Africa In Your Earbuds

AFRICA IN YOUR EARBUDS #62: MARAMZA

Download global future bass producer Maramza's 50-minute mix of Cape Town bass, Jozi hip-hop, Durban kwaito and more.


Cover Artwork by Underdog.

South African global future bass producer Maramza launched his music career as Richard The Third, crafting hip-hop beats for Tumi Molekane and producing a large batch of the tracks on Spoek Mathambo's 2010 debut album. Under his Maramza moniker, the Cape Town-based beatmaker looks to shed his underground hip-hop roots and dive into the SA sounds of kwaito, gqom, and Mzansi rap.

Those sounds are all present in Maramza's 50-minute installment of Africa In Your Earbuds, which the producer describes in an e-mail to Okayafrica as "an all South African mix of Cape Town bass, Jozi hip-hop and Durban kwaito, with sprinklings of gqom, Soulection-style turnup & iKapa rap." On his mix, Maramza kicks things off with Sibot and Okmalumkoolkat's "Nice Shandees," then runs through a host of booming SA joints and his own remixes of Uhuru, Jumping Back Slash, Riky Rick, PHFat and many others. "[This is] Basically some of the music I've been playing," he writes, "and some of the music I will be playing at gigs around the country, from day time outside jams to sweaty late night club sets."

Stream and download AIYE #62: Maramza below and follow the producer on Souncloud / Twitter / Facebook. Check out the mixtape's full tracklist, plus our previous Africa In Your Earbuds releases listed underneath.

Get more African mixtapes from Africa In Your Earbuds:

DOOKOOM — MIKAEL SEIFUGARTH TRINIDAD — DJ SPOKO — CAPTAIN PLANETTHE HAPPY SHOWCLAP! CLAP!DJ GIOUMANNEALEXIS TAYLOR OF HOT CHIP— CARLOS MENA — ZACH COWIE — ELIJAH WOOD — KOOL A.D. — SOL POWER ALL-STARS — DJ NUNAS — NIC OFFER OF !!! — LARRY ACHIAMPONG — KYLA-ROSE SMITH OF FRESHLYGROUND— THE GTW — RADIO TANZANIA — JON THEODORE — DESMOND & THE TUTUS — MATHIEU SCHREYER II — YOUNG FATHERS — BBRAVE OF AKWAABA — OLD MONEY — DJ NEPTUNE — SAHEL SOUNDS — BEATENBERG — M1 [DEAD PREZ] — BODDHI SATVA — L’AFRIQUE SOM SYSTEME — NOMADIC WAX —  THE BROTHER MOVES ON — LV — BEN ASSITER [JAMES BLAKE’S DRUMMER] — JAKOBSNAKE — CHRISTIAN TIGER SCHOOL — SAUL WILLIAMS — TUNE-YARDS — MATHIEU SCHREYER — BLK JKS — ALEC LOMAMI — DJ MOMA — AWESOME TAPES FROM AFRICA — PETITE NOIR — OLUGBENGA — RICH MEDINA — VOICES OF BLACK — LAMIN FOFANA — CHICO MANN — DJ UNDERDOG — DJ OBAH — SABINE — BROTHA ONACI — DJ AQBT — JUST A BAND — STIMULUS — QOOL DJ MARV — SINKANE — CHIEF BOIMA

Popular
Photo by KOLA SULAIMON/AFP via Getty Image

#EndSARS: 1 Year Later And It's Business As Usual For The Nigerian Government

Thousands filled the streets of Nigeria to remember those slain in The #LekkiTollGateMassacre...while the government insists it didn't happen.

This week marks 1 year since Nigerians began protests against police brutality and demanded an end to the Special Anti-Robbery Squad (SARS). The #EndSARS protests took the world by storm as we witnessed Nigerian forces abuse, harass and murder those fighting for a free nation. Reports of illegal detention, profiling, extortion, and extrajudicial killings followed the special task force's existence, forcing the government to demolish the unit on October 11th, 2020. However, protestors remained angered and desperate to be heard. It wasn't until October 20th, when soldiers opened fire on demonstrators at Lekki tollgate in the country's capital, Lagos, that the protests came to a fatal end. More than 56 deaths from across the country were reported, while hundreds more were traumatized as the Nigerian government continued to rule by force. The incident sparked global outrage as the Nigerian army refused to acknowledge or admit to firing shots at unarmed protesters in the dead of night.

It's a year later, and nothing has changed.

Young Nigerians claim to still face unnecessary and violent interactions with the police and none of the demands towards systemic changes have been met. Fisayo Soyombo the founder of the Foundation for Investigative Journalism, told Al Jazeera, "Yes, there has not been any reform. Police brutality exists till today," while maintaining that his organization has reported "scores" of cases of police brutality over this past year.

During October 2020's protests, Nigerian authorities turned a blind eye and insisted that the youth-led movement was anti-government and intended to overthrow the administration of current President Muhammadu Buhari. During a press conference on Wednesday, in an attempt to discredit the protests, Minister of Information and Culture Lai Mohammed hailed the Nigerian army and police forces for the role they played in the #EndSARS protests, going as far as to say that the Lekki Toll Massacre was a "phantom massacre with no bodies." These brazen claims came while protesters continued to gather in several major cities across the country. The minister even went on to shame CNN, Nigerian favorite DJ Switch as well as Amnesty International, for reporting deaths at Lekki. Mohammed pushed even further by saying, "The six soldiers and 37 policemen who died during the EndSARS protests are human beings with families, even though the human rights organizations and CNN simply ignored their deaths, choosing instead to trumpet a phantom massacre."

With the reports of abuse still coming out of the West African nation, an end to the struggle is not in sight. During Wednesday's protest, a journalist for the Daily Post was detained by Nigerian forces while covering the demonstrations.

According to the BBC, additional police units have been set up in the place of SARS, though some resurfacing SARS officers and allies claim to still be around.

Young Nigerians relied heavily on social media during the protests and returned this year to voice their opinions around the first anniversary of an experience that few will be lucky enough to forget.



get okayafrica in your inbox

popular.

How CKay's 'Love Nwantiti' Became the World's Song

Nigerian singer and producer CKay talks to OkayAfrica about the rise of his international chart-topping single "Love Nwantiti," his genre-defying sound and the reasons behind this era of afrobeats dominance.