Photos: OKAYSUMMER! 2011 Party Blow Out Photo Re-Cap

We hate to rub it in, but if you missed our OKAYSUMMER! Pop-Up Party this past Saturday (8/20) you slept on possibly the funnest event of the summer (and yes, I mean FUNNEST!).  With a sizzling hot cast of music makers, including Just A Band (Kenya) - with their FIRST U.S. performance (!!), Bajah + the Dry Eye Crew (Sierra Leone), DJ Gravy (Rice N Peas, LargeUp), DJ MoMa, Sinkane - pictured above (Yeasayer), Little Shalimar (Chin Chin, Reverend Vince, Big Mono), Saarid (Throne of Blood, VHS or Beta), and Jaleel Bunton (TV on the Radio) - and dumpster diving pools, girls in swimsuits, boys in Speedos, badminton, ping pong, Sangria, photo booths, fire spinning, fashion shows, and plenty of debauchery - let's just say some of us (ahem...) are still hung over.  Two days later.  If you were there, relive the action with our stunning photo series, thanks to Lauren Silberman and The Self-Portrait Project, below - if you weren't able to make it, these flicks will take you there.  Big up to our fam-a-lam Okayplayer and LargeUp, and our co-party-throwers The Danger and 3rd Ward.

OKAYSUMMER! photos by Lauren Silberman


OKAYSUMMER! photos by The Self-Portrait Project


Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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