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(Photo by Andy Sheppard/Redferns)

Ethiopian Jazz Great Mulatu Astatke Given Prestigious French Award

The 75-year-old musician was given the French Order of Arts and Letters in Addis Ababa yesterday

The godfather of Ethiopian jazz, Mulatu Astatke, is the latest recipient of the French "Ordre des Arts et des Lettres" (Order of Arts and Letters). The French Minister of Culture, Franck Riester, travelled to Addis Ababa to present the award to Astatke, yesterday, at the French Embassy. The visit is part of the initiative established by French president Emmanuel Macron and Ethiopian prime minister Abiy Ahmed to share in honoring their respective cultures.


Born in the south of Ethiopia, the vibraphone and conga drum player later received training in major cities in the US and UK. Through his travels, he began combining musical elements of jazz with the traditions of different cultures to forge a new sound. As BBC reports, "Ethiopian scales have five notes and in Western music there are 12 – Mulatu combined the two to make Ethio-jazz." The new genre created a wave worldwide and furthered the expansion of jazz.

In honoring Astatke, the French Minister tweeted, "Few artists are able to embody in the eyes of the world a musical genre so strongly rooted in a national culture. Mulatu Atskake is one of them." He then later shared a video of Astatke performing with French violinist Théo Ceccaldi together in Addis Ababa. The tweet reads, "a moment of timeless jazz. Watch and listen without moderation."

The Order of Arts and Letters is an award that was established in 1957 to "recognize eminent artists and writers, as well as people who have contributed significantly to furthering the arts in France and around the world" according to the Cultural Services French Embassy in the US.

Check out our playlist of Ethiopian samples in hip-hop below featuring Astatke:


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Image courtesy of Trap Bob.

Trap Bob Is the 'Proud Habesha' Illustrator Creating Colorful Campaigns for the Digital Age

The DMV-based artist speaks with OkayAfrica about the themes in her work, collaborating with major brands, and how her Ethiopian heritage informs her work.

DMV-based visual artist Tenbeete Solomon also known as Trap Bob is a buzzing illustrator using her knack for colorful animation to convey both the "humor and struggle of everyday life."

The artist, who is also the Creative Director of the creative agency GIRLAAA has been the visual force behind several major online movements. Her works have appeared in campaigns for Giphy, Girls Who Code, Missy Elliott, Elizabeth Warren, Apple, Refinery 29 and Pabst Blue Ribbon (her design was one of the winners of the beer company's annual art can contest and is currently being displayed on millions of cans nationwide). With each striking illustration, the artist brings her skillful use of color and storytelling to the forefront.

Her catalog also includes fun, exuberant graphics that depict celebrities and important moments in Black popular culture. Her "Girls In Power" pays homage to iconic women of color in a range of industries with illustrated portraits. It includes festive portraits of Beyoncé, Oprah, Serena Williams and Michelle Obama to name a few.

Trap Bob is currently embarking on an art tour throughout December, which sees her unveiling murals and recent works for Pabst Blue Ribbon in her hometown of DC and during Art Basel in Miami. You can see her tour dates here.

We caught up with the illustrator via email, to learn more about the themes in her work and how her Ethiopian heritage informs her illustrations. Read it below and see more of Trap Bob's works underneath.

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Nasty C. Photo: Sabelo Mkhabela.

Burna Boy, Nasty C, Stonebwoy, Nadia Nakai & More Win 2019 AFRIMA Awards

Check out the full list of this year's winners.

The sixth annual All Africa Music Awards (AFRIMA) took place last night at the Eko Convention Centre in Lagos, Nigeria.

The yearly celebration—not to be confused with the Afrikan Musik Magazine Awards (AFRIMMA) which took place in October in Dallas—recognizes African musical talent from various regions of the continent. Several big name artists took home awards during last nights ceremony, which was hosted by Pearl Thusi and Eddie Kadi. Many nominees also performed at the AFRIMA Music Village Festival which took place on ahead of the awards show.

Burna Boy had a major night, winning Artist of the year and Best Male Artist in West Africa, while Tiwa Savage won Best Female Artist in West Africa. Nigerian newcomer, Joe Boy won Best Artiste in African pop. Ghanaian artist Stonebwoy won in the "Best Artist in African Reggae, Ragga or Dancehall" category.

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Photo by Lana Haroun

From #FeesMustFall to #BlueforSudan: OkayAfrica's Guide to a Decade of African Hashtag Activism

The 2010s saw protest movements across the continent embrace social media in their quest to make change.

The Internet and its persistent, attention-seeking child, Social Media has changed the way we live, think and interact on a daily basis. But as this decade comes to a close, we want to highlight the ways in which people have merged digital technology, social media and ingenuity to fight for change using one of the world's newest and most potent devices—the hashtag.

What used to simply be the "pound sign," the beginning of a tic-tac-toe game or what you'd have to enter when interacting with an automated telephone service, the hashtag has become a vital aspect of the digital sphere operating with both form and function. What began in 2007 as a metadata tag used to categorize and group content on social media, the term 'hashtag' has now grown to refer to memes (#GeraraHere), movements (#AmINext), events (#InsertFriendsWeddingHere) and is often used in everyday conversation ("That situation was hashtag awkward").

The power of the hashtag in the mobility of people and ideas truly came to light during the #ArabSpring, which began one year into the new decade. As Tunisia kicked off a revolution against oppressive regimes that spread throughout North Africa and the Middle East, Twitter, Instagram and Facebook played a crucial role in the development and progress of the movements. The hashtag, however, helped for activists, journalists and supporters of causes. It not only helped to source information quickly, but it also acted as a way to create a motto, a war cry, that could spread farther and faster than protestors own voices and faster than a broadcasted news cycle. As The Guardian wrote in 2016, "At times during 2011, the term Arab Spring became interchangeable with 'Twitter uprising' or 'Facebook revolution,' as global media tried to make sense of what was going on."

From there, the hashtag grew to be omnipresent in modern society. It has given us global news, as well as strong comedic relief and continues to play a crucial role in our lives. As the decade comes to a close, here are some of the most impactful hashtags from Africans and for Africans that used the medium well.

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Screenshot from the upcoming film Warriors of a Beautiful Game

In Conversation: Pelé's Daughter is Making a Documentary About Women's Soccer Around the World

In this exclusive interview, Kely Nascimento-DeLuca shares the story behind filming Warriors of a Beautiful Game in Tanzania, Brazil and other countries.

It may surprise you to know that women's soccer was illegal in Brazil until 1981. And in the UK until 1971. And in Germany until 1970. You may have read that Sudan made its first-ever women's league earlier this year. Whatever the case, women and soccer have always had a rocky relationship.

It wasn't what women wanted. It certainly wasn't what they needed. However, society had its own ideas and placed obstacle after obstacle in front of women to keep ladies from playing the game. Just this year the US national team has shown the world that women can be international champions in the sport and not get paid fairly compared to their male counterparts who lose.

Kely Nascimento-DeLuca is looking to change that. As the daughter of international soccer legend Pelé, she is no stranger to the game. Growing up surrounded by the sport, she was actually unaware of the experiences women around the world were having with it. It was only recently that she discovered the hardships around women in soccer and how much it mirrored women's rights more generally.

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