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A Kenyan commuter is tested for the coronavirus while waiting in the queue.

Kenyan Embassy Moves to Evacuate Citizens from China Amid Escalating Xenophobia

However, many Kenyans have criticised the Kenyan embassy for requiring that citizens be able to foot their own bill during the evacuation.

The Kenyan Embassy in Beijing, China, has recently announced that it will be evacuating Kenyan citizens from the Asian country. The move comes in the wake of escalating racism and xenophobia towards Africans from Chinese citizens and establishments who fear a second wave of coronavirus.


There has been public outcry among Kenyan citizens who want the government to intervene on the maltreatment of Africans living in China. Reports of Africans being forced out of their homes in Guangzhou, China, have caused fear amongst its African community and backlash across social media.

Foreign Affairs Principal Secretary, Macharia Kamau, initially responded to the public outcry saying, "This situation has been extremely worrisome to all of us. The reality is that this has been a very unfortunate outcome." Kamua added that, "Africans, Kenyans included, have been discriminated against in the process of [Guangdong provincial] government's response to mop up the situation that they are facing there, post-crisis."

Shortly after Kamau's statement, the embassy announced that it was making plans to evacuate Kenyan citizens from China. However, the embassy has since been criticised for requiring that citizens be able to not only foot their own bill but prove that they are coronavirus-free—the latter further requiring certification from Chinese medical authorities.

Understandably, Kenyans in China have criticised the embassy for making the conditions under which they are prepared to evacuate citizens difficult to meet. One Kenyan reportedly spoke to Sunday Standard saying, "They are asking for things that they know we can't get easily," going on to add that, "They know people can't get those health certificates right now."

Questions around the status of visas has been an additional anxiety.

Those on social media have also called on the embassy and broader government to do more to help those abroad.






Music
Photo by Theo Wargo/Getty Images for Roc Nation

Burna Boy, Tems, Zakes Bantwini, Eddy Kenzo & More Are Nominated For 2023 Grammy Awards

They are joined by Angélique Kidjo, Rocky Dawuni, Nomcebo Zikode and more African artists on the nominees list for next year's Grammy Awards.

The Recording Academy has released its list of nominees for the upcoming 2023 Grammy Awards show and several African artists have been given a nod.

Nigerian superstar Burna Boyand Beninese legend Angélique Kidjo are both nominated for Best Global Music Album.

Uganda's Eddy Kenzo, Ghana's Rocky Dawuni, South Africa's Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode, and Burna Boy are all in the running for Best Global Music Performance.

Nigeria's continually buzzing Tems is nominated for "Wait For U," her collaboration with Future and Drake, under the Best Melodic Rap Performance and Best Rap Song. Angélique Kidjo is also nominated for her Woman King song "Keep Rising" under the Best Song Written for Visual Media category.

African music has been taking center stage, and the recent nominations have further proven that the world is paying attention to the sounds coming from the African continent.

The 65th installment of the award show will take place on Sunday, February 5, 2023, at the Crypto.com Arena in Los Angeles. It will be exciting to see all of the honorees from the continent and how their hard work has paid off.

Last year, Burna Boy, Wizkid, Tems, Femi Kuti, Made Kuti, Angélique Kidjo, Rocky Dawuni, and Black Coffee were the African nominees.

Last year, Kidjo won an award for her 16th studio album Mother Nature, marking her fifth Grammy win. During a visit to Ghana earlier this year, Harvey Mason Jr., CEO of the Recording Academy, told reporters that the Grammys were considering an Afrobeats category. Mason said he had been meeting with important decision-makers in the genre to explore the possibility.

Scroll down to see the list of African artists nominated for the award show this year.

Check out the complete list of nominees here.

Best Global Music Performance

“Udhero Na,” Arooj Aftab and Anoushka Shankar
“Gimme Love,” Matt B and Eddy Kenzo
“Last Last,” Burna Boy
“Neva Bow Down,” Rocky Dawuni featuring Blvk H3ro
“Bayethe,” Wouter Kellerman, Zakes Bantwini and Nomcebo Zikode

Best Global Music Album

“Shuruaat,” Berklee Indian Ensemble
“Love, Damini,” Burna Boy
“Queen of Sheba,” Angélique Kidjo and Ibrahim Maalouf
“Between Us … (Live),” Anoushka Shankar, Metropole Orkest and Jules Buckley featuring Manu Delago
“Sakura,” Masa Takumi

Best Melodic Rap Performance

“Beautiful,” DJ Khaled featuring Future and SZA
“Wait for U,” Future featuring Drake and Tems
“First Class,” Jack Harlow
“Die Hard,” Kendrick Lamar featuring Blxst and Amanda Reifer
“Big Energy (Live),” Latto

Best Rap Song

“Churchill Downs,” Ace G, BEDRM, Matthew Samuels, Tahrence Brown, Rogét Chahayed, Aubrey Graham, Jack Harlow and Jose Velazquez, songwriters (Jack Harlow featuring Drake)

“God Did,’ Tarik Azzouz, E. Blackmon, Khaled Khaled, F. LeBlanc, Shawn Carter, John Stephens, Dwayne Carter, William Roberts and Nicholas Warwar, songwriters (DJ Khaled featuring Rick Ross, Lil Wayne, Jay-Z, John Legend and Fridayy)

“The Heart Part 5,” Jake Kosich, Johnny Kosich, Kendrick Lamar and Matt Schaeffer, songwriters (Kendrick Lamar)

“Pushin P,” Lucas Depante, Nayvadius Wilburn, Sergio Kitchens, Wesley Tyler Glass and Jeffery Lamar Williams, songwriters (Gunna and Future featuring Young Thug)

“Wait for U,” Tejiri Akpoghene, Floyd E. Bentley III, Jacob Canady, Isaac De Boni, Aubrey Graham, Israel Ayomide Fowobaje, Nayvadius Wilburn, Michael Mule, Oluwatoroti Oke and Temilade Openiyi, songwriters (Future featuring Drake and Tems)

Best Song Written for Visual Media

“Be Alive” from “King Richard”; Beyoncé́ and Darius Scott Dixson, songwriters (Beyoncé́)

“Carolina” from “Where the Crawdads Sing”; Taylor Swift, songwriter (Taylor Swift)

“Hold My Hand” from “Top Gun: Maverick”; Bloodpop and Stefani Germanotta, songwriters (Lady Gaga)

“Keep Rising (The Woman King)” from “The Woman King”; Angelique Kidjo, Jeremy Lutito and Jessy Wilson, songwriters (Jessy Wilson featuring Angelique Kidjo)

“Nobody Like U” from “Turning Red”; Billie Eilish and Finneas O’Connell, songwriters (4*Town, Jordan Fisher, Finneas O’Connell, Josh Levi, Topher Ngo, Grayson Villanueva)

“We Don’t Talk About Bruno” from “Encanto”; Lin-Manuel Miranda, songwriter (Carolina Gaitán — La Gaita, Mauro Castillo, Adassa, Rhenzy Feliz, Diane Guerrero, Stephanie Beatriz & Encanto — Cast)

Arts + Culture
Photo: @Africanist

Finding Afrobeats In a White City

One writer's quest to find a space that felt like home after moving to Seattle.

I moved to Seattle, Washington right in the middle of the pandemic in December of 2020. The following summer Governor Jay Inslee announced the opening of restaurants and clubs. It was perfect timing for Seattle summer, but the challenge was finding a party or space where I felt at home, with people who looked like me. I wanted to find a place where vibes and community intersected while listening to afrobeats, somewhere I could go to every weekend. After asking around, I was told numerous times to check out The Afrobeats Party.

According to the 2021 US census report, Seattle's population is roughly 733,919 people, and only 7.1% of those people are Black or African American. With these statistics, when you think of Seattle, the first thing that comes to mind is not afrobeats. However, there's been a big movement brewing over the past years in the city, with Ghanaian-born, Seattle-based DJ Nayiram’s party catapulting afrobeats further into its musical consciousness.

The first time I attended The Afrobeats Party I went with some of my girls who had frequently been, but they did not prepare me for what I was about to experience. I didn't expect to stand in a line that wrapped around the block alongside, what seemed like, a sizable portion of the 7.1% of black people that live in Seattle. Once we eventually made our way inside Red Lounge, we were met with over 300 people singing Fireboy DML's “Peru” at the top of their lungs, as a sea of bodies were being taken on a musical journey. I was pleasantly surprised by how much energy there was in the room and the power afrobeats had on everyone moving to every beat.

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Sports

All You Need to Know About the African Teams at the World Cup

We break down how Senegal, Ghana, Cameroon, Morocco, and Tunisia's national teams are looking ahead of the Qatar World Cup 2022.

African football has come a long way.

Egypt was the first African team to ever participate in a FIFA World Cup. They did it in Italy in 1934, where they only played a game, which they lost 4-2 to Hungary. Back then, the Confederation of African Football (CAF) didn’t exist, so the Pharaohs played two qualifier games against British Palestine.

CAF was eventually formed in 1956, but the World Cup would only see another African team in Mexico 1970, when Morocco qualified. Years later, Pelé, the legendary Brazilian player, predicted that an African team would win a World Cup before the year 2000, he was mocked mercilessly. For many, it was not an unlikely outcome, it was an absurd proposition.

And yet, African footballers have become more and more often part of the footballing elite, playing in the best leagues, and becoming some of the most famous players. While, still, only European and South American teams have won World Cups.

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Interview

Seni Saraki On Co-Producing the Nigerian Side of the 'Black Panther' Soundtrack

We speak with NATIVE's Seni Saraki who helped put together the Lagos arm of Black Panther: Wakanda Forever - Music From and Inspired By.

Back in July when Marvel released its Black Panther: Wakanda Forever Prologue EP, led by Tems’ soul-stirring cover of Bob Marley’s “No Woman, No Cry,” the consensus among young, internet-savvy Africans was that the follow-up to 2018’s record-breaking Black Panther was shaping up to be seminal moment for African culture after years of gestation and ascending visibility in the western world.

The arrival of the full soundtrack has proved that the optimism felt at that time was not unfounded. In a sharp contrast to the Kendrick Lamar-curated soundtrack for the first film, Black Panther: Wakanda Forever - Music From and Inspired By is a full-on deep-dive into the pulse of African and Mexican popular music as we know it. Taking influences from these sources makes sense as the movie is primarily inspired by both Nigerian and Meso-american cultures and we get to see acts like Burna Boy, Fireboy DML, DBN Gogo, and CKay line-up on the musical accompaniment to one of the eagerly-anticipated releases of the year.

To get some perspective on how the African arm of the soundtrack came together, we spoke to The NATIVE’s editor-in-chief, Seni Saraki, who served as the soundtrack album co-producer for the Lagos arm of production, touching on his involvement with the project, its reception, and what he hopes its legacy might be.

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