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Que Bajo Records Releases 'Angola Ting' EP Perfectly Timed with the Afro-Latino Fest in NYC

NYC global bass pioneers Uproot Andy and Geko Jones retrace Semba’s Trans-Atlantic roots in Cuban rumba.

Que Bajo Records drops Angola Ting EP, featuring two golden-era, Angolan semba tracks remixed by New York global bass pioneers Uproot Andy and Geko Jones.


Their releases are aptly timed with the 3-day long Afro-Latino Festival happening in NYC this weekend.

The producer-DJs retrace the roots of Semba—traditional and modern Congolese and Angolan tango—and its trans-Atlantic connection to Cuba’s rumba, but in a modern framework.

“Angolan semba has what seems to be a very Latin sound to our ears and aside from just loving these songs we felt they worked really well in our dj sets as a bridge between Latin music and African music,” Uproot Andy and Geko Jones tells Okayafrica in a statement. “Remixing these tracks seemed like a perfect way to both recall the historical connection and also bring together modern Latin and African electronic music.”

Angola Ting EP is characterized by Afro-house and Dominican dembow rhythms that not only bang in the club but also honor the swing and emotion of the originals.

Be sure to hit up the Afro-Latino Festival from July 8 to 10, featuring stage acts Nina Sky, Maluca, Nickodemus, Rich Medina, Madame Vacile, El Freaky Colectivo, DJ Jigüe, Bulla el Barrio and QUE BAJO?! resident and co-founder GekoJones. In the meantime, check out Uproot Andy and Geko Jones’ jams below:

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Idris Elba Teams Up With Wiley, Sean Paul and Steflon Don on New Banger 'Boasty'

Yes, Idris Elba makes music too.

After it was announced earlier this month that Idris Elba is one of the many musical acts performing at Coachella this year, some folks on the internet were surprised to discover that the celebrated actor also makes music.

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Featuring Falz, M.I Abaga, Ice Prince, Poe, and more.

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Op-Ed: Cassper Nyovest Says His Latest Album Is a Game Changer (It’s Not and Here's Why)

Sweet and Short is a great moment for South African hip-hop, but Cassper Nyovest is far from breaking any new ground sonically or culturally.

Sweet and Short, Cassper Nyovest's fourth album in as many years, sees the South African hip-hop superstar facing an existential crisis of sorts. He dubs his album a game changer, one that's revolutionizing South African hip-hop. Whether he does so or not is part of a larger question around his music, as an artist perpetually in between genres.

Whatever our evaluation of his musical output or the extent to which we measure his impact, what Sweet and Short highlights is how imperative music descriptors have become in Cassper's quest to stand out. This ironically devalues the very descriptors he employs in his attempt to do so. The problematizing that Cassper Nyovest (unintentionally) represents is not a new circumstance for two genres with a long love-hate relationship.

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