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Win Tix to 'Mic Check: Hip-Hop From N. Africa & The Middle East' at BAM!

Win a pair to Tickets to 'Mic Check: Hip Hop from North Africa and the Middle East' 7-9th March 2013 to see Shadia Mansour, Deeb, El Général, Amkoullel


This week, some of the dopest Arabic MCs will descend on Brooklyn, NY. BAM has paired up with curator Zeyba Rahman to present Mic Check: Hip-Hop from North Africa and the Middle East to bring Mali's Amkoullel, Egypt's Deeb,  Shadia Mansour from the UK and Palestine, and Tunisia's El Général together to talk about their work, the social and political change sweeping the Arabic-speaking world, and to perform live.

Banned, exiled and imprisoned for their political defiance, these four artists share a commitment to conveying their realities through hip-hop. Okayafrica is giving away a pair of tickets to one lucky winner who'll attend the talk on Thursday March 7th, 7pm and the live show on Saturday March 9th, 7:30pm. To win, tweet us @Okayafrica with hashtag #MicCheckBK by 9AM Thursday 7th. Read a little about the artists here and good luck!

SHADIA MANSOUR

Born in London to Palestinian parents, Shadia Mansour grew up listening to and singing music in Arabic. She began rapping in Arabic 'as a hobby' before deciding to 'claim a voice and identity'. That voice was Arabic and the identity Palestinian. Avoiding the pressure many non-white first-generation Brits feel to call themselves British and nothing else, the young emcee began rapping in Arabic and make representing the daily realities of Palestinian life the driving force of her creative output. Often dubbed the first lady of Arabic hip hop Shadia has collaborated with Narcysist and M1 of Dead Prez.

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DEEB

Born in Cairo in 1984, Deeb cut his teeth with Egyptian hip hip ground Asfalt. He's been making waves since then and is currently working on his solo EP 'Cairofornia'. He is passionate about hip hop, and his work harnesses the form's power as a 'language for resistance against cultural, ethnic or social discrimination and corruption.' He affords that power to 'the spirit of its roots' in African American culture, paying homage to the black Americans who found power in rap to speak out against oppression. For him the most remarkable thing about the January 25 demonstrations was that Egyptians 'broke the fear barrier'. His music was very much part of the movement; marching with protestors he heard the lyrics to his track 'Stand up Egypt' being sung.

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AMKOULLEL

Amkoullel is one of the best-known hip hop artists out of Mali, and he's been passionate about the form for a long time. At 13 he was banned from Malian radio for his forthright, critical rhymes, and a year later he was using scholarship money to stage his own rap concert. Naturally, he's been very vocal about the situation in northern Mali which he sees as a threat to democracy and Malian sovereignty. In response, he formed the collective Plus Jamais Ça (Never Again), and on April 25th 2012 gathered 1500 people to form a human chain to symbolise solidarity with the population of the North. His track S.O.S. attempts to bring awareness to the gravity of the situation in northern Mali and

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EL GÉNÉRAL

On December 24, 2010 El Général was arrested by the Tunisian police and imprisoned for three days. Two days before, the second of his protest songs - his track 'Tunisia Our Country' - had been released. The first, 'Rais Lebled' an angry protest banger, that addresses the Tunisian head of state (then NAME), has been described as the 'anthem of Tunisia's Jasmine Revolution'. Catch this revolutionary while he's around: Mic Check is El Général's US debut.

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Interview
Photo: Benoit Peverelli

Interview: Oumou Sangaré Proves Why She's the Songbird of Wassoulou

We caught up with the Malian singer to talk about her new Acoustic album, longevity as an artist, and growing up in Mali.

When Oumou Sangaré tells me freedom is at her core, I am not surprised. If you listen to her discography, you'll be hard-pressed to find a song that doesn't center or in some way touch on women's rights or child abuse. The Grammy award-winning Malian singer has spent a significant part of her career using her voice to fight for the rights of women across Africa and the world, a testimony to this is her naming her debut studio album Moussolou, meaning Woman. The album, a pure masterpiece that solidified Oumou's place amongst the greats and earned her the name 'Songbird of Wassoulou,' was a commercial success selling over 250,000 records in Africa and would in turn go on to inspire other singers across the world.

On her latest body of work Acoustic, a reworking of her critically acclaimed 2017 album Mogoya, Oumou Sangaré proves how and why she earned her accolades. The entirety of the 11-track album was recorded within two days in the Midi Live studio in Villetaneuse in 'live' conditions—with no amplification, no retakes or overdubs, no headphones. Throughout the album, using her powerful and raw voice that has come to define feminism in Africa and shaped opinions across the continent, Oumou boldly addresses themes like loss, polygamy and female circumcision.

We caught up with the Malian singer at the studio she is staying while in quarantine to talk about her new album, longevity as an artist, and growing up in Mali.

This interview has been edited and condensed for clarity.

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