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John Boyega Set to Star In Upcoming Netflix Sci-Fi Movie 'They Cloned Tyrone'

The film is being described as "Friday-meets-Get Out."

Fresh off his performance as Finn in Star Wars: The Rise of Skywalker John Boyega is set to take on another leading role, this time in the Netflix's upcoming sci-fi comedy They Cloned Tyrone. The Hollywood Reporter first broke the news.

The film will be the directorial debut of Juel Taylor the writer behind Creed 2. He co-wrote the script for They Cloned Tyrone with Tony Rettenmaier.


Here's a description of the film via The Hollywood Reporter:

Likened to "Friday-meets-Get Out," the film is described a pulpy, sci-fi mystery caper, in which an unlikely trio investigates a series of eerie events, alerting them to a nefarious conspiracy lurking directly beneath their hood.

Boyega has a number of upcoming projects, aside from starring in the third and final chapter of the latest Star Wars trilogy, the actor is also gearing up to star in alongside Letitia Wright in the upcoming love story Hold Back the Stars and in Steve McQueen's BBC anthology series "Small Axe."

Earlier this year, it was also announced that the actor would be producing the South African-set crime drama 'God is Good." Though he told MTV News earlier this year that he "honestly thinks" this will be Finn's final appearance in Star Wars, it looks like we'll have plenty more to watch the star actor in.

Production for They Cloned Tyrone is set to begin in the first quarter of next year.

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Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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