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The Netherlands Will Return an Eighteenth-Century Crown to Ethiopia

The priceless crown was found by a former refugee who hid it in his apartment for two decades.

An eighteenth-century Ethiopian crown has been in the possession of Sirak Asfaw, a former refugee and now Dutch citizen, for the past twenty years. The AFP reports that Asfaw discovered the stolen crown in a suitcase that had been left by one one of many fellow Ethiopian guests who passed through his apartment in Rotterdam, Netherlands. After Prime Minister Abiy Ahmed was elected to power in April 2018 and parliament went on to appoint Sahle-Work Zewde as Ethiopia's first woman president in October of the same year, Asfaw was confident that the crown would not "disappear" again when it was returned home.


The ornate copper-gilded Ethiopian crown features an image of the Holy Trinity as well as Jesus' apostles and is thought to be one of twenty currently in existence according to the BBC. It is also thought that the crown may have been gifted to a church by the warlord, Welde Sellase, a couple hundred years ago. Describing his discovery of the priceless artifact, Asfaw says that, "I looked into the suitcase and saw something really amazing and I thought 'this is not right. This has been stolen. This should not be here. This belongs to Ethiopia." He adds that, "But I knew if I gave it back, it would just disappear again."

Asfaw then contacted Arthur Brand who is known as the "Indiana Jones of the art world". Brand immediately sought permission from Dutch authorities to have the crown placed in a highly secured facility until its authenticity has been verified by both the Dutch and Ethiopian governments before its return to Addis Ababa. Describing the crown itself, Brand says that, "It's an a amazing piece. It's very big, I feel pity for the people who had to wear it on their heads because when you wear this for a couple of hours your neck hurts."

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Sarkodie Is Not Feeling Any Pressure

The elite Ghanaian rapper affirms his king status with this seventh studio album, No Pressure.

Sarkodie is one of the most successful African rappers of all time. With over ten years of industry presence under his belt, there's no question about his prowess or skin in the game. Not only is he a pioneer of African hip-hop, he's also the most decorated African rapper, having received over 100 awards from close to 200 nominations over the span of his career.

What else does Sarkodie have to prove? For someone who has reached and stayed at the pinnacle of hip-hop for more than a decade, he's done it all. But despite that, he's still embracing new growth. One can tell just by listening to his latest album, No Pressure, Sarkodie's seventh studio album, and the follow-up to 2019's Black Love which brought us some of the Ghanaian star's best music so far. King Sark may be as big as it gets, but the scope of his music is still evolving.

Sonically, No Pressure is predominantly hip-hop, with the first ten tracks offering different blends of rap topped off with a handful of afrobeats and, finally, being crowned at the end with a gospel hip-hop cut featuring Ghanaian singer MOG. As far as the features go, Sark is known for collaborating mostly with his African peers but this time around he branches out further to feature a number of guests from around the world. Wale, Vic Mensa, and Giggs, the crème de la crème of rap in America and the UK respectively all make appearances, as well as Nigeria's Oxlade, South Africa's Cassper Nyovest, and his fellow Ghanaian artists Darkovibes and Kwesi Arthur.

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