R&B Singer Kwamie Liv’s Bittersweet Return to Kenya

Kwamie Liv speaks about the Kenya of her youth and the influences on her hazy R&B sound ahead of her Nairobi concert.

Kwamie Liv. Photograph: Brad Ogbonna.

Kwamie Liv embodies the third culture child. The Copenhagen-based R&B singer—who was raised in Zambia & Kenya, but has also lived in Turkey, Sweden, South Africa, Ireland and Bangladesh—has been bubbling since the release of her Lost In The Girl EP and subsequent singles “Higher” and “Pleasure This Pain,” featuring Angel Haze.

Kwamie Liv is now returning to Nairobi for the first time since her childhood to perform at UP Magazine’s DXD Gala Awards on November 14. Ahead of the performance, we spoke with the singer about the Kenya of her youth and the influences on her hazy R&B sound.

Okayafrica: Tell us a bit about your background. You're Danish-Zambian but have lived across several countries?

Kwamie Liv: I grew up moving every few years. Packing up and continuing somewhere new has been a big part of my life. It has both opened the world to me but also left me restless at times.

What brings you to back to Kenya?

I'm back to perform at UP Magazine's Disruption by Design DXD Gala Awards. The event celebrates local innovative design talent with a particular focus on disrupting old models of thinking.

Any spots you're looking forward to visiting again?

Over ten years has passed since I lived here. Driving from the airport yesterday, seeing how many more cars are on the road and how many more buildings are on the ground, I realize it has changed a lot.

We're staying at the beautiful Tribe Hotel, also a relatively new construction, just around the corner from Village Market where I used to hang out a lot as a kid. I almost couldn't recognize it. It's bittersweet.

At the same time, it's clear to me that Nairobi is a place in development. Things are happening here at a fast pace. The creative and entrepreneurial spirit is on fire, and I find that very inspiring.

What would you say are the Zambian or Kenyan influences on your songs? How do you reconcile any African influences with the modern R&B palette you work with?

My time in Kenya was one of absolute innocence and absolute rebellion, a combination I haven't known anywhere since. Songs like “Comin THRU” and “Coming Down” from my Lost in the Girl EP are heavily inspired by that period in my life. Also, being half Zambian and having spent a lot of years on the continent, I think it's inevitable to be influenced. That said, it's not a conscious decision or something I consider in the creative process. For me it's much more about following the inspiration when it's there and not over-thinking or boxing-in the art.

Kwamie Liv Lost In The Girl EP Artwork.

There's a sense of longing throughout recent singles like "Higher" and "Pleasure This Pain." What inspired the songs? How did the Angel Haze collaboration come about?

“Higher” came from a place of vulnerability and love, of acceptance without judgement: it was something I needed to say and also somehow something I needed to hear. “Pleasure this Pain” is different. It's faster, more raw. I knew I wanted to collaborate with Angel and in many ways she helped inspire that song. There is an energy to her that I'm very drawn to without necessarily being able to pin-point it. Our collaboration was born out of an intro-call that turned into a four hour conversation, somewhere in which I sent her the song. She liked it and the rest is history.

How would you describe the Kwamie Liv sound?

Free. Without restriction.

See Kwamie Liv perform on November 14 at Nairobi’s DXD 2015 Gala Awards, tickets are available here.

Still from 'Road to Yesterday'

Kayode Kasum’s Quarantine Watchlist

From 'Wives on Strike' to 'Goodwill Hunting' here's what the Nigerian filmmaker is watching while stuck at home in Lagos.

Kayode Kasum, like most filmmakers, has been stagnated by the coronavirus pandemic. The director behind the blockbuster Sugar Rush and the critically acclaimed Oga Bolaji was working on the post-production of his upcoming movies, The Fate of Alakada: Party Planner and Kambili—a collaboration between FilmOne Entertainment and Chinese Huahua Media— when the Nigerian government announced the lockdown order.

While post-production on Alakada has concluded, the stay-at-home orders have delayed work on Kambili. "Since the team cannot meet at a single point, we are moving hard drives left and right," he says to me over the phone from his home in Lagos. "It is a challenge, but the beautiful thing about a challenge is, when you make it work, it is fulfilling."

Still from 'Kambili'

Kasum has turned to books and films for an escape from the unpleasant realities of the pandemic. "I have been reading Elnathan's books: Born on a Tuesday and Becoming Nigeria," he tells me. "I have also been reading film directing books, Directing Actors by Judith Weston." However, Kasum longs for the movies. "I miss going to the cinemas; I miss that experience," he says. "There are times during this pandemic that I'm like 'na wa o, I wish I can go to the cinema.'"

Below are five films he recommends you watch during this pandemic.

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