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Freshlyground Share 'Don't Leave Me' Music Video

South African afro-pop collective Freshlyground return with the visuals for "Don't Leave Me," their first new single in almost three years.


South African afro-pop outfit Freshlyground return with the visuals for "Don't Leave Me," their first new song in almost three years. The uplifting single follows "a story of togetherness, unity and human nature...with a big sing-along chorus!," lead vocalist Zolani Mahola explains. "It's an exciting time for us — we've been working hard on new material and have several songs in the pipeline for this year. 'Don't Leave Me' is the first of the new tracks and was written in between international tours and having babies." Watch the Benitha Vlok and Michael Matthews-directed music video for "Don't Leave Me" below, the single is available now on iTunes. For more, revisit Freshlyground violinist Kyla-Rose Smith's Africa In Your Earbuds mixtape and our Okayafrica TV episode with the band.

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Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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