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Music's Political Wit (No, Not Mitt)

Okayafrica's compilation of the wittiest (and downright ridiculous) examples of African political music.


This year’s US presidential election has featured an array of musicians, and their offerings have revealed a fine line between entertainment and aural assault. Mitt Romney stood by as Meatloaf mauled "America the Beautiful," a painful succession of moments that amplified the question surrounding Mitt’s good sense. The musical situation on the other side of the political divide was slightly better: Barack Obama enlisted Jay-Z, whose famed lyrical dexterity gave way to the kind of arthritic wordplay that substitutes "bitch" for "Mitt."

As an antidote, we’ve compiled a few of the wittiest (and downright ridiculous) examples of political music. Unlike most of what we’ve seen on this year’s campaign trail, these artists find ways of commenting on their social and political contexts with thought, nuance, and humour.

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Tha Suspect, "SUBsidy"

At the height of January's Occupy Nigeria protests, Nigerian artist Tha Suspect stepped into Fela's pants to address President Goodluck Jonathan’s withdrawal of the fuel subsidy and to denounce government minister’s huge budget allocations. The song also called out D'Banj's unintentionally hilarious song in support of Jonathan's presidency.

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Wanlov the Kubolor, "Green Card Freestyle"

Mitt Romney closed out last month’s foreign policy debate by calling the US the ‘hope of the earth’, drawing from the fount of US exceptionalism that inspired much of what was said that night. Wanlov’s freestyle for BBC 1Xtra insists on telling a much more difficult story of life in America from a migrant’s perspective. If Amiri Baraka (& Gil Scott Heron & Kanye West) asked "who will survive in America?" then Kubolor’s searing verses outline the many ironies and compromises involved in that survival:

To be legal you’ve got to be marry, or you could join the navy,

But you don’t want to kill Iraquis, coz life is worth more than some khakis

So I guess you’ve got limited options coz Uncle Sam don’t do adoption

Unless you a basketball or soccer star, footballer …

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The Very Best, "Yoshua Alikuti"

Back in April this video set the blogosphere abuzz because of its playful riff on Lil Wayne’s topless strutting in his "A Milli" video. "Yoshua Alikuti" also riffs on a song by Malawian singer Phungu Joseph Nkasa titled "Mosa wa Lero" which hails former Malawian President Bingu Wa Mutharika as the Moses of his people. Nkasa came to regret the song and publically denounced Mutharika as a despot, but The Very Best added a playful slant to the idea of Bingu-as-Moses. The title of the song in English asks "Where is Joshua?," recalling that it was Joshua, not Moses, who led his people out of the desert.

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Kaleta & Zozo Afrobeat, "Country of Guns"

With its Afrobeat stylings, this track from Kaleta and his New York ensemble rebrands the United States as the "country of guns," the lyrics highlighting the irony that the nation is home to "250 million people and 250 billion" firearms. The song resonates given this year’s mass shootings at the Aurora movie theatre in Denver and at Wisconsin’s Sikh temple. Instead of mobilizing a concerted political movement for tighter gun controls, much of the discussion that followed examined the gunmen’s mental states and motivations. Kaleta's track suggests the costs of this peculiarly American understanding of liberty.

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Sister Deborah, "Uncle Obama"

This offering from the sister of FOKN Bois' Wanlov speaks for itself. But think of all the cash that could have been saved on campaigning if Obama's people had got wind of this sooner.

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Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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