

The alté community is pretty tight-knit, were you hoping this album would illustrate that closeness? Especially the ease with which collaboration flows.

DRB Lasgidi: As we said before, we all grew together in the same neighborhood and schools and we were all raised moving as a unit. This is the most exciting time to make a project like this.

How long did the album take to make and can you share some of the challenges, if any, that came with working together again after about 10 years?

DRB Lasgidi: Well, for one we weren't not together for ten years. We worked on individual projects within and outside music but all in entertainment. The making of the album started November 2018 with the track Necessary ft Odunsi and was ready in November 2019. It took about 3-4 months to perfect the curation of the project and roll it out.

The major challenge was raising funds to execute videos and promoting the music. As we are completely independent. A lot came out of pocket from TeeZee and our manager Tobi.

In light of the pandemic, I am assuming some of the plans you had for the album have now been canceled, how are you navigating this fraught time?

DRB Lasgidi: Naturally, we had major plans for the album before all this, but for now we are focused on visuals. Creating new, creative visuals using the most innovative means available. We're also using this time to visualize new ways of taking tough steps.


Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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