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Photo by JP Yim/Getty Images.

Ozwald Boateng's Fashion Show at the Apollo Was an Exploration of Authentic Identity

The Ghanaian-British designer presented a new collection inspired by his African roots and the Harlem Renaissance.

Ozwald Boateng, the Ghanaian-British fashion designer known for his meticulous bespoke suits, recently held a fashion show at the iconic Apollo Theater in partnership with social networking platform, Vero.

When he made the announcement of the show, the designer floated around the abbrevation "AI" which we all know as "artificial intelligence," but this time, however, it was intended to stand for "authentic identity," CNN reports.

The models casted were a diverse multigenerational array of who's who in fashion, music and in Black Hollywood including Michael K. Williams, Jidenna, Adesuwa Aighewi, Aldis Hodge, Jo-Ani Johnson and more. They donned Boateng's classic three-piece suits as well as silk ensembles with wax print-inspired ensembles, Ethiopian-inspired jewlery across hues of greens, blues, earth-tones, grey and white.

"We live in a time where Authentic Identity is becoming a crucial part of who we are and the journey we are on," Boateng says to CNN.

Take a look at a few of our favorite looks below.


Photo by JP Yim/Getty Images.

Photo by JP Yim/Getty Images.

Photo by JP Yim/Getty Images.

Photo by JP Yim/Getty Images.

Op-Ed
Photo by Stephane Cardinale - Corbis/Corbis via Getty Images.

Black Women Are the Future of French Cinema—When Will Cannes Catch Up?

In this op-ed, OkayAfrica contributor Aude Konan reflects on the progression of diversity in French cinema a year after the Noire N'est Pas Mon Métier demonstration at Cannes Film Festival.

A year ago, 16 French actresses of African descent walked the red carpet at Cannes to talk about a new project they authored, Noire N'est Pas Mon Métier (Being Black Is Not My Job), where they shared their experiences with racism and sexism in the film industry.

In an era where the movements #MeToo and #OscarsSoWhite gained global momentum and led to some change in the Academy Awards, it was a first considering that outside of Aissa Maïga, French actresses seldom get any visibility and speaking out against racism put them at risk of being blacklisted, like the actor Luc Saint Eloi's unfortunate experience 20 years ago.

The red carpet moment was generally well received in France and in the rest of the world, with the main actresses getting large media coverage with features in Le Monde, Le Figaro and even Vogue U.S. The presidents of the Cannes Film Festival welcomed the actresses. No promises were made by any of the gatekeepers in French cinema, but the actresses were hopeful.

Since the book's release, the actresses have been busy working, some of them lucky enough to be able to portray fully fledged characters, others being reduced to play the "black woman" stereotype over and over again. Recently, one of them, Karidja Touré, well known for being in the film Girlhood, mentioned that she was pretty good at mimicking an "African accent." Semantics aside—and the fact that there is no such a thing as an African accent, as Africa is still not a country—it is pretty revealing: despite the wonderful coverage these actresses had, has the movement contributed to any change?

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Walshy Fire, Ice Prince & Demarco's 'Round of Applause' Will Soundtrack Your Summer

PREMIERE: New heat from the Major Lazer producer & DJ.

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Akwaeke Emezi's 'Freshwater' Is Being Developed Into a Series for FX

The adaptation is in early development as the Nigerian author teams up with screenwriter and director Tamara P. Carter to bring 'Freshwater' to life.

Akwaeke Emezi's debut, Freshwater, took the literary world by storm when it was released just last year.

We can now anticipate seeing the book be brought to live for TV. Their autobiographical novel is now in the early stages of being developed into a series for FX, Variety reports.

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