Prêt-À-Poundo: David Tlale at Lincoln Center [NYFW]

This piece is about the presentqtion of fashion designer David Tlale during New York Fashion Week at Lincoln Center February 2013.

*Model Maya Samuelsson and Chef Marcus Samuelsson

All pictures by Paul Gor.

South African designer David Tlale utilizes the elements of surprise and expertise as a way to make you travel though his creations & innovations, which have managed to captivate the attention of the fashion industry. Tlale is an acclaimed fashion designer whose work has been published in many magazines and featured prominently in the media.

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*Model Maya Samuelsson and David Tlale

Using the same configuration as last September, the layout of David Tlale's exhibition was static, reflecting Tlale's detailed work in an intimate atmosphere at Lincoln Center during New York Fashion Week. Using static models was key to ensure a real appreciation of his new collection.; it served as a way to see the entire collection in the same room and have the option to slowly absorb the details of each piece and garment, as well as have a close look through the beautiful attire.

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Tlale's attention to detail and material reveals that nothing has been left to chance. Every detail of any garment communicated the spirit of the model wearing it. Over the past decade, Tlale continues to dazzle the industry and has provided substantial input in the development of global attention about designers from Africa. This Fall collection called Decadence was an inspiring and inclusive celebration of his last decade in fashion. Tlale explained it saying, "10 years of elegance, opulence and the magnificence... this is our tenth year anniversary, we are celebrating in decadence."

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Tlale showcased a modern queen and rightfully portrayed a fulfilled woman who loves to draw attention to her sophisticated good taste. We saw remarkable tailoring for beaded dresses and skirts in a color palette ranging between  gold, deep red, beige and brown. By combining traditional values, cutting-edge couture, craftsmanship and innovation, David Tlale illustrates modernity and timeless elegance.

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6 Samples From 'Éthiopiques' in Hip-Hop

A brief history of Ethio-jazz cultural exchange featuring songs by Nas & Damian Marley, K'naan, Madlib and more.

This article was originally published on OkayAfrica in March, 2017. We're republishing it here for our Crossroads series.

It's 2000 something. I'm holed up in my bedroom searching for samples to chop up on Fruity Loops. While deep into the free-market jungle of Amazon's suggested music section, I stumble across a compilation of Ethiopian music with faded pictures of nine guys jamming in white suit jackets. I press play on the 30 second sample.

My mind races with the opportunities these breakbeats offered a budding beat maker. Catchy organs, swinging horns, funky guitar riffs, soulful melodies and grainy and pained vocalists swoon over love lost and gained. Sung in my mother tongue—Amharic—this was a far cry from the corny synthesizer music of the 1990s that my parents played on Saturday mornings. I could actually sample this shit.

The next day, I burn a CD and pop it into my dad's car. His eyes light up when the first notes ooze out of the speakers. “Where did you get this?" He asks puzzlingly. “The internet," I respond smiling.

In the 1970s my dad was one of thousands of high school students in Addis Ababa protesting the monarchy. The protests eventually created instability which lead to a coup d'état. The monarchy was overthrown and a Marxist styled military junta composed of low ranking officers called the Derg came to power. The new regime subsequently banned music they deemed to be counter revolutionary. When the Derg came into power, Amha Eshete, a pioneering record producer and founder of Ahma Records, fled to the US and the master recordings of his label's tracks somehow ended up in a warehouse in Greece.

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