Events

Live Video Stream: Red Hot + FELA LIVE! [7/24]

Red Hot + FELA LIVE! in NYC.


Red Hot + FELA LIVE! will be live-streaming on OKA on Wednesday, July 24th. Watch below beginning at 7:30PM EST and join the twitter conversation via the hashtag #LCStream.

The show will unite Afrobeat and indie school to keep the spirit of Fela Kuti alive, boasting an OKA-approved roster that includes pioneer of afrobeat percussion (and Fela's master drummer) Tony Allen, Congolose word crooner Baloji, Sudanese afro-indiedarlings Sinkane, and super-group Superhuman Happiness — which unites members of Antibalas, tUnE-yArDs, and Iron + Wine. We do have some news — additions are AIYEA curator M1 (of dead prez), Sierra Leone's highness of good vibes Bajah (of The Dry Eye Crew), and Rubblebucket's Alex Toth. Kyp and Tunde of TVOTR are no longer performing. Another show highlight will feature the concert premiere of music from the Oscar-nominated documentary How to Survive a Plague, composed by Luke O’Malley and Antibalas' Stuart Bogie, played for the first time live by Superhuman Happiness and Kronos Quartet.

Red Hot + FELA LIVE! with Tony Allen, Superhuman Happiness with Baloji, Abena Koomson, Kronos Quartet, M1 (of dead prez), Sahr Ngaujah (star of Broadway’s Fela!), Sinkane, and Alex Toth and Kalmia Traver (of Rubblebucket). Musical Director: Stuart Bogie

Wed, July 24, 7:30pm

Damrosch Park Bandshell

Audio
Photo by Olukayode Jaiyeola/NurPhoto via Getty Images.

How Davido's 'FEM' Became the Unlikely #EndSARS Protest Anthem

When Nigerian youth shout the line "Why everybody come dey para, para, para, para for me" at protests, it is an act of collective rebellion and rage, giving flight to our anger against the police officers that profile young people, the bureaucracy that enables them, and a government that appears lethargic.

Some songs demand widespread attention from the first moments they unfurl themselves on the world. Such music are the type to jerk at people's reserves, wearing down defenses with an omnipresent footprint at all the places where music can be shared and enjoyed, in private or in communion; doubly so in the middle of an uncommonly hot year and the forced distancing of an aggressive pandemic that has altered the dynamics of living itself. Davido's "FEM" has never pretended to not be this sort of song. From the first day of its release, it has reveled in its existence as the type of music to escape to when the overbearing isolation of lockdown presses too heavily. An exorcism of ennui, a sing-along, or a party starter, "FEM" was made to fit whatever you wanted it to be.

However, in the weeks since its release, the song has come to serve another purpose altogether. As young Nigerians have poured out into the streets across the country to protest against the brutality of the Federal Special Anti-Robbery Squad, known as SARS, "FEM" has kept playing with the vigour of a generational protest anthem. From Lagos to Abia to Benin and Abuja, video clips have flooded the Internet of people singing word-for-word to Davido's summer jam as they engage in peaceful protests. In one video, recorded at Alausa, outside the Lagos State Government House, youths break into an impromptu rendition of the song when the governor of the state, Babajide Sanwo-Olu, tried addressing them; chants of "O boy you don dey talk too much" rent through the air, serving as proof of their dissatisfaction with his response to their demands—and the extortionist status quo.

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