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Photo: Now Again / Vinyl Me, Please.

The Forgotten '70s Ethiopian Funk and Soul of Ayalew Mesfin

Unheard Ethio-grooves from 1970s Addis Ababa released by Now Again Records and Vinyl Me, Please.

More than 40 years ago Ayalew Mesfin, along with the Black Lion Band, recorded music in Ethiopia. Now, after all that time, Mesfin is releasing his very first album.

Mesfin and the Black Lion Band, of whom Tamiru Wolde A'b, Teshome Deneke, Tamiru Ayele, Tamirat Ziltini, Tekle Tesfaezgi and the Italian Giovanni Vincenzo were founding members of, performed at venues such as Patris Lumumba Night Club and the Etege Taitu Hotel.

Their music, funky and groovy with Western instrumentation, is a beautiful amalgamation of the Black Diaspora. Built upon centuries of Ethiopian musical tradition and then skillfully infused with the influence and style of African-American musicians, Ethiopian artists, as well as others throughout the continent, produced some cold tracks.

In the past several years, the shining outburst of jazz, soul, and funk that was created in the 1960s and '70s Ethiopia with the help of the Éthiopiques compilation series, has come to the attention of those who had never lived in the country during the time of the music's production and the height of its popularity. The "music-heads" of the West have joyfully been introduced to these sounds. The songs from this period have been sampled in hip-hop, used in movie soundtracks, and perhaps ironically, play, most likely at a volume not too loud but not too quiet, at your local gentrifying cafe.

Photo: Vinyl Me, Please / Now Again.

Now, Mesfin's music is being released via Now-Again Records, an opportunity to venture even deeper into Ethiopia's rich musical past for those who have had a taste of it through the Éthiopiques series. Now-Again is owned and operated by Stones Throw Records GM and A&R Eothen "Egon" Alapatt.

Alapatt, as well as Cameron Schaefer, the Head of Music over at Vinyl Me, Please, traveled out to Denver, Colorado to meet up with Mesfin. The Ethiopian musician, who was jailed during the Derg regime and forced to sign an agreement to cease making music in exchange for his release, didn't exactly abide to said agreement. "I never stopped making music. Even though I had people checking up on me, I made this music underground."

His music career stifled by the volatile political situation of Ethiopia, Mesfin made sure to keep his recordings, some of which were unreleased, and eventually brought them with him to the United States, a period in his life in which his musical output diminished.

"Regrettably, my… years in the United States have been a void in my musical career. As I tell my musician friends, once you leave the country, your musical life will be like that of a fish out of water," Mesfin tells Vinyl Me, Please. "First, everyone is busy working to pay the bills. Second, all the musical crews we used to work together with are dispersed all over the states, and it is very difficult to get together again and work on our music."

Mesfin eventually agreed to release his music through Now-Again, which, up until now had only seen the light of day via 7" singles. Songs from Mesfin's personal catalogue, from reel-to-reel tapes and the aforementioned 7" singles, were chosen and made into an 11-track project, his first-ever official LP release. A project more than 40 years in the making.

The compilation record is available for purchase on maroon colored vinyl, complete with 16 pages of full color liner notes, a photo booklet, and an original art print from Billy Clark. It's also available on streaming platforms such as Apple Music and Spotify.

Mesfin's music previously escaped the confines of history by being included on the Éthiopiques Vol. 8's Swinging Addis, as well as on Vol. 13's The Golden Seventies. The song "Hasabe," which is included on Vol. 8, is the title of Mesfin's latest release.

"Most of my works revolve around social issues, as well as political commentary. Even though my songs appear to be about lovers, or other mundane topics, they are open to interpretation," Mesfin tells Vinyl Me, Please. "Social issues and social problems inspire my songs. I write the lyrics first, and then compose the melody."

Though his music was largely forgotten, lost to history and the political circumstances of Ethiopia, it is now finally resurfacing.

"I still have the dream and stamina to get back to working my music someday though!" Mesfin remarks to Vinyl Me, Please.

Ayalew Mesfin's Hasabe, which roughly translates to "My Worries," is now available to stream or purchase.

Hasabe is the Vinyl Me, Please featured record of the month. Subscribers of their service will be receiving the exclusive color vinyl with art print and cocktail recipe.

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Photo by Drew Angerer/Getty Images.

Ethiopian Prime Minister Responds to Trump's Claims of Being Snubbed for the 2019 Nobel Peace Prize

Ethiopian Prime Minister Abiy Ahmed says that Trump's issue with the Nobel Peace Prize recipient 'must be taken up in Oslo, not Ethiopia'.

UPDATE 01/13: Ethiopian Prime Minister Abiy Ahmed is currently in South Africa to seek mediation from President Cyril Ramaphosa in light of the deadlock with Egypt over a potential hydropower project on the Nile River.

At a press briefing in Pretoria, Ahmed responded to questions around President Donald Trump's recent claims to having been snubbed for the 2019 Nobel Peace Prize although he was allegedly instrumental in "saving Ethiopia", according to the BBC.

Last year, Ahmed was awarded the prize largely for his role in ending the two-decade long border conflict with neighbouring country Eritrea.

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Ethiopia's Prime Minister and Nobel Peace Prize Laureate Abiy Ahmed Ali poses after being awarded with the Nobel Peace Prize during the Nobel Peace Prize ceremony 2018 at Oslo City Town Hall on December 10, 2019 in Oslo, Norway. (Photo by Erik Valestrand/Getty Images)

Ethiopia’s Prime Minister Abiy Ahmed Accepts Nobel Peace Prize Amidst Wave of Protest

The leader, who has been called a 'reformist' has been met with criticism from those who believe his efforts have not brought about tangible change.

Following the announcement of his win October, Ethiopia's Prime Minister Abiy Ahmed formally received his Nobel Peace Prize during the award ceremony in Oslo, Norway on Tuesday for his efforts to "achieve peace and international cooperation."

During his lecture, Ahmed addressed the ongoing quest for "peace," which he has been credited for fostering between Ethiopia and neighboring Eritrea following two decades of hostility between the two nations.

"For me, nurturing peace is like planting and growing trees," said Ahmed in his speech. "Just like trees need water and good soil to grow, peace requires unwavering commitment, infinite patience, and good will to cultivate and harvest its dividends." Ahmed was praised by chairperson of the Nobel Committee, Berit Reiss-Andersen, for representing a "new generation of African leaders who realise that conflict must be resolved by peaceful means."

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5 Women Doing Amazing Things Behind the Scenes in South African Hip-Hop

Behind every successful South African rapper of the last decade is a woman helping to get ish done. Helen Herimbi spoke to a few of them.

South African hip-hop had a great run in the last decade. As we start a new era, it's important to highlight the women who have played a pivotal role in the growth of the genre.

​Thuli Keupilwe

Thuli Keupilwe is the founder of LAWK Communications, an artist booking and representation agency that now works closely with the likes of DJ Maphorisa and Kabza de Small.

But she's not all about the yanos. Thuli has worked with urban music brands like Dreamteam SA and Homecoming Events, but in 2016, she cast her booking agent net wider and started LAWK Communications where she worked with DJs Capital and Sliqe.

The following year, Thuli received a phone call that would force her to level up. "Boom," she exclaims. "February 2017. PJay from B3nchMarQ called me. I was the one that pushed A-Reece to get onto his first Maftown Heights around 2014 and we're all from Pretoria so I'd known them since forever."

B3nchMarQ and A-Reece were gearing up to leave Ambitiouz Entertainment and when she agreed to be their booking agent, Thuli hadn't anticipated how much it would stretch her. Partly because the artists weren't initially permitted to perform their own songs—problematic for an agent who is meant to book them for gigs.

"I didn't see that coming at all," she says. "I was going up against the big guys, people I looked up to. I realized I needed to get a lawyer." Eventually, the artists were legally permitted to gig. "I had one of my biggest years with Reece after that. I am still with him till today."

A-Reece had managed to amass an enviable fan base size mostly from his online and streaming presence. Thuli works closely with him and counts using A-Reece's "Rich" song in a sync deal with the gambling website BET.co.za as a milestone in their partnership. "It was a good check," she chuckles. "And he was being himself and that's the most important thing to me."

Kay Faith

Authenticity has been the drive behind Kay Faith's work. The Cape Town-based engineer, producer and budding vocalist began her career behind the boards during sessions for the likes of Yasiin Bey, Nasty C and E-Jay.

She put out her own EP, In Good Faith, in 2017, and in 2018, she became the first female producer in the world to be featured on Apple Music's New Artist Spotlight.

She has also given us hip-hop bangers like "Slam Dunk" by Da L.E.S and YoungstaCPT. The latter is a frequent collaborator of hers. So much so that when his album 3T won the Best Album category at this year's South African Hip Hop Awards, she felt it was a win for her too. Especially since projects she'd worked on had been nominated and lost before.

Read: Meet The Woman Engineering Your Favorite South African Hip-Hop Releases

"When we started [the song] 'YVR,' I had this emotional feeling that it would be something big for Cape Town," Kay excitedly says. "From recording to mixing to mastering and featuring as a vocalist on 'The Cape of Good Hope' and 'KAAPSTAD NAAIER,' I was behind all of 3T. I even co-produced the 'Pavement Special' intro and the 'Outro' with Chvna.

"We spent 11 months crafting and him trying to get it to be perfect so it was a surreal feeling when we won Album of the Year. I even sent out a tweet saying: 'Can we just take a moment to realize that the South African Hip Hop Album of the Year was entirely engineered by a woman?'"

Kay's upcoming album, Antithesis is slated for a 2020 release. "It's going to be the first album of its kind, I believe," she says. "And I'm really trying to play with that idea of being the antithesis of hip-hop. I am a woman, an Afrikaans kid, in hip-hop. When I walk in, people don't expect me to be an engineer or a hip-hop producer and when I roll out my accolades, then they're like, 'damn, Kay's got game.' That reaction is what this album is about."

Phindi Matroshe

For Phindi Matroshe, the outside reaction to her work is not the most important thing. Phindi is a publicist and talent manager who owns At Handle, a PR and social marketing solutions firm. She was there before Nadia Nakai became a Reebok or Courvoisier ambassador and before she had sold-out ranges with Sportscene's Redbat.

She was also there when Nadia bagged a Best Female pyramid at the 2019 South African Hip Hop Awards. And she was right beside her when she scooped awards at AFRIMA 2019 for Best Artist, Duo or Group in African Hip Hop as well as Best Female Artiste: Southern Africa.

"Winning awards was never the mission," Phindi confesses. "Honestly, we have never done things to try and get awards. Nadia truly loves what she does and it feels great when that is acknowledged and someone pats us on the back for work we've done. I really love and respect what I do and don't see it as a job."

Having handled publicity for the likes of JR, Tumi Masemola (of Gang of Instrumentals), Shane Eagle, Major League DJs and more, Phindi pivoted to managing Nadia. She says: "Seeing the things we talk about come to life or when we're in the boardrooms signing those deals, those are personal milestones for me."

​Ninel Musson

Ninel Musson has been brokering some of hip-hop's biggest deals for over a decade. She co-owns Vth Season, a boutique full-service entertainment marketing agency with Raphael Benza.

A former party promoter and publisher of the wonted.co.za website, Ninel helped start a record label wing of Vth Season where AKA was their first signee. Together, they turned AKA into a mainstream success that the artist could bank on when he started the now defunct BEAM Group independent record label with Prince Nyembe in 2016.

Recently, Ninel and Benza, together with the Sony Music team, presented AKA with diamond and platinum plaques for several songs at a surprise dinner. "The music we went on to create became some of the best-selling records of all time in South Africa," Ninel says matter-of-factly. "When we started with him, the major labels said SA hip-hop would never go this far. We said we believed it would and then we did."

​Sibu Mabena

Cassper Nyovest seems to make it a point to work with women. In addition to Cassper's sisters running his Family Tree store, several Fill Up dates have seen PR maven, Sheila Afari at the helm. And while it's clear that the Fill Up series was always the brainchild of Cassper and his longtime friend and business partner, T-Lee Moiloa, bringing it to fruition has also included the skills and power of women behind the scenes. Women like Sibu Mabena, a multi-hyphenate creative entrepreneur who owns the Duma Collective.

"The day I landed back home from the EMAs, I went straight to The Dome," she remembers. "I said: 'yo, T-Lee, give me a job. I want to work on this thing.' He was like: 'bra, there's nothing for you to do.'" Sibu stuck around at the Dome, watching the production come together when a lightbulb went on in her head.

Read: Sibu Mabena Works Behind The Scenes in South African Hip-Hop, And She's Kicking Ass

"I thought: 'Cassper has 11 outfit changes. Who is helping him with those?' So Gareth Hadden from Formative, who was building the stage, said they needed someone to help with those changes. I forced myself into the Dome, and the next year I pitched to T-Lee to run the stage at Orlando Stadium. The following year was Fill Up FNB Stadium and there, I got a bigger job to run the talent operations. That's how we started doing the Fill Up Intern Search."

In the next decade of Mzansi hip hop, Sibu has her heart set on parties with a purpose. "All the things I have learnt along the way have led me to contribute to AKA's Fees For All Mega Concert," she shares. "I'm not coming on as just a creative or event organiser or marketer. It's demanding all of me. We're all tapping into a more philanthropic and less commercial role than we usually have so the pressure is that much greater."

There are plenty more women who've got game. From Lerato Lefafa, who has been a part of the team that brought us the SAHHAs and Back to the City to Bianca Naidoo who is a big part of Riky Rick's triumphant trajectory to women like Spokenpriestess, Caron Williams, Azizzar The Pristine Queen, Loot Love and way more who have, in the last decade, used their media platforms to lift up Mzansi hip-hop. In the next decade, women will still be a huge part of hip hop. It'll be interesting to see where that contribution takes the movement next.

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Photo courtesy of CSA Global.

In Conversation with Congolese NBA Player Emmanuel Mudiay: 'I want more African players in the NBA.'

The Utah Jazz player talks about being African in the NBA, supporting basketball in the DRC and how 'everybody knows about Burna Boy'.

Inspired by his basketball-playing older brothers, by second grade, Emmanuel Mudiay already knew that he wanted to play in the American National Basketball Association. Then in 2001 his family, fleeing the war in Democratic Republic of Congo, sought asylum in the United States.

In America, Mudiay saw basketball as a way for him to improve his situation. After impressive high school and college careers, he moved to China to play pro ball. Picked 7th overall in the 2015 NBA draft, the now 23-year-old guard has made a name for himself this season coming off the bench for the Utah Jazz.

Mudiay attests to the sport having changed not only his life but that of his siblings. Basketball gave them all a chance at a good education and the opportunity to dream without conditions. Now he wants to see other talented African players make it too.

We caught up with him to talk about his experience as an African player in the NBA, his hopes for basketball on the African continent and who he and his teammates jam out to in their locker rooms.

This interview has been edited for length and clarity.

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