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Seun Kuti.

Seun Kuti's 'Black Times' Is About "Knowing Who You Are As A Motherland Person In This World Today"

We interview Fela's youngest son about his highly-political new album and collaborating with Carlos Santana & Yasiin Bey.

Seun Kuti is back.

Fela's youngest son has just released his new album, Black Times, a potent afrobeat excursion alongside Egypt 80, his father's former band, which Seun's been leading since he was only 14. The now 35-year-old vocalist and saxophone player's latest record features 8 finely-crafted afrobeat songs alongside contributions from the likes of Carlos Santana and Robert Glasper.

"Black Times is a true reflection of my political and social beliefs," Seun mentioned with the release of the album's title track. "It is an album for anybody who believes in change and understands the duty we have to rise up and come together. The elites always try to divide the working class and the poor people of the world. The same oppression felt by workers in Flint, Michigan is felt by workers in Lagos and Johannesburg."


"We are all capable of change, us iron people, us workers. Black Times is the sound of the people, and a weapon of the future. The big picture needs more colour," says Seun.

Read ahead for our talk with Seun about the new album, the current political situation in Nigeria and the world, and his possible collaboration with Yasiin Bey.

Let's start with the title. Why did you call the new album Black Times?

Well, the song "Black Times," was inspired by a moment of clarity for me. So, Black Times is like an emotional state of mind. Something like a happy time, or a sad time, but that moment when you understand your history from our own perspective, knowing who you are as a Motherland person in this world today.

"'Black Times' is like an emotional state of mind... [it's] that moment when you understand your history from our own perspective, knowing who you are as a Motherland person in this world today."

You've said that Black Times is also a true reflection of you political and social beliefs. How have current political situations across the world influenced it?

For me, the current political situations in the world are manifestations of past policies on actions. Everything has a source, you know. The problem we have in the world is that nobody takes anything serious until they are personally affected. We no longer see our connection as humanity—we just see us and them. That's how the world is run today. Historical understanding has given me this complete view that I"m willing to express musically, also culturally and politically as well.

How do you see the current political situation in Nigeria? What are the main challenges for the country today?

Like many Motherland nations all over the world our problem is neocolonialism and imperialism still. I think that's the majority of the things that are holding us back. In my country, for example, we're ruled by people who are enemies of our country, if I can put it that way. You have the understand that the Nigerian army used to be the West African Frontier Force (WAFF), who were the protectors of the colonialists. Their job from day one has been to murder, maim, enslave, capture, oppress Motherland people. This WAFF were the same people that turned into the Nigerian army and many of the military in this region—all over Africa its the same.

These military people usurped power from the real nationalists. After a few years of Nkrumah ruling Ghana, or we having our independence in Nigeria, most African countries were heavily criticized by the West as having wrong economic policies. This empowered and strengthened members of the former WAFF and created coups all over Africa. These people who have been trained to ruin and destroy Africa and its people are the ones ruling Africa today. And that's still the same mentality they perpetuate and promote today with the media, their music, movies, and religion. Its that same imperialist agenda that's being enforced in Africa, but only now being it's being enforced by people who look like us.

"These people who have been trained to ruin and destroy Africa and its people are the ones ruling Africa today."

I think that's the main challenge that we have, politically, is that the people need to wake up. I think if we can have good leadership that loves and respects Motherland people and reveres the Motherland, I think only then can we begin to make the progress that is necessary. Because the decisions and policies that rule Africa do not come from a place of love and respect, they're coming from a place of economic advantage or disadvantage or profit margins. There's no way we can get the development we need that way.

Back to the album. The first single featured a collaboration with Carlos Santana, how did that come about?

Carlos is someone that I respect a lot. He mentioned me in his book and that's how I found out that I was on his radar. I'm really glad we were able to build that bridge. It's not just a musical bridge, it's also cultural and spiritual. I'm happy that Carlos also engaged from a place of deep love and respect, and I thank him and honor him for that.

I read Yasiin Bey and Nai Palm will also be featured in some new work?

We're planning to have a remix album and they're going to be on that. We have not started, we have not done it yet. It's maybe 80% sure.

You also worked with Robert Glasper again as in your previous album - A Long Way to the Beginning - how was that collaboration been forging

The partnership between Robert and I has always been growing. We've always been two people who are curious about each other's styles and look for ways to bring the best of both worlds when we work together. And it was the same with this project. I'm always very happy and honored when he's on board and we're able to do some good stuff.

Black Times is available now from Strut Records.


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Listen to Samthing Soweto’s Album ‘Isiphithiphithi’

Samthing Soweto's highly anticipated album is finally here.

One of the most anticipated albums of the year, Isiphithiphithi by Samthing Soweto is finally here.

The South African artist's project consists of 12 songs and features Makhafula Vilakazi, Shasha, Kabza De Small, DJ Maphorisa and Mlindo The Vocalist.

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South African Telenovela 'The River' has Been Nominated for an International Emmy

This is the popular telenovela's first International Emmy nomination.

One of South Africa's beloved telenovelas, The River, has received its first ever International Emmy nomination in the category of "Best Telenovela", according to IOL. The River will go up against other telenovelas from Columbia, Argentina as well as Portugal. The 47th installment of the International Emmy Awards will take place on November 25th of this year and will be held at the Hilton in New York.

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Photo (c) John Liebenberg

'Stolen Moments' Uncovers the Namibian Music That Apartheid Tried to Erase

The photo exhibition, showing at the Brunei Gallery in London, highlights artists from Namibia's underground scene between 1950-1980, a time of immense musical suppression prior to its independence.

Before its independence in 1990, a whole generation of Namibians were made to believe that their county had no real musical legacy. Popular productions by Namibian artists from previous eras were systematically concealed from the masses for nearly 30 years, under the apartheid regime—which extended to the country from South Africa following German colonization—depriving many Namibians of the opportunity to connect with their own musical heritage.

"Stolen Moments: Namibian Music Untold," a new exhibit currently showing at London's Brunei Museum at SOAS University of London, seeks to revive the musical Namibian musical traditions that the apartheid regime attempted to erase.

"Imagine you had never known about the musical riches of your country," said the exhibit's curator Aino Moongo in a statement of purpose on SOAS' site. "Your ears had been used to nothing but the dull sounds of country's former occupants and the blaring church and propaganda songs that were sold to you as your country's musical legacy. Until all at once, a magnitude of unknown sounds, melodies and songs appear. This sound, that roots your culture to the musical influences of jazz, blues and pop from around the world, is unique, yet familiar. It revives memories of bygone days, recites the history of your homeland and enables you for the first time to experience the emotions, joys and pains of your ancestors."

Photo (c) Dieter Hinrichs

The 'Stolen Moments" project began in 2010 in an effort to champion Namibia's unsung musical innovators. For the collection, Moongo and Assistant Curator, Siegrun Salmanian—along with a group of international scholars, artists, photographers and filmmakers—curated a large-scale photo exhibit that also features a 120-minute video projection, focusing on the dance styles of the era, along with listening stations, a sound installation that features "100-hours of interviews with musicians and contemporary witnesses," and displays of record covers and memorabilia from the period between 1950-1980.

The musicians highlighted, produced work that spanned a number of genres—a marker of the country's vast and eclectic underground scene. Artists like the saxophonist Leyden Naftali who led a band inspired by the sounds of ragtime, and the psychedelic rock and funk of the Ugly Creatures are explored through the exhibition, which also centers bands and artists such as The Dead Wood, The Rocking Kwela Boys, Children of Pluto and more.

"There are many reasons why you've never heard this music before," Moongo continues. "It was censored, suppressed, prohibited and made almost impossible to listen to. Its creators are either long gone or have given up on music making, by reasons of adversity, death and despair. And yet this beautiful music exists with a liveliness, as if it had never stopped playing. It is still in the minds of the few who can remember, with the ones who played it, and on those rare recordings that have survived in archives and record collections scattered around the globe. Allow me to share these stolen moments with you."

Photo (c) Dieter Hinrichs


Photo (c) John Liebenberg

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"Stolen Moments" is now showing at the Brunei Gallery in London and runs through Sept 21.

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Foul Language and Depictions of Rape Spur a Book Recall Campaign in Kenya

Kenya's Top Book seller pulls a South African book for youth due to foul language.

A main book supplier in Kenya, Text Book Centre, has announced that they would not stock a book due to its "vulgar and foul language." The book, Blood Ties, was written by South African author Zimkhitha Mlanzeli. The banning comes just after a video went viral in Kenya of a school child having a verbal outburst peppered with strong language. As reported by BBC, the removal was sparked by parents showing outrage after excerpts from the book were shared on twitter. These excerpts contained use of the f-word as well as a description of a rape scene.

As per their statement, the Text Book Centre claims they believe in "upholding high moral standards and raising generations of responsible citizens who are not only educated but ethical." The Kenyan publisher, StoryMoja, has defended the book in a statement of their own. They argue that the book is part of a new series showcasing books that deal with "contemporary societal issues" and that this particular book is a fictional story that grapples with the negative repercussions of peer pressure. "In actual fact, the book guides readers on the steps to take should they find themselves in a similar situation and underscores the sensitivity with which victims of sexual abuse should be treated." The statement also highlights the fact that the publishers had listed Blood Ties for readers in high school or above.


The discrepancy is that some schools have recommended the book as a reader – meaning for younger children aged 12 or 13 – though it has not been approved by the Kenyan Institute of Curricular Development (KICD), the entity in charge of managing texts used in schools. In a tweet, the KICD claimed that the book was not approved and that some teachers may be recommending texts without ensuring they were endorsed by the KICD. The dispute is sparking debate as to what should be taught in Kenyan schools.

As of late this morning, StoryMoja is in the process of recalling all copies of the book from stores and schools across Kenya. In a tweet they claim that it is because they have determined the language used in the book is the issue and not the subject matter.

Censorship is always a contested topic, just last month we reported on Nigerian authorities censoring a music video for "threatening security." Also, Kenya's censorship tactics have been in the global eye since a refusal to screen the film Rafiki for its homosexual heroines despite being lauded at international film festivals.

Here are some reactions from Kenyans on Twitter:





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