French Rappers Booba and Kaaris Brawl Inside Airport While People Are Simply Waiting to Catch Their Flights

Rap beef just isn't the same as it used to be.

Some people prefer to take their fights to the streets...others opt for airport lounges?

That's where veteran French rappers Booba and Kaaris decided to hash things out on Wednesday as they were preparing to catch flights out of Paris; Orly Airport. The two artists came to blows at a departure lounge causing a terminal closure and brief flight delays, reports Reuters.

Onlookers captured video of the 41-year-old French-Senegalese rapper Booba and 38-year-old Ivorian-born Kaaris along with members of their respective entourages, scuffling and throwing fists in a duty-free shop, knocking down stands and causing people nearby—who were just trying to mind their business and catch their flight—to scurry out of their way.

Is this what French rap has come to in 2018? The sad thing is that we've actually seen worse to be honest.

Lots of unimpressive kicking took place.

The two rappers were detained along with 9 others following the incident.

Though it is unclear what exactly caused today's incident, Booba and Karris' have been beefing since 2014, according to a Noisey report, when Karris dropped a freestyle that appeared to take shots at Booba. It seems that this tussle, in the duty-free section of an airport of all places, is the culmination of four years of tension between them.

What can we say? Rap beef just isn't the same as it used to be—and that's a good thing, we guess.

Of course, the internet has been joking about the "brawl" since the news surfaced on Wednesday.

Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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