Interview
Photo by Roderick Ejuetami

DRB Lasgidi

Interview: DRB’s ‘Pioneers’ Album Is a Party and All The Cool Kids Are In Attendance

'Pioneers' is the genre-bending debut album from the group that helped carve out a space for alté.

The Nigerian alté scene has come a long way since it rose to prominence as a subculture in the late 2010s. It continues to inspire and influence the work of Nigerian creatives across various industries, particularly within the music ecosystem. While origins can be traced to the constantly evolving cultural hub that is Lagos, the alté movement was inspired by and continues to be powered by a mix of experimentalist, and innovative people from across Nigeria.

Think Lady Donli, Tems, Odunsi The Engine, Wavy The Creator, Santi, and many other exciting creatives pushing and infusing into the culture a certain edge that provides the space for the unconventional and advocates for a grounded sense of individuality. DRB Lasgidi played a vital role in establishing the alté movement through the vibrant parties they hosted, the music they have been releasing across the Afrobeats, R&B, Afro-house, Afro-folk and trap genres for over 10 years now, and their self-devised aesthetics, characteristic of many within the alté movement.


Their long-awaited debut album Pioneers, is an ambitious project that captures, not just the multifaceted forms, shapes, sounds, and aesthetics present in the alté culture but also highlights the deep sense of genuine community and cross-collaboration popular within this tribe.

Made up of multi-genre artists Boj, Teezee (who is a co-founder at Native Mag), and Fresh L, who has before now been working actively on their separate careers while remaining active in pioneering some of the most defining moments in Nigeria's youth culture, DRB Lasgidi's Pioneers album is a perfect tribute to the innovative work this group has in one way or another championed or kick-started.

The project is vibrant, refreshing, naturally eclectic, and bursting with an appealing blend of sounds, and it's supported with features from some of the coolest altè kids on the block. The album's tracklist sees DRB Lasgidi in collaboration with emerging and established artists within and outside of the altè scene: Tems, Lady Donli, Maison 2500, WANI, Odunsi The Engine, Prettyboy D-O, and Olamide. Genre-wise, it offers indelible sounds across trap, afropop, rap, and afro-fusion.

OkayAfrica sat with Boj, Teezee and Fresh L to discuss the ambitious aim of the album, the state of the alté community and what it means to host such an exciting party, one that has all the coolest kids in attendance.

Photo by Omofolarin Omolayole

So I know DRB helped lay the foundation for the Nigerian alté scene, was the plan to create a movement that is unique and intentionally lies outside of the mainstream?

DRB Lasgidi: Not really. This wasn't really the plan. We were just doing our thing [making music] you know, it wasn't something we thought about. It wasn't until 2013 that we realized that what we were doing had begun to greatly influence other creatives from different industries. Some of these people were people we worked closely with and others who were on the come up and caught the wave. But it is exciting to see and to be an important part of it.

What fueled the decision to get all these cool artists together on this project?

DRB Lasgidi: So many of the artists on the album, we all came up [the music journey] with. [In one way or the other] we all had a hand in making the alté culture and sound what it is today. So, yes we have all been tight before now, with artists like Santi and many others. We all played our part in making the alté culture as cool and acceptable as it is today.

What were you gunning for while making the album?

DRB Lasgidi: To be honest, the aim is to get the alté sound to the global platform, and of course to create and curate a new platform for the movement. The album is rich with the various sounds and experimental styles the culture is known for and that makes it a pretty great sell.

The structure of the album is pretty interesting. Can you share the thought process?

DRB Lasgidi: The Pioneers album sets out to tell a story in a very chronological form. If you pay attention, you will notice how the moods on the songs complement each other and take you on a musical experience. Highlighting the people in our lives, our preoccupations, and all the things we actually care about.

Photo by Omofolarin Omolayole

I believe this explains the honesty prevalent in the album, the way some of the songs are present in the places you've been and the experiences you've had.

DRB Lasgidi: Yeah, we make music from our experiences, the things we have gone through. Why would we want to sing or rap about things we don't care about or haven't been through? We're not just doing this for fun, so honesty is important to us.

Besides, the real ones last. The truth will stand the test of time, you just aim to be yourself. We just try to be ourselves too.

The alté community is pretty tight-knit, were you hoping this album would illustrate that closeness? Especially the ease with which collaboration flows.

DRB Lasgidi: As we said before, we all grew together in the same neighborhood and schools and we were all raised moving as a unit. This is the most exciting time to make a project like this.

How long did the album take to make and can you share some of the challenges, if any, that came with working together again after about 10 years?

DRB Lasgidi: Well, for one we weren't not together for ten years. We worked on individual projects within and outside music but all in entertainment. The making of the album started November 2018 with the track Necessary ft Odunsi and was ready in November 2019. It took about 3-4 months to perfect the curation of the project and roll it out.

The major challenge was raising funds to execute videos and promoting the music. As we are completely independent. A lot came out of pocket from TeeZee and our manager Tobi.

In light of the pandemic, I am assuming some of the plans you had for the album have now been canceled, how are you navigating this fraught time?

DRB Lasgidi: Naturally, we had major plans for the album before all this, but for now we are focused on visuals. Creating new, creative visuals using the most innovative means available. We're also using this time to visualize new ways of taking tough steps.


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Artwork: Barthélémy Toguo Lockdown Selfportrait 10, 2020. Courtesy Galerie Lelong & Co

1-54 Contemporary African Art Fair Goes to Paris in 2021

The longstanding celebration of African art will be hosted by Parisian hot spot Christie's for the first time ever.

In admittedly unideal circumstances, 1-54 Contemporary African Art Fair will be touching French soil in 2021. The internationally celebrated art fair devoted to contemporary art from Africa and the African diaspora will be hosted in Paris, France from January 20 - 23. With COVID-19 still having its way around the globe, finding new ways to connect is what it's all about and 1-54 is certainly taking the innovative steps to keep African art alive and well.
In partnership with Christie's, the in-person exhibits will take place at the auction house's city HQ at Avenue Matignon, while 20 international exhibitors will be featured online at Christies.com. And the fun doesn't stop there as the collaboration has brought in new ways to admire the talent from participating galleries from across Africa and Europe. The fair's multi-disciplinary program of talks, screenings, performances, workshops, and readings are set to excite and entice revelers.

Artwork: Delphine Desane Deep Sorrow, 2020. Courtesy Luce Gallery


The tech dependant program, curated by Le 18, a multi-disciplinary art space in Marrakech medina, will see events take place during the Parisian run fair, followed by more throughout February.
This year's 1-54 online will be accessible to global visitors virtually, following the success of the 2019's fair in New York City and London in 2020. In the wake of COVID-19 related regulations and public guidelines, 1-54 in collaboration with Christie's Paris is in compliance with all national regulations, strict sanitary measures, and security.

Artwork: Cristiano Mongovo Murmurantes Acrilico Sobre Tela 190x200cm 2019


1-54 founding director Touria El Glaoui commented, "Whilst we're sad not to be able to go ahead with the fourth edition of 1-54 Marrakech in February as hoped, we are incredibly excited to have the opportunity to be in Paris this January with our first-ever fair on French soil thanks to our dedicated partners Christie's. 1-54's vision has always been to promote vibrant and dynamic contemporary art from a diverse set of African perspectives and bring it to new audiences, and what better way of doing so than to launch an edition somewhere completely new. Thanks to the special Season of African Culture in France, 2021 is already set to be a great year for African art in the country so we are excited to be playing our part and look forward, all being well, to welcoming our French friends to Christie's and many more from around the world to our online fair in January."

Julien Pradels, General Director of Christie's France, said, "Christie's is delighted to announce our second collaboration with 1-54, the Contemporary African Art Fair, following a successful edition in London this October. Paris, with its strong links to the continent, is a perfect place for such a project and the additional context of the delayed Saison Africa 2020 makes this partnership all the more special. We hope this collaboration will prove a meaningful platform for the vibrant African art scene and we are confident that collectors will be as enthusiastic to see the works presented, as we are."


Artwork: Kwesi Botchway Metamorphose in July, 2020. Courtesy of the artist and Gallery 1957


Here's a list of participating galleries to be on the lookout for:

Galleries

31 PROJECT (Paris, France)
50 Golborne (London, United Kingdom)
Dominique Fiat (Paris, France)
Galerie 127 (Marrakech, Morocco)
Galerie Anne de Villepoix (Paris, France)
Galerie Cécile Fakhoury (Abidjan, Côte d'Ivoire/ Dakar, Senegal)
Galerie Eric Dupont (Paris, France)
Galerie Lelong & Co. (Paris, France / New York, USA)
Galerie Nathalie Obadia (Paris, France / Brussels, Belgium)
Galleria Continua (Beijing, China / Havana, Cuba / Les Moulins, France / San Gimignano, Italy / Rome, Italy)
Gallery 1957 (Accra, Ghana / London, United Kingdom)
Loft Art Gallery (Casablanca, Morocco)

Luce Gallery (Turin, Italy)
MAGNIN-A (Paris, France)
Nil Gallery (Paris, France)
POLARTICS (Lagos, Nigeria)
SEPTIEME Gallery (Paris, France)
This is Not a White Cube (Luanda, Angola) THK Gallery (Cape Town, South Africa) Wilde (Geneva, Switzerland)

For more info visit 1-54

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