News

Remembering Papa Wemba: Style Icon And The King Of Congolese Rumba

Papa Wemba died while performing on stage this past Sunday in Abidjan.

Photo courtesy of Dicap Ipups.


The world mourns another musical pillar of the continent this week—Papa Wemba. Also known as Jules Shungu Wembadio Pene Kikumba, the musician and style icon hailed from the Democratic Republic of Congo and transfixed Africa and the francophone world with his unique voice, creativity and stage presence.

The start of the 1950s was marked by the flourishing of Congolese rhumba music or soukous. In the 1970s, Papa Wemba's creative spirit catapulted that genre to new heights. He illuminated souls with his fusion of Latin, rock, and traditional African music. His light shined like that of the musical greats of the African continent such as Miriam Makeba, Fela Kuti and Manu Dibango. His emotional and distinctive voice would serve as a bridge from the continent to the world. He would influence artists after him like Koffi Olomide, Angelique Kidjo, and Stromae.

Le Roi de la SAPE or the "King of the SAPE" created a movement that inspired young men to spend their money on designer clothes. The Société des Ambianceurs et des Personnes Élégantes (The Society of Ambiance-Makers and Elegant People) donned Cavalli, Versace, Burberry, and Miyake to dignify themselves and transcend the poverty that was rampant in their existence. In the documentary, The Importance of Being Elegant, the leader of the movement describes kitendi, Lingala for "cloth," as a religion. If you are unsure of just how influential this man was, watch Solange’s Losing You video or the Guinness Sapeurs ad series to see just how far his reach has spanned.

Last Sunday, on April 24, 2016, he collapsed to his death on stage while performing at a festival in Abidjan, Côte d’Ivoire. Kinshasa mourned. Africa mourned. We were eerily reminded earlier this year that this was the way the 66-year-old wanted to go when he stated in an interview with Ivorian TV presenter Serge Fatoh Eleingan:

My last concert will be where I go. I will reveal that sometimes at concerts, I feel like I am floating. Perhaps, one day I will go like this.

I will remember dancing to his music videos at the age of seven. I will remember my father harmonizing to his songs on drives to high school. I will remember my mother closing her eyes as she listens to “Yolele.” We will continue to hear his voice for years to come and be reminded of the vibrant artistry that can be birthed from a continent deemed dark too often.

Audrey Lang is an alumna of Northeastern University and a Boston-based site merchandiser at All Modern. A surveyor of life who's enamored with all things fashion, art and Africa, keep up with her on Instagram and Tumblr.

Interview

A Candid Conversation With Olamide & Fireboy DML

We talk to the Nigerian stars about the hardest lessons they've learned, best advice they've ever been given and what Nigeria means to them.

Olamide and Fireboy DML have been working together for three years, but the first time they sit down to do an interview together is hours after they arrive in New York City on a promo tour.

It's Fireboy's first time in the Big Apple — and in the US — and the rain that's pouring outside his hotel doesn't hinder his gratitude. "It's such a relief to be here, it's long overdue," he tells OkayAfrica. "I was supposed to be here last year, but Covid stopped that. This is a time to reflect and refresh. It's a reset button for me."

Olamide looks on, smiling assuredly. Since signing Fireboy to his YBNL Nation label in 2018, he's watched the soulful young singer rise to become one of Nigeria's most talked-about artists — from his breakout single, "Jealous," to his debut album Laughter, Tears & Goosebumps, hit collabs with D.Smoke and Cuppy, and his sophomore release, Apollo, last year.

Even while he shares his own latest record, UY Scuti, with the world, Olamide nurtures Fireboy's career with as much care and attention as he does his own, oscillating between his two roles of artist and label exec seamlessly. His 2020 album Carpe Diem is the most streamed album ever by an African rap artist, according to Audiomack, hitting over 140 million streams. When Olamide signed a joint venture with US-based record label and distribution company, Empire, in February last year he did so through his label, bringing Fireboy and any other artist he decides to sign along for the ride, and establishing one of the most noteworthy deals on the continent.

Below, Olamide & Fireboy DML speak to OkayAfrica about their mutual admiration for each other, what makes them get up in the morning and how they switch off.

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