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Watch Seun Kuti's 'A Long Way To The Beginning' LP Trailer

Watch the trailer for Seun Kuti's upcoming "A Long Way To The Beginning" album featuring Robert Glasper.


Seun Kuti & Egypt 80's third studio album A Long Way To The Way Beginning, co-produced by Robert Glasper, promises to be a politically-charged modern afrobeat affair that reshapes his father's message for the present. We've seen the video for "IMF" featuring M1 of Dead Prez, a direct jab at the International Monetary Fund’s meddling in the Nigerian economy, and look forward to additional album collaborations with Nneka and Blitz the Ambassdador. “This album is a soundtrack for the mindset of most young people in Africa today,” mentions Seun, “As African youth we have to stand for what we want.” Watch the album trailer for A Long Way To The Way Beginning, featuring song clips from the album as well as interviews with Seun Kuti and Robert Glasper, below.

Music
Photo by Don Paulsen/Michael Ochs Archives/Getty Images

Hugh Masekela's New York City Legacy

A look back at the South African legend's time in New York City and his enduring presence in the Big Apple.

In Questlove's magnificent documentary, Summer of Soul, he captures a forgotten part of Black American music history. But in telling the tale of the 1969 Harlem Cultural Festival, the longtime musician and first-time filmmaker also captures a part of lost South African music history too.

Among the line-up of blossoming all-stars who played the Harlem festival, from a 19-year-old Stevie Wonder to a transcendent Mavis Staples, was a young Hugh Masekela. 30 years old at the time, he was riding the wave of success that came from releasing Grazing in the Grass the year before. To watch Masekela in that moment on that stage is to see him at the height of his time in New York City — a firecracker musician who entertained his audiences as much as he educated them about the political situation in his home country of South Africa.

The legacy Masekela sowed in New York City during the 1960s remains in the walls of the venues where he played, and in the dust of those that are no longer standing. It's in the records he made in studios and jazz clubs, and on the Manhattan streets where he once posed with a giant stuffed zebra for an album cover. It's a legacy that still lives on in tangible form, too, in the Hugh Masekela Heritage Scholarship at the Manhattan School of Music.

The school is the place where Masekela received his education and met some of the people that would go on to be life-long bandmates and friends, from Larry Willis (who, as the story goes, Masekela convinced to give up opera for piano) to Morris Goldberg, Herbie Hancock and Stewart Levine, "his brother and musical compadre," as Mabusha Masekela, Bra Hugh's nephew says.

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