News Brief

John Ridley's 'Guerrilla' Gets Slammed for the Absence of Black Women in the Series

John Ridley's new series set to premiere on April 16 has been receiving heated criticism that black women are being erased from the series.

Guerrilla, a six-part series written and directed by John Ridley (screenwriter for 12 Years A Slave) based on Britain's Black Power movement of the 1970s, is set to premiere on Showtime April 16. The series tells the story of a politically active interracial couple whose relationship and values are tested when they liberate a political prisoner and form a radical underground cell in London.

Ridley initially intended to have San Francisco be the backdrop of the drama, according to The Guardian.

“My initial reaction was that my story just didn’t feel like a British story,” Ridley says in his interview with The Guardian. “But after speaking with Darcus [Howe], Farrukh [Dhondy] and Neil [Kenlock], I began to see that there were elements that were very, very similar. The struggles, the small indignities, the sense of a collective working together. As an American we tend to look at the UK as being so progressive and elevated with Windrush, and that is true to an extent, but beneath that there were troubles, issues, disregard and disenfranchisement.”

Ridley and the actors starring in the film—Idris Elba (who's also an executive producer of the series), Babou Ceesay and Freida Pinto—have been promoting the series as of late with pressers and attending screenings, but at the premiere held in London on April 6, the Q&A portion of the program was a tense moment of attendees addressing their concerns of the series, especially the perceived erasure of black women from the storyline.

Ridley was asked repeatedly as to why he decided to make the main protagonist an Asian woman, as well as why there are so few black women in the episode, especially knowing the many black women who were at the forefront of the movement including Althea Jones-LeCointe, Barbara Beese and Olive Morris. Only one black actress—Zawe Ashton—is included in the cast credits, who plays Omega, "a strong, respected leader in the black community, but doesn’t believe her opinions will be taken seriously by the white establishment," according to Showtime. "She enlists Kent to represent the moderate, considered side of the movement to the press, and does her best to keep him in line."

Watch the Q&A in the three clips below:

Although it does not appear that the women who took Ridley to task were unaccepting of his answers, it instead seems like he was getting defensive instead of actually answering their valid questions. Reactions on social media also show that they're not really buying it either:

It may be too early to deduce the intent of the erasure of black women from this series just from episode one, but first impressions matter. Hopefully we'll see the much needed and accurate representation of black women leaders as the series continues.

Image supplied.

Interview: How Stogie T’s ‘Freestyle Friday’ Became a TV Show

Freestyle Friday started as lockdown content but is now a fully-fledged TV show on Channel O. In this interview, Stogie T breaks down why the show is revolutionary and talks about venturing into media.

When South Africa was put under a hard lockdown in 2020, Stogie T started Freestyle Friday to "make SA rap again." Freestyle Friday, hosted on Instagram, saw a different cohort of rappers each rap over the same beat picked by the veteran rapper. From niche and emerging rappers to some of the most notable names in South African hip-hop—the likes of AKA, Focalistic, Ginger Trill and several others all participated.

In the last few weeks, however, Freestyle Friday has found its way to cable TV. The show airs every Friday on Channel O, one of the continent's longest-running music TV channels. Freestyle Friday as a TV programme isn't just about freestyles, it's about the art of rapping and the music business, particularly SA hip-hop. Guests range from lyricists to record executives and other personalities aligned with the scene—Ninel Musson and Ms Cosmo for instance.

But Freestyle Friday is only the first media product Stogie T is working on as he is in the process of starting a podcast network, a venture in which he is collaborating with Culture Capital. In the Q&A below, Stogie T breaks down the relationship with Culture Capital, how the show moved from the internet to TV, why it's a revolutionary idea, touches on his venture into media and his future plans.

This interview has been edited for clarity and length.

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